If you are seeking to purchase classic paintings, you have come to the right place. Our extensive collection spans from the early 16th century to the early 1900s and features a carefully curated selection. Additionally, we offer complimentary international shipping on all orders.
signed Karl Tirén oil on board unframed 59 x 98 cm framed 76 x 105 cm
Provenance: A private collection in the north of Sweden
This painting, "Vårvinter II," painted around 1909 by the Swedish artist Karl Tirén, is a remarkable representation of a landscape in the cusp of the seasonal transition from winter to spring. The canvas is alive with the muted yet rich colours of the winter landscape, a subject close to Tirén's heart and frequent in his oeuvre. The scene is set against a backdrop of a gently sloping mountain, its snow-covered peak basking in the soft light of a spring sun, suggesting the lingering chill of winter yet the promise of warmer days. The foreground is dominated by an intricate play of melting snow and emerging rocks, with ice-capped pools reflecting the azure sky, a testament to the artist's skill in capturing water in its various states.
Bare trees, with their branches etched against the sky, speak of resilience and the imminent return of foliage. The composition is