LANDSCAPES

Reinhold Grohmann (1877-1915)

German Autumn Landscape With Windmill, 1903

oil on board 
signed with monogram 
board dimensions 47 x 47.5 cm
with frame 57 x 58 cm

Provenance: 
A Swedish private collection

English:
Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. 

Grohmann's works are known for their unique style, which featured bold colors and visible brushstrokes. He was heavily influenced by the Impressionist and Post-Impressionist movements and often used their techniques to create his distinctive style.

This particular painting from 1903, depicting a German landscape with a blooming bush in the foreground, a shimmering stream with reflections, and a hill with a windmill in the background, showcases Grohmann's exceptional skill as a painter. The painting captures the essence of an autumn day with its warm colors and visible brushstrokes.

German:
Reinhold Grohmann (1877-1915) war ein deutscher Maler, der an der Académie Julian in Paris studierte, einer renommierten Kunstschule, die Studierende aus der ganzen Welt anzog.

Grohmanns Werke sind bekannt für ihren einzigartigen Stil, der kräftige Farben und sichtbare Pinselstriche umfasste. Er war stark von den Impressionisten und Post-Impressionisten beeinflusst und nutzte oft ihre Techniken, um seinen unverwechselbaren Stil zu kreieren.

Dieses besondere Gemälde von 1903, das eine deutsche Landschaft mit einem blühenden Busch im Vordergrund, einem schimmernden Bach mit Reflexionen und einem Hügel mit einer Windmühle im Hintergrund darstellt, zeigt Grohmanns außergewöhnliches Können als Maler. Das Gemälde fängt die Essenz eines Herbsttages mit seinen warmen Farben und sichtbaren Pinselstrichen ein.

Carl Johansson (1863-1944) Swedish

Landscape from Nordingrå, 1935

oil on canvas
signed and dated Carl Johansson 1935
canvas dimensions 50.5 x 65 cm
frame 65 x 80 cm

Provenance:
A Swedish private collection.

Carl Johansson, also known as "Ultramarin Johansson," was a Swedish artist born in 1863 and known for his distinctive blue-toned paintings. His work often depicted landscapes, seascapes, and cityscapes, capturing the beauty and essence of Sweden's natural landscapes.

We are proud to offer one of his late works from 1935 for sale. This painting depicts a beautiful landscape from Nordingrå, a small village situated on the High coast of Sweden. The beauty of Nordingrå has captured many artists in the 19th-century, inspiring many famous painters, including Helmer Osslund with its rugged coastlines, dense forests, and crystal-clear lakes. 

The painting features a tranquil river painted in short, blue brushstrokes with a shimmering effect, capturing the reflection of the surrounding nature. In the background, we can see the blue-tinted mountains and a sky with clouds. The subtle details of the distant houses add to the serenity and peacefulness of the painting. 

Otto Lindberg (1880-1955) Swedish

Landscape from the North of Sweden

oil on canvas
singed and dated Otto Lindberg 1926
canvas 75 x 58 cm (29.52 x 22.83 inches)
frame 85 x 69 cm (33.56 x 27.16 inches)

Provenance: 
A private collection Orléans, France.

 

Otto Lindberg was a Swedish artist born in Söderhamn in 1880. Lindberg was known for his landscapes and marine paintings. He studied at the Royal Academy of Fine Arts in Stockholm and later traveled to Germany and Italy to continue his studies.

Lindberg's style can be described as a form of post-impressionism, with a personal touch and a focus on light and color. He often used a strong and vibrant color palette and aimed to capture the atmosphere and light of nature in his works.

This beautiful painting by Lindberg, depicting a landscape of mountains in shades of brown, red, blue, and green, with a lake in the foreground painted with short brushstrokes of blue, pink, and yellow. The painting is set under a lovely summer sky with warm, inviting light.

Alfred Ekstam (1878-1935) Mangskog, Sweden

Front: Art Nouveau Landscape
Back: Winter Landscape, Tobyn, Knaggen?

reversible oak frame by Christer Björkman. 
frame dimensions 84 x 100 cm

Provenance: 
Anna och Edward Karlsson, Mangskog

Alfred Ekstam, a renowned artist from Mangskog, Sweden, is known for his exquisite landscape paintings. We are excited to present this painting by Ekstam, which is extra special because it is painted on both sides, offering two beautiful landscapes in one, with a reversible frame that can be turned over without having to take it down from the wall.

