Produkte

Herman Müller (Swedish, 1840-1919)

View from Blasieholmen, Stockholm

watercolour on paper
signed and dated H.Müller.1896.
picture dimensions 23 x 28 cm
frame 37.5 x 42 cm

Provenance: 
A Swedish Private Collection

Herman Österlund (1873-1964) Sweden

Beach Curve in the Evening Light, Falsterbo

oil on canvas
signed HERMAN ÖSTERLUND
the motif is most likely from Falsterbo, or the area around Arild. 
c. 1920s
canvas dimensions 56 x 65.5 cm
frame 66 x 77.5 cm 

Provenance: 
A Swedish private collection

Herman Österlund was a renowned Swedish artist recognized for his stunning portrayals of the west coast of Sweden. In 1896, he relocated to Stockholm and successfully passed the entrance examination for the Royal Academy. During this period, he shared a studio with Otto Hesselbom, forging a strong friendship.

After completing three years of studies, Österlund decided to return to the west coast. He initially settled in Löberöd, Skåne, where he resided until 1905. However, he embarked on numerous trips abroad, including visits to Italy, Paris, and Spain, often accompanied by fellow artist Karl Isakson.

In 1909, Österlund moved to Malmö, and in 1913, he began renting a summer studio in Kämpinge, eventually relocating to Arild. It is likely that our painting, "Beach Curve in the Evening Light," depicts either the beach area at Falsterbo or Arild. In this artwork, we witness Österlund's exceptional talent for capturing the enchanting evening light. The painting emanates a serene atmosphere and showcases a simplicity that avoids excessive details. The interplay of light and the curvature of the beach creates a captivating three-dimensional effect, resulting in a truly remarkable masterpiece.

Herman Österlund (1873-1964) Sweden

Ocean View from the West Coast, 1916

oil on canvas
signed and dated Herman Österlund 1916
canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm)
frame 18.30 x 20.86 inches (46.5 x 53 cm)

Provenance: 
A Swedish private collection

 

Herman Österlund was a renowned Swedish artist celebrated for his exquisite portrayals of the picturesque west coast of Sweden. In 1896, he relocated to Stockholm and successfully passed the entrance exam for the Royal Academy. During this period, he shared a studio with Otto Hesselbom in Stockholm, forging a strong friendship. After completing three years of intensive study, Österlund felt compelled to return to the captivating landscapes of the west coast. Initially, he resided in Löberöd, Skåne, until 1905, while embarking on numerous journeys abroad with fellow artists such as Karl Isakson, exploring the vibrant art scenes of Italy, Paris, and Spain.

In 1909, Österlund settled in Malmö, and from 1913 onwards, he rented a summer studio in Kämpinge, eventually relocating to Arild. Our painting, titled "Ocean View from the West Coast," is likely a depiction of the captivating surroundings near Kämpinge. The artwork captures a serene seascape, expertly painted with a delicate color palette. Österlund masterfully achieves a harmonious balance, providing an almost abstract essence—not too much and not too little. That's one of the most challenging tasks for an artist , and Österlund accomplishes it with remarkable brilliance.

Hermanus Koekkoek Jr. (Jan van Couver) (1836-1909)

View of a Dutch Town 

oil on canvas
signed JvanCouver
canvas dimensions 10.82 x 14.76 inches (27.5 x 37.5 cm)
frame 16.92 x 20.86 inches (43 x 53 cm)

Provenance:
Art dealer Rudolph Ackermann, London (Old label on the back);
A Swedish private collection

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek, and son of Hermanus Koekkoek the Elder. His son, Stephen Robert Koekkoek, also chose to become a painter. Together with his brothers, Willem, Johannes Hermanus Barend and Hendrik Barend, Hermanus received his first art lessons from his father, who had recently settled in Amsterdam.
In the 1860s, he began regular visits to London and settled there in 1869.
The pseudonyms "Jan van Couver" appeared when selling his works in London; our painting is from the London period. Here we see his talent for painting landscape views with an impressionistic touch; the brush strokes are spontaneous and confident. The composition is built with a thick layer of impasto, giving it a three-dimensional feeling.
He took inspiration from the Hague School when painting the dramatic elements, for example, the clouds.

Hilding Linnqvist (1891-1984) Sweden

A Rural Landscape With Cows and Horses

watercolor
signed with monogram HL
framed 43.5 x 51.5 cm

Essay: 
This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984.
Linnqvist, known for his association with the Naïvist movement, often described as a "lyrical Naïvist," showcases his unique ability to capture the essence of rural life with a remarkable simplicity and charm. This artwork features grazing cows and horses amidst a lush landscape, with water reflections in the foreground, encapsulating the artist's love for landscape motifs.

The painting exudes Naïvist characteristics, revered for its beauty in simplicity, almost giving the impression of being unfinished. However, we believe that Linnqvist considered this piece completed decided to sign it with his monogram HL.
Linnqvist's artistic journey began at the Technical School (now Konstfack) from 1908 to 1910 and continued at the Royal Swedish Academy of Arts from 1910 to 1912, before he left to form an independent study group with fellow artists. This group made its debut in 1914, but Linnqvist's breakthrough came with the autumn exhibition at Liljevalchs in 1918.

This watercolor remains a testament to Linnqvist's enduring legacy and his connection with the natural world, rendered with a depth of feeling and an understated elegance that speaks directly to the viewer's soul.

Hilding Werner (1880-1944) Sweden

Self-Portrait, 1920

oil on canvas
signed with monogram and dated
unframed: 37 x 32 cm (c. 14.6 x 12.6 inches)
framed: 47 x 42 cm (c. 18.5 x 16.5 inches)
written on the back of the canvas:
(Hilding Werner: Study for Self-Portrait, Stömne, Aug, 1920)

Provenance: 
Acquired from the artist by Ralph Almark.

Condition: 
Recently restored by a professional art conservator in Stockholm. Ready to hang. 

Essay:
This striking self-portrait by Hilding Werner, painted in August 1920, captures the artist’s contemplative gaze against a deep green background. The expression on his face is one of intensity and introspection, as though he is reflecting on the serious times in which he lived. With a crisp, white collar that stands out against the darker tones of his attire, Werner presents himself with a restrained dignity. His somber expression invites the viewer to ponder his thoughts, suggesting the weight of responsibility and reflection in a turbulent era.

Hilding Werner (1880–1944) was a Swedish painter and illustrator born in Kårud, Värmland. He pursued his art studies at Caleb Althin's painting school in Stockholm and supported himself as a caricature artist for Nya Nisse. His connection with fellow artist Bror Lindh introduced him to prominent figures in Swedish art, including Richard Bergh, which led him to study at the Artists' Association’s painting school. Werner’s only study trip abroad took him to the Netherlands in 1905, after which he settled in Värmland, establishing a studio in Stömne in 1907.

A member of the artist collective De Frie, Werner exhibited with the Värmland Art Association and participated in group exhibitions throughout Sweden. Although he never held a solo exhibition during his lifetime, his legacy was commemorated with a retrospective at the Värmland Museum in 1946. Influenced by artists like Gustaf Fjæstad and Otto Hesselbom, Werner’s work combines romanticism with realism, often portraying the landscapes of Värmland. His oeuvre includes portraits, landscapes, and caricatures, each marked by a quiet yet profound dedication to his craft.

This self-portrait stands as a testament to Werner’s seriousness as an artist and the depth of his self-awareness, offering a rare, intimate glimpse into his character.

Hilding Werner (1880-1944) Sweden

Aurora Borealis
Swedish original title: Norrsken

oil on canvas
signed H.Werner
unframed 52.5 x 68.5 cm
framed 68 x 84 cm

Provenance: 
Sothebys London, 15 mar 1989, "Aurora Borealis", lot 214;
A private collection Arvika, Sweden.

Condition: 
Very good condition, the surface is recently cleaned.
New gold frame included. 

Comparable Sales: 

Sothebys New York, 22 May 2024, lot 17, Final price 31.200 USD. 

Essay:
We are pleased to present this exquisite painting, titled Aurora Borealis (originally titled Norrsken by the artist), created by the Swedish painter Hilding Werner. In this captivating winter scene, Werner masterfully captures the serene beauty of a snowy landscape illuminated by the soft, ethereal glow of the northern lights. The delicate blue and white hues evoke the quiet majesty of a Scandinavian winter night, transporting the viewer to a world of tranquility and wonder.

Hilding Werner (1880–1944) was a talented Swedish painter and illustrator, born in Kårud, Värmland. He studied at Caleb Althin's painting school in Stockholm and supported himself with caricatures in Nya Nisse. His friendship with Bror Lindh led to his enrollment in the Artists' Association’s painting school, where he studied under the mentorship of prominent artists like Richard Bergh. In 1905, he embarked on a study trip to the Netherlands, after which he settled in Stömne, Värmland, establishing a studio in Hammartjärnet.

Werner was a member of the artist collective De Frie and participated in exhibitions with the Värmland Art Association, as well as in Norrköping, Lund, and Arvika. Although he did not hold a solo exhibition in his lifetime, his work was honored in a commemorative exhibition at the Värmland Museum in 1946. A major influence on his art was his interaction with Gustaf Fjæstad, whose romantic and realistic landscapes deeply inspired him. A 1912 boat trip with Fjæstad and Bror Lindh to visit Otto Hesselbom in Säffle profoundly impacted Werner's artistic direction.

Hilding Werner (1880-1944) Sweden

Barns Buildings at Ruds Säteri, 1900

watercolor on paper
unframed 21.5 x 31 cm (8.46 x 12.2 inches)
framed 22 x 40 cm (8.66 x 15.75 inches)
written on the back: Ruds ladugårdshus, 1900

Provenance: 
We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.

Condition: 
The watercolor is in a very good condition, having recently been treated by a paper conservator. The conservator successfully diminished the visibility of a text on the back, which had previously shown through to the front.
The frame is new and features UV-protected, non-reflective glass.

Essay:

This watercolor by Hilding Werner depicts the barn buildings at Säteriet (Manor) Rud in Arvika, capturing a serene and almost melancholic atmosphere. The soft tones and minimalistic composition highlight Werner's ability to convey stillness and introspection through his art.
The painting shows the quiet rural life of early 20th century Sweden, with snow-covered roofs and a calm, muted sky. The simplicity of the scene belies the depth of emotion and tranquility it evokes, a hallmark of Werner's artistic genius.


Ruds Säteri, 1927

About Hilding Werner:

Hilding Werner (1880-1944), a Swedish painter and draughtsman, is known for his romantic and realistic landscapes, particularly of the Värmland region. His work spans from caricatures to poignant rural scenes, such as this one. Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he developed his distinctive style. His art is celebrated for its emotional depth and connection to the Swedish landscape.

This watercolor not only showcases Werner's technical skill but also his ability to capture the essence of rural Sweden, making it a significant piece in his oeuvre.

 

Hilding Werner (1880-1944) Sweden

Hulda in a Room at Ruds Säteri 

mixed media on paper 
unframed 27 x 22.5 cm (10.63 x 8.86 inches)
framed 38 x 33.5 cm (14.96 x 13.19 inches)

Provenance:
We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.

Essay:
This finely executed portrait by Hilding Werner captures Hulda seated in a room at Ruds Säteri. The drawing, skillfully rendered with an ink pen, demonstrates Werner's mastery of line work. Each stroke contributes to the overall composition, creating a rich sense of depth and texture. Hulda is depicted sitting gracefully with a book in her hand, exuding an aura of calm contemplation. The background features a window, adding a sense of space and light to the scene.

About the Artist:

Hilding Werner (1880-1944) was a notable Swedish painter and draughtsman known for his romantic and realistic landscapes, portraits, and caricatures. Born in Värmland, Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he honed his distinctive style. His work often reflects a deep connection to the Swedish landscape and a keen eye for detail, as seen in this intimate portrait of Hulda. Werner's art continues to be celebrated for its emotional depth and technical precision.

HILDING WERNER (1880-1944) Swedish

Värmland Landscape With a Red Barn

oil on board
signed H Werner
c. 1940
board dimensions 46 x 62 cm
A walnut tree frame, handmade by Christer Björkman is included, dimensions 58 x 74 cm.

Hilding Werner, A Värmland artist, was a distinguished Swedish painter and draftsman. Born to landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began after completing his studies at Karlstad University. In 1899, he enrolled at Caleb Althin's painting school in Stockholm, simultaneously working as a cartoonist for the newspaper Nya Nisse.

In 1905, Werner embarked on his sole study trip to the Netherlands. However, it was upon settling in Hammartjärnet in 1907 and establishing his own studio that he truly found his artistic niche. During those initial years, he maintained contact with fellow painters in the group known as De Frie and actively participated in their exhibitions.

Upon returning to Värmland, Werner crossed paths with Gustaf Fjæstad, renowned for his romantic and realistic landscape paintings. In 1912, Werner, Fjæstad, and Bror Lindh embarked on a boat trip to visit Otto Hesselbom in Säffle. The encounter with Hesselbom's art left an indelible impression on Werner, significantly shaping his future artistic endeavours.

This particular painting is most likely set in either Gillbergsdalen or Fryksdalen. Its remarkable attention to detail is evident in the seamless transition of colours in the sky, gracefully fading from blue to purple, pink, red, and yellow. The painting exudes meticulousness, capturing the essence of a typical Swedish arable landscape with a red barn as its focal point. The surrounding misty pond reflects the scenery beautifully, making this piece a rare gem in impeccable condition.

Hilding Werner (1880-1944) Sweden

Moonlight Over Krokvattnet (near Glafsfjorden)
Swedish title: Månsken över Krokvattnet (nära Glafsfjorden) 

oil on canvas 
signed H.Werner
canvas dimensions 42.5 x 77 cm (16.73 x 30.31 inches)
frame 52 x 86 cm (20.47 x 33.86 inches)
frame is hand made by Christer Björkman. 

Provenance: 
Acquired from the artist by Ralph Almark; Thence within the same family until we acquired it 2023.

Essay: 
Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privileged to present one of his captivating works for sale - "Moonlight Over Krokvattnet (near Glafsfjorden)".

The canvas, a long piece measuring 42.5 x 77 cm, beautifully captures a scene near Glafsfjorden in Värmland, Sweden. The composition is thoughtfully arranged with land in the foreground, meandering water, a peninsula on the right, and blue mountains in the background. The painting virtually radiates the stunning moonlight that illuminates the scene. The sky, a blend of white and grey clouds, acts as a perfect backdrop for the moonlight that shines and reflects so beautifully on the water. There is a poignant, almost melancholy, atmosphere that envelops the scene. In the foreground on the right, a small red cottage adds a touch of warmth and a sense of human presence to the otherwise tranquil and solitary landscape.

Werner's talent in capturing the nuances of light and the natural beauty of the Värmland landscape is evident in this painting. The almost ethereal quality of the moonlight, the gentle reflection in the water, and the subtle interplay of colors create a mesmerizing and evocative image.

Born to the landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began at Caleb Althin's painting school in Stockholm in 1899. He also earned side income as a caricature artist for the newspaper Nya Nisse. His acquaintance with Richard Bergh led him to participate in the Konstnärsförbundet's (Artists' Association) second painting school in 1900-1901. Despite making only one study trip abroad to the Netherlands in 1905, Werner's artistry was influenced by other notable artists such as Gustaf Fjæstad and Otto Hesselbom, whom he encountered during his travels within Sweden.

Werner was one of the initiators of the Värmland Artists' Association and his art, including satirical drawings, was featured in a special exhibition by the Värmland Museum in 2015. He is also represented in the Värmland Museum's collection.

"Moonlight Over Krokvattnet" is not just a painting; it is a journey into the night, a dance of light and shadow, and a reflection of Werner's deep connection to the landscape of Värmland. Owning this painting is an opportunity to possess a piece of Swedish art history and the legacy of Hilding Werner.

Comparable sales:

Bukowskis Stockholm, 2023, Hilding Werner - Twilight landscape, Glafsfjorden, Final price 8,612 € including buyers premium. 

  

Bukowskis Stockholm, Hilding Werner - Landscape Glafsfjorden, Important Winter Sale 645, 2022, Final price 8,025 € including buyers premium. 

Hilding Werner (1880-1944) Sweden

Värmland Landscape at Twilight

oil on canvas
signed H.Werner
unframed: 32 x 37 cm (12.6 x 14.6 inches)
framed: 42 x 47 cm (16.5 x 18.5 inches)

Condition: 
The artwork is in excellent condition, having recently been cleaned. The frame is included in the purchase.

Essay:
This landscape by Hilding Werner transports the viewer to the serene beauty of Värmland. Dominated by the vast expanse of sky, which occupies approximately two-thirds of the composition, the painting draws attention to the artist's masterful use of broad, confident brushstrokes. The delicate interplay of colors in the sky, particularly the soft lilac tones, conveys a serene yet dynamic ambiance, beautifully capturing the ephemeral magic of twilight.

At the horizon, the gentle rolling hills and rustic red cottages, nestled among the snowy trees, serve as a subtle reminder of Värmland's rural charm. Werner's ability to blend romanticism with realism is evident, reflecting the influence of his contemporaries Gustaf Fjæstad and Otto Hesselbom. The painting is a testament to Werner's deep connection to the landscapes of his home region and his skill in translating its essence onto canvas.

Hilding Werner (1880–1944), a Värmland native, studied at Caleb Althin’s school in Stockholm and was influenced by the likes of Richard Bergh and the artists’ group De Frie. While he is celebrated for his landscapes, Werner also explored satirical caricature and portraiture. His painting can be seen in Värmlands Museum, Karlstad.

Hjalmar Sandberg (1847-1888) Sweden

Harvest Time, 1876

oil on canvas
canvas size 14.96 x 18.11 inches (38 x 46 cm)
frame 18.70 x 25.59 inches (47.5 x 65 cm)
signed Hj. Sandberg 76

Provenance:
A Swedish Private Collection

Hjalmar Sandberg's artistic career began when he worked in a shop that sold materials to students at the Academy of Fine Arts. Sandberg had no art education and had to teach himself; he often chose intense colours and confident brushstrokes. The art students saw his great talent, and Carl Larsson took him to Paris one year after this painting was made.
He spent the entire summer of 1877 painting landscapes of Barbizon. His most tremendous success as an artist was in connection with the Paris World's Fair (Exposition Universelle) in 1878, when the jury considered him worthy of a medal.
Due to his early death, production became fragmentary. In addition to the world exhibition, he participated in the Paris Salon in 1879, the Nordic art exhibition in Copenhagen in 1883 and the Art Academy's exhibition in 1885. Sandberg is represented in many collections such as the National Museum in Stockholm, Norrköping Art Museum and Linköping Museum.