Produits

ROBERT THEGERSTRÖM (1857-1919) SWEDEN

WINTER LANDSCAPE, 1908

watercolor 
signed and dated R Thegerström 1908
visible image 28 x 36.5 cm
framed 36.5 x 46.5
hand made frame by Stockholms Förgyllning och Bildhuggeri. 

Condition: Very good.
 
Provenance: 
Jack and David Berner

Essay: 
This watercolor by Robert Thegerström, a Swedish painter, draftsman, and graphic artist, captures a serene winter scene from 1908. The artwork presents a frozen lake bathed in warm sunlight, conveying a peaceful atmosphere. The soft, subtle gradients of color showcase Thegerström's mastery of the watercolor medium, adeptly capturing the fleeting moments of natural light and its reflection on the icy surface. This piece is a testament to the artist's ability to blend realism with a poetic sense of atmosphere, characteristic of his work.

Robert Thegerström, born on January 6, 1857, in London, and passing on August 9, 1919, in Stockholm, was a pivotal figure in Swedish art. His education at the Royal Swedish Academy of Arts in Stockholm and subsequent studies in Paris placed him among the ranks of influential artists like Ernst Josephson, Carl Larsson, and Anders Zorn. Thegerström's Paris years were marked by engagement with the vibrant art scene, notably through his studies at Académie Julian and participation in the Paris Salons and the 1889 World's Fair, where he was awarded. His work, often reflecting the influence of his travels and encounters, spans from detailed architectural studies in Egypt to intimate landscapes and portraits back in Sweden.

After settling in Sweden, Thegerström became known for his atmospheric landscapes, capturing the essence of Swedish nature and light. His residence, Villa Tallbacken in Djursholm, became a cultural hub, reflecting his social standing and contributions to the artistic and musical life in Stockholm. Thegerström's legacy extends beyond his paintings, as he played a significant role in the artistic community, co-founding the Konstnärsförbundet (Artists' Association) and influencing Swedish art education and exhibition practices.

This watercolor, offering a glimpse into the quiet beauty of a Swedish winter, not only celebrates Thegerström's artistic achievements but also his role in the cultural life of his time.

Sam Uhrdin (1886-1964) Sweden

Moments of Reflection

oil on canvas
signed Sam Uhrdin 
canvas dimensions 65 x 55 cm
with frame 83 x 72 cm

Essay:
We are pleased to present a captivating painting by the artist Sam Uhrdin (1886-1964). This beautiful artwork depicts a woman from Dalarna, sitting in front of a warm, glowing fire. The entire painting is bathed in a soft, radiant light, particularly illuminating her face and traditional white/red attire. The woman appears contemplative, lost in thought, perhaps thinking of someone dear to her heart. She is depicted in a kitchen, taking a moment to relax after a day's chores in her home.

Sam Uhrdin's artistic journey began in the early 1900s, he traveled to Stockholm in 1903 to further continue his studies in painting. He worked as a painter during the day and attended various evening schools in the evenings. In 1906, he journeyed to America to work as a sign painter, but he mainly ended up working as an upholsterer. Returning to Leksand in 1909 via London and Paris, his artistic talent gained recognition, and with the help of some patrons, he began studying at the Royal Academy of Fine Arts in 1911, occasionally attending Althin's painting school in Stockholm. Financial circumstances cut his study time short, and his skill as a portrait painter earned him numerous portrait commissions, which further occupied his time.

In 1921, Uhrdin received a scholarship from the Royal Academy, enabling him to embark on a study trip in 1922 to the Netherlands, Belgium, and France, which he had to cut short due to his wife's illness. He later visited places like Spain and Portugal.

Uhrdin's breakthrough came with his portrait of the former Prime Minister Nils Edén, which he executed in 1919. In 1921, he portrayed the participants of the Swedish Academy. Among other representatives of official Sweden captured by Uhrdin were Gustav V, Manne Siegbahn, Ludvig Stavenow, and bishops Gottfrid and Einar Billing. In 1932, he held a solo exhibition at Konstnärshuset in Stockholm, and he participated in various exhibitions, including the Swedish Artists' Association in Stockholm in 1917, Swedish Art at Valand-Chalmers in Gothenburg in 1923, Dalarna Artists displayed at Liljevalchs Konsthall in 1936, and the National Museum's traveling exhibition "Barnet i konsten" (Children in Art) in 1965.

Uhrdin had a deep affection for the old Dala culture, and in a timber building in Tibble, he collected old objects from Leksand's culture, such as costumes, furniture, and household items, which he later used as props in his paintings. His artistic repertoire included genre paintings, portraits, and landscapes, with a particular focus on capturing the beauty of Dalarna. From 1935, he owned Tibble Manor outside Leksand. Uhrdin's artworks can be found in prestigious collections, including the National Museum in Stockholm, Leksand's Art Gallery, Uppsala University, and Leksand's Church, featuring his unfinished painting "Begravning i Leksand" (Burial in Leksand).

Provenance: 
A private collection Malmö, Sweden.

Sidney Pike (1846-1907) English

Summer Landscape With Cattle

oil on canvas
signed Sidney Pike
canvas dimensions 24 x 32 cm
frame 36 x 43.5 cm

Provenance: 
A Swedish private collection. 

Ture Ander (1881-1959) Sweden

A Värmland Landscape, 1941

watercolor on paper
signed Ture Ander
dated a tergo 1941
unframed approx. 24 x 32 cm
framed 35.5 x 43 cm
new frame with UV protected glass is included


Provenance:
A private collection. Värmland

Essay:
"A Värmland Landscape" is a watercolor painting by Ture Ander, an artist who was a member of the Racken Group. This artwork, incorrectly titled "Vår i Värmland, 1941" (Spring in Värmland, 1941) on its verso, actually depicts a serene autumnal scene, a testament to Ander's affinity for the Värmland landscape. Golden birches command the foreground, elegantly framing the composition on the left, while a soft, bluing forest provides a tranquil backdrop. A field, radiant in yellow, further enriches the scene, embodying the essence of autumn's embrace. Ture Ander's masterful application of a vivid, lilac hue on select spots infuses the painting with dynamic energy, a hallmark of his artistic prowess.

Ture Ander, born on September 17 in Askers parish, Örebro, embarked on his artistic journey at a tender age. Moving to Stockholm at thirteen, he apprenticed as a painter while attending evening courses at the Technical School (later known as Konstfack). Earning his journeyman's certificate in 1902, Ander graduated from the Technical School the following year with commendable grades in painting. His artistic path led him to the Konstnärsförbundet School in 1905, where he studied alongside notable figures like Leander Engström, Isaac Grünewald, and Einar Nerman. Ander's participation in the influential exhibition "De Unga" in 1909 marked a significant milestone in his career.

Further honing his skills, Ander studied at Colarossi in Paris between 1911 and 1912, drawing inspiration from the works of Cézanne. His personal life intertwined with his artistic endeavors when he married Ragnhild Franzén, who studied under the Fjæstad sisters. The couple settled in Orrhöjda near Racken, enduring financial hardships with resilience and simplicity—Ragnhild gathering berries and mushrooms, while Ture hunted and fished.

The later years of Ture Ander's life were shadowed by sorrow following Ragnhild's prolonged illness and eventual passing. This profound loss resonated in Ander's art, mirroring the depth of his emotions and the intricacies of human experience. Through works like "A Värmland Landscape" Ture Ander's legacy endures, capturing the fleeting beauty of nature and the poignant hues of life itself.

Ture Ander (1881-1959) Sweden

Autumn at Lake Racken, 1951

oil on board
signed Ture Ander 
unframed 46 x 54.5 cm
framed 57 x 66 cm

Essay:
Ture Ander was a Swedish painter renowned for his participation in the artist community the Racken group. At the age of 13, Ander moved to Stockholm as a painter's apprentice, balancing his work with evening classes at the Technical School, which later became known as Konstfack, an eminent art, craft, and design college in Sweden. 

In 1905, Ander was admitted to the Artists’ Association School where contemporaries like Leander Engström, Isaac Grünewald, and Einar Nerman also studied. His work was featured in the prominent exhibition "De Unga" in 1909. Furthering his studies in Paris at the Colarossi Academy between 1911 and 1912, Ander drew inspiration from Paul Cézanne, which significantly influenced his style.

Ander's personal life was closely intertwined with his art. He married Ragnhild Franzén, who was an apprentice to the Fjæstad sisters, and they eventually settled in Orrhöjda near Lake Racken. The family often experienced financial hardship, with Ragnhild gathering berries and mushrooms and Ture supplementing their income through hunting and fishing. The later years of Ture’s life were marked by sorrow after the prolonged illness and death of his wife, Ragnhild, which deeply impacted his artwork.

This painting "Höst vid Racken" (Autumn at Lake Racken) from 1951 is a testament to Ander's deep connection with the Racken area, which was a significant place for him and the rest of the Racken group—an artists' colony where he was one of the members.

Created towards the end of his career, this work captures the serene beauty of autumn by the lake. The painting showcases Ander's mature style with a rich palette of yellows and oranges, reflecting the seasonal foliage, and an atmospheric portrayal of the sky and water, conveying the melancholic yet peaceful essence of the season. This piece, with its lush brushwork and contemplative mood, not only illustrates the natural beauty of the Racken landscape but also serves as a poignant reflection of Ander's emotional state during his later years.

Ture Ander (1881-1959) Sweden

Floral Symphony, 1936


oil on board
signed and dated Ture Ander 36
board dimensions 24,41 x 18,90 inches (62 x 48 cm)
frame 29,13 x 24,02 inches (74 x 61 cm)

Provenance: 
A private collection, Värmland, Sweden. 

Essay:
Nestled in the repertoire of Ture Ander (1881-1959), a notable member of the Rackstagruppen (Racken Group), is this breathtaking bouquet, capturing the essence of nature's flowering beauty. The artwork offers a glimpse into a moment frozen in time—a moment where flowers in full bloom exude their ephemeral charm.

Anchoring the composition is a resplendent bouquet, housed in a striking blue glass vase, which stands gracefully upon a round wooden table. Ander's choice of blossoms is both eclectic and symbolic. From the towering Digitalis and gentle Poppy to the elegant Iris, passionate Snapdragons, rustic Cornflower, and the delicate Buttercup, each flower brings its unique aura to the bouquet. Collectively, they create an opulent tapestry of color, form, and texture, demonstrating the artist's profound understanding of botany and aesthetics.

The tradition of flower still life, holds a revered place in art history. Such compositions, apart from their aesthetic appeal, often delve deeper, addressing themes of transience, beauty, and the cyclical nature of life. Ander's piece, too, is more than just a visual treat—it's an invitation to meditate on the fleeting beauty of existence, reminding us of the transient nature of life itself.

The painting comes with a beautiful dark brown frame.
It is signed and dated '36, this artwork is not just a testament to Ture Ander's unparalleled prowess but also a window into the vibrant art scene of the 1930s, especially within the Racken Group—an influential art collective that profoundly shaped the Nordic art landscape.

Ulf Linde (1929-2013) Sweden

Seen from Behind 

gouache on board
signed U.L and dedicated to "Berit"
unframed 8.27 x 5.12 inches (21 x 13 cm)
framed 11.81 x 8.46 inches (30 x 21.5 cm)

Literature:
"Ulf Linde - Essays from a Lifetime in the Arts" from 2023 is included in the purchase. 

Essay:
This gouache painting by Ulf Linde, a multifaceted Swedish figure, presents a unique portrayal of a woman seen from behind, set against a blue and white striped background. The artwork, likely from the 1970s or 1980s, reflects Linde's admiration for René Magritte, whose influence can be discerned in the mysterious and thought-provoking silhouette. The absence of facial features draws the viewer's attention to the form and posture, perhaps challenging us to consider the unseen aspects of identity and presence.

Ulf Linde (1929–2013) was a renowned Swedish art critic, jazz musician, author, museum director, professor, composer, and member of the prestigious Swedish Academy. His father was Harald Linde, an engineer, and his mother Karin Krouthén. Linde's career spanned various realms of art and culture; he was first married to Bertha Lundgren and, after her passing, to Nina Öhman, who succeeded him as the head art curator of the Thielska Gallery.

Linde's membership in the Royal Swedish Academy of Fine Arts from 1963 and the Swedish Academy from 1977 marked his prominent role in the arts. He succeeded Eyvind Johnson in seat number 11 of the Swedish Academy and directed the Thielska Gallery for 20 years.

As an art critic for Dagens Nyheter from 1956 to 1968, Linde was recognized for his radical views on art, emphasizing the viewer's participatory role. His book "Spejare" ('Scouts') from 1960, was a collection of articles on the "informal" artists and was instrumental in triggering Sweden's "great art debate" of 1962. Lind's profound interest in Marcel Duchamp led him to create replicas of Duchamp's works, some of which were signed by Duchamp himself and are now housed in the Moderna Museet in Stockholm.

After leaving Dagens Nyheter in 1968, Linde continued to shape Swedish art discourse as a professor of modern art theory at the Royal Institute of Art and as an interim director at the Moderna Museet. His legacy includes over a hundred temporary exhibitions at the Thielska Gallery, and his "micro-essays" are compiled in the book "Presentationer" ('Presentations').

This particular gouache is accompanied by an exquisite pine frame, adding to its allure. It is dedicated to someone named "Berit," possibly someone of significance in Linde's life. The artwork, through its simplicity and evocative use of color and silhouette, embodies a magnetic charm that is difficult to articulate but deeply felt, much like the enigmatic works of Duchamp and Magritte that Linde admired so much.

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) 

Portrait of a Young Boy With Hat 

oil on tree panel
painted c.1850-70
panel  9.05 x 5.90 inches (23 x 15 cm)
frame 12 x 8.85 inches (30.5 x 22.5 cm)

Condition:
Very good, bright and clear colours. A small scratch in the upper right cloud. 

Victor Ravet (1840-1895)

A Young Woman With Her Dog, 1876

oil on wood panel
signed and dated J.V.Ravet 1876 
panel dimensions 14.17 x 9.25 inches (36 x 23.5 cm)
frame 18.50 x 13.58 inches (47 x 34.5 cm)

Essay:
In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty.

She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion.

The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings.

Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era.

With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play of light and shadow adds depth and a sense of tranquillity to the composition.

"A Young Woman With Her Dog" invites viewers to appreciate the beauty and serenity of an intimate moment frozen in time. It transports us to a world of refinement, evoking a sense of nostalgia for an era steeped in elegance and sophistication.
This wonderful painting by Victor Ravet is a testament to his skill and artistry, as he seamlessly blends historical influences with his own unique vision. It captivates with its charm, inviting us to immerse ourselves in a world where grace and beauty intertwine.

Wilhelm Dahlbom (1855-1928) Sweden

Moonlight, Idö, 1912

oil on canvas
signed and dated Wilhelm Dahlbom Idö 1912.
unframed 36 x 43 cm
framed 54 x 60 cm 

Condition:
Overall very good condition, the original gold frame has some minor repairs. 

Provenance:
Bukowskis Finland, 2 April 2008, lot 645, called "Kuunvaloa - Månsken. (1912)", Illustrated on page 88 of the catalog;
A private collection Finland. 

Essay:
We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the scene unfolding on a rugged shoreline where the relentless caress of the sea has smoothed the rocks over time. It is an evocative portrayal of nature's timeless beauty and power.

The location depicted is Idö, which could refer to the islands of the same name either in Västervik or Norrtälje, known for their picturesque landscapes. The painting is in excellent condition and It is housed within an elegant gold frame, which is most likely the original frame. 

Wilhelm Dahlbom (1855-1928) was the son of entomologist Anders Gustaf Dahlbom. He honed his artistic skills at the Royal Swedish Academy of Fine Arts in Stockholm and continued his studies abroad, particularly in Paris, but also in Italy and Germany. Dahlbom's passion for landscape painting is evident in his works, which predominantly feature central Sweden and Skåne's beech forests, often a favored subject.

His paintings is today housed in prestigious museum collections such as Nationalmuseum in Stockholm, the Malmö Art Museum, and the Swedish Portrait Collection at Gripsholm Castle. 

William Gislander (1890-1937) Swedish

Landscape With Ducks

oil on canvas
signed and dated William Gislander 1934
canvas dimensions 25.98 x 31.88 inches (66 x 81 cm)
frame 29.52 x 35.43 inches (75 x 90)

Provenance:
A Swedish Private Collection, Skåne.