On one side, you will be mesmerized by a stunning  Art Nouveau landscape with a purple tone, featuring a mountain in the background, a lake, and trees in the foreground with shades of yellow, red, and green. On the other side, you will see a winter landscape with five red houses, likely to be Ekstam's own farm in Knaggen. The winter scene showcases sun rays shining down on the houses, with a white and green tone.

Ekstam was known for his self-criticism, he took a long time to complete his paintings and he preferred to keep his beautiful creations for himself, resulting in the creation of only around 50 landscape paintings in total.

Ekstam's artistic talent was honed during his time in Rackstadkolonin, a colony of artists who gathered in the early 1900s in Värmland, Sweden. He was trained by the famous Swedish painter Gustaf Fjaestad. Ekstam's works are known for their ability to capture the beauty of nature with incredible detail and precision.

In summary, Alfred Ekstam's painting of an Art Nouveau Landscape on one side and a winter landscape with five red houses on the other is an extraordinary piece of art that captures the beauty of nature with intricate details. With its unique double-sided feature, it is sure to be a conversation starter and a prized possession for any art lover. Don't miss out on the chance to own this stunning piece by one of Sweden's most talented Värmland painters.

 

HENRIC ANKARCRONA (1831-1917) SWEDEN

LANDSCAPE FROM THE ROMAN CAMPAGNA, WITH RUINS IN THE DISTANCE

oil on paper 
signed with monogram HA
25 x 30 cm
c. 1879

Provenance: 
A Swedish private collection

 

 

Dick Beer (b. London 1893 - d. Stockholm 1938) 

Folkliv på Korsika, I (Popular Dance at Corsica, I)

oil on canvas
signed Dick Beer
c. 1924
canvas dimensions 88 x 100 cm 

Exhibited:
The Royal Academy Stockholm 1973;
Millesgården – Dick Beer – Impressionist & Kubist, 2012

Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent.
Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland.
Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies.
In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists.
In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army.
Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues.
In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”.
In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles.
In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life.
Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers.
In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm became a student of Dick Beer’s and they developed an intimate friendship. In June the same year, Dick Beer died in Stockholm following complications of pneumonia.

Carl Johansson (1863-1944) Sweden

Vast Autumn Landscape With Blue Mountains, 1913

oil on canvas
signed and dated Carl Johansson 1913
canvas dimensions 40 x 60 cm
frame 51 x 71 cm

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture the natural beauty of the Swedish countryside. Johansson studied art at the Royal Swedish Academy of Fine Arts in Stockholm, where he honed his skills as a painter and developed a deep appreciation for the beauty of the natural world.

One of Johansson's greatest strengths as an artist was his ability to convey the ethereal quality of the Swedish landscape. His paintings of misty mountains and verdant valleys were characterized by their intricate detail and stunning color palette. In particular, his use of the vibrant blue pigment ultramarine earned him the nickname "Ultramarin Johansson."

Johansson's paintings of blue mountains were particularly striking, as he was able to convey the sense of scale and majesty that these towering peaks possess. His use of color was masterful, with the soft blues and grays of the mountains blending seamlessly with the greens and browns of the surrounding landscape.

Johansson's works have become highly sought after by collectors and art enthusiasts around the world, and his legacy as one of the greatest Swedish painters of the 20th century continues to endure. His ability to capture the natural beauty of the Swedish landscape with such precision and beauty is a testament to his skill and dedication as an artist, and his works remain some of the most beloved and treasured examples of Swedish art to this day.

Investing in a Carl Johansson painting is not only a sound financial decision, but also a way to own a piece of Swedish art history. Each painting is a testament to Johansson's skill and talent, and will bring a sense of majesty and wonder to any room or collection. Don't miss your chance to own a piece of Swedish art history.


Provenance:
A Swedish private collection

Dick Beer (b. London 1893 - d. Stockholm 1938) 

Saint Cloud, 1912

oil on board
board dimensions 40.5 x 32.5 cm
frame 51.5 x 43.5 cm 
signed Dick Beer 
painted 1912

Exhibited:
The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942

Provenance:
A private collection, Sweden

Dick Beer (1893-1938)

Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside.

Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström. 

At this time, Many artists went to Paris, and Dick Beer wasn't an exception; he rented a studio and took every spare time to visit academies such as Colarossi and Grande Chaumière and André Lhote. 

Dick Beer travels to Pont Aven in Brittany over the summer of 1913. In September, he went directly to Stockholm for his first solo exhibition with the French title Exposition des tableaux de Bretagne et autour de Paris; The exhibition was a big success with many visitors. 

1914-1917: First World War:

In the spring of 1914, Dick Beer undertook a longer study trip to Italy, Tunisia, Morocco and Spain.

When the French army mobilized, Dick Beer volunteered and was accepted into the French Foreign Legion. He was severely injured at Souain in September 1915, and the war injuries left him with severe deafness and nerve problems, which became increasingly noticeable over the years. During and after the war, he painted in a post-impressionistic style with a light palette, increasingly tuned in blue and green.

1918-1919

Dick Beer and Ruth Öhrling married in February, and in December, their only child, John, was born. During these years, Beer had a studio at Rådmansgatan in Stockholm. During this time, he paints several large Cubist compositions such as "In the Paddock" and "Arab Café". 
He participated in the Februarigruppen exhibition at Liljevalch's in 1919. His palette turned into a darker colour scheme dominated by green, blue, and red. 
Amedeo Modigliani made a pencil portrait of him in Paris in 1919. 
Throughout his short life, Beer spent most of his time in France and exhibited almost annually in Paris.
The Scandinavian motifs were mostly landscapes around Lake Mälaren and from the Stockholm archipelago, cityscapes, many nude studies and some portraits. 
Dick Beer practised many styles during his 30 years as an artist, from post-impressionism, cubism, late cubism, expressionism and naturalism. 

Reinhold Ljunggren (1920-2006) Sweden

Äng vid Kalmarsund, 1947

oil on masonite 
signed and dated R.Ljunggren 47
board dimensions 27 x 35 cm
frame 37.5 x 45.5 cm

Provenance: 
Stockholms Auktionsverk, lot 2509486

Herman Österlund (1873-1964) Sweden

Ocean View from the West Coast, 1916

oil on canvas
signed and dated Herman Österlund 1916
canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm)
frame 18.30 x 20.86 inches (46.5 x 53 cm)

Provenance: 
A Swedish private collection

 

Herman Österlund was a renowned Swedish artist celebrated for his exquisite portrayals of the picturesque west coast of Sweden. In 1896, he relocated to Stockholm and successfully passed the entrance exam for the Royal Academy. During this period, he shared a studio with Otto Hesselbom in Stockholm, forging a strong friendship. After completing three years of intensive study, Österlund felt compelled to return to the captivating landscapes of the west coast. Initially, he resided in Löberöd, Skåne, until 1905, while embarking on numerous journeys abroad with fellow artists such as Karl Isakson, exploring the vibrant art scenes of Italy, Paris, and Spain.

In 1909, Österlund settled in Malmö, and from 1913 onwards, he rented a summer studio in Kämpinge, eventually relocating to Arild. Our painting, titled "Ocean View from the West Coast," is likely a depiction of the captivating surroundings near Kämpinge. The artwork captures a serene seascape, expertly painted with a delicate color palette. Österlund masterfully achieves a harmonious balance, providing an almost abstract essence—not too much and not too little. That's one of the most challenging tasks for an artist , and Österlund accomplishes it with remarkable brilliance.

William Gislander (1890-1937) Swedish

Landscape With Ducks

oil on canvas
signed and dated William Gislander 1934
canvas dimensions 25.98 x 31.88 inches (66 x 81 cm)
frame 29.52 x 35.43 inches (75 x 90)

Provenance:
A Swedish Private Collection, Skåne.

Sidney Pike (1846-1907) English

Summer Landscape With Cattle

oil on canvas
signed Sidney Pike
canvas dimensions 24 x 32 cm
frame 36 x 43.5 cm

Provenance: 
A Swedish private collection. 

Philippe Marie Picard (1915-1997) French

French Landscape

oil on canvas
signed Ph m Picard
dated a tergo 16.4 -46
canvas size 12.99 x 22.04 inches (33 x 56 cm )
frame 23.03 x 31.49 inches (58.5 x 80 cm)

Provenance:
A Swedish private collection.

The Artist:
The year was 1915, and Philippe Marie was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard. He was then accepted to the École supérieure des beaux-arts de Tours from 1932 to 1934, where he was a pupil of Maurice Mathurin. In 1935, he entered the School of Fine Arts in Paris, then in 1936-1938 the studio of Fernand Sabatté, and finally Charles-François-Prosper Guérin studio.

Phillippe Marie exhibited at the Salon des Indépendants 1945, where the city of Paris bought the first painting.
He then exhibited regularly at the Salon des Indépendants until 1989. In 1946 when this painting was created, he exhibited for the first time in Stockholm. At the end of the same year, he was noticed by Youki Desnos and exhibit at the Fontan gallery in Paris. In 1947 and 1948, he participated in a group exhibition at the Marquié Gallery in New York under the title: School of Paris - Paintings with Eugène Boudin , Jean-Baptiste Corot , Braque , Andre Lhote , Élisée Maclet , Camille Pissarro and Henri Rousseau. He travelled to Sweden from October to November 1949. It will be his only trip abroad. Subsequently, he made several important exhibitions in Sweden. He continues to exhibit in Sweden, Germany, Switzerland, Venezuela, Lebanon, Spain, Mexico, Montreal.
In the 1940s, Picard painted realistic portraits, still lifes, and landscapes; he experimented with black lines in his paintings. In the 1950s, his art became more expressionist. Around 1970, he turned to a semi-abstraction and later to Fauvism.

 

Per (Pehr) Wickenberg (1812-1846) Swedish

Dutch Winter landscape with children playing on the ice

oil on relined canvas
signed and dated P.Wickenberg 1839
gold frame with patina included
canvas dimensions 51.5 x 70.5 cm (20.27 x 27.75 inches)
frame 69.5 x 88 cm (27.36 x 34.64 inches) 

Essay:
Per Wickenberg, was a Swedish maestro of the brush who left an indelible mark on the world despite his brief life, truncated by tuberculosis at the age of 34. A prodigy who dedicated over two decades to his craft, Wickenberg's journey began at the Royal Academy of Art in Stockholm. His ambition took him beyond the familiar landscapes of Sweden to the artistic epicenter of Paris in 1837, where recognition and acclaim awaited him. His depictions of the Nordic chill won him gold medals at the prestigious Salon de Paris consecutively in 1838 for "Nordiskt vinterlandskap" and in 1839 for "Vinterfiske."

Empowered by a scholarship from his homeland, Wickenberg ventured through Belgium and the Netherlands, where he further honed his skill and perspective. The painting we present is a product of this period, a testament to his success and his exceptional ability to evoke the stark beauty of winter. Every detail is rendered with extraordinary care—the children on the ice, a sledge heaped with hay, and a solitary skater in the distance, lending depth and vivacity to the scene. This painting is not merely a visual treat; it is an homage to a visionary artist's lifelong devotion to capturing the essence of his environment. It is our privilege to offer this exquisite piece, a slice of Wickenberg's enduring legacy.
Artist: Per (Pehr) Wickenberg (1812-1846) Swedish

Condition: 
Overall good condition, bright and clear colors. 
There are some old retouching in some areas (please contact for UV images)

Provenance: 
AAG Auctions, Amsterdam, nov 2015, lot 29;
A Swedish private collection

A Scandinavian Landscape View, c. 1920


signed Osc.Lycke
oil on canvas
canvas dimensions 104.5 x 147.5 cm
frame dimensions 111.5 x 154.5 cm

 

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism style. The motifs were often mountains, forests, rapids, and lakes painted with his self-taught style. Lycke exhibited many times in northern Sweden, but also at one time in New York, with great success. This painting is from Hälsingland, which is located in the middle part of Sweden; it depicts a Landscape view with a dramatic sky. Lycke captured the famous nordic light in the best possible manner; this part of Sweden was back then - and still today a popular go-to place for tourism.

Provenance: A Swedish private collection.

Nils Hans Christiansen (1850-1929) Denmark

Winter Landscape With an Old Tree

oil on canvas
late 19th century
signed 
canvas dimensions 15.94 x 12.79 inches (40.5 x 32.5 cm)
frame 20.47 x 17.12 inches (52 x 43.5 cm)

Provenance: 
A Swedish private collection

Johan Peter von Wildenradt (1861-1904) 

Sea View from Menton, Côte d'Azur, France

signed JP.v. Wildenradt Menton 1892
oil on wood panel
panel size 26.37 x 16.92 inches (67 x 43 cm)
frame 31.49 x 22.04 inches (80 x 56 cm)

Provenance:
Swedish private collection

 

Wildenradt was born 1861 in Helsingør, Denmark. He studies art at the School of Fine Arts in Copenhagen under Laurits Tuxen. During the latter part of the 1880s, he traveled to Provence and fell in love with the beautiful landscape, where he settled. In the years to come, during the 1890s, Wildenradt created some very spectacular paintings, including "Sea View from Menton, Côte d'Azur, France". Since he died at only 43 years old, his production is very limited. Johan Peter von Wildenradt is represented at the Museum of fine arts in Marseille. 

 

 

Hugo Anton Fisher (1854-1916 American)

Landscape View With Cows Drinking Water

watercolor on paper
c. 1890s
image size 6.69 x 12.99 inches (17 x 33 cm)
frame 11.41 x 17.51 inches (29 x 44.5 cm)

American artist Hugo Anton Fisher was primarily known for painting landscapes in watercolor. He was born into a family of artists in Kladno, Bohemia.
In 1874, he immigrated to New York and, after 12 years, moved to Alameda in California with his wife and children. About 1894, Fisher moved to Hawaii and opened a studio in Honolulu, but he left Hawaii for the mainland late in 1896. Fisher died in Alameda, California in 1916.
Many American museums own work by Fisher, such as The Adirondack Museum (Blue Mountain Lake, New York), the Fine Arts Museums of San Francisco, the Hawaii State Art Museum, the Jersey City Museum (Jersey City, New Jersey), the Oakland Museum of California, and Thiel College (Greenville, Pennsylvania).

Provenance:
From a Swedish private collection

Hjalmar Sandberg (1847-1888) Sweden

Harvest Time, 1876

oil on canvas
canvas size 14.96 x 18.11 inches (38 x 46 cm)
frame 18.70 x 25.59 inches (47.5 x 65 cm)
signed Hj. Sandberg 76

Provenance:
A Swedish Private Collection

Hjalmar Sandberg's artistic career began when he worked in a shop that sold materials to students at the Academy of Fine Arts. Sandberg had no art education and had to teach himself; he often chose intense colours and confident brushstrokes. The art students saw his great talent, and Carl Larsson took him to Paris one year after this painting was made.
He spent the entire summer of 1877 painting landscapes of Barbizon. His most tremendous success as an artist was in connection with the Paris World's Fair (Exposition Universelle) in 1878, when the jury considered him worthy of a medal.
Due to his early death, production became fragmentary. In addition to the world exhibition, he participated in the Paris Salon in 1879, the Nordic art exhibition in Copenhagen in 1883 and the Art Academy's exhibition in 1885. Sandberg is represented in many collections such as the National Museum in Stockholm, Norrköping Art Museum and Linköping Museum.

Hermanus Koekkoek Jr. (Jan van Couver) (1836-1909)

View of a Dutch Town 

oil on canvas
signed JvanCouver
canvas dimensions 10.82 x 14.76 inches (27.5 x 37.5 cm)
frame 16.92 x 20.86 inches (43 x 53 cm)

Provenance:
Art dealer Rudolph Ackermann, London (Old label on the back);
A Swedish private collection

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek, and son of Hermanus Koekkoek the Elder. His son, Stephen Robert Koekkoek, also chose to become a painter. Together with his brothers, Willem, Johannes Hermanus Barend and Hendrik Barend, Hermanus received his first art lessons from his father, who had recently settled in Amsterdam.
In the 1860s, he began regular visits to London and settled there in 1869.
The pseudonyms "Jan van Couver" appeared when selling his works in London; our painting is from the London period. Here we see his talent for painting landscape views with an impressionistic touch; the brush strokes are spontaneous and confident. The composition is built with a thick layer of impasto, giving it a three-dimensional feeling.
He took inspiration from the Hague School when painting the dramatic elements, for example, the clouds.

Herman Österlund (1873-1964) Sweden

Beach Curve in the Evening Light, Falsterbo

oil on canvas
signed HERMAN ÖSTERLUND
the motif is most likely from Falsterbo, or the area around Arild. 
c. 1920s
canvas dimensions 56 x 65.5 cm
frame 66 x 77.5 cm 

Provenance: 
A Swedish private collection

Herman Österlund was a renowned Swedish artist recognized for his stunning portrayals of the west coast of Sweden. In 1896, he relocated to Stockholm and successfully passed the entrance examination for the Royal Academy. During this period, he shared a studio with Otto Hesselbom, forging a strong friendship.

After completing three years of studies, Österlund decided to return to the west coast. He initially settled in Löberöd, Skåne, where he resided until 1905. However, he embarked on numerous trips abroad, including visits to Italy, Paris, and Spain, often accompanied by fellow artist Karl Isakson.

In 1909, Österlund moved to Malmö, and in 1913, he began renting a summer studio in Kämpinge, eventually relocating to Arild. It is likely that our painting, "Beach Curve in the Evening Light," depicts either the beach area at Falsterbo or Arild. In this artwork, we witness Österlund's exceptional talent for capturing the enchanting evening light. The painting emanates a serene atmosphere and showcases a simplicity that avoids excessive details. The interplay of light and the curvature of the beach creates a captivating three-dimensional effect, resulting in a truly remarkable masterpiece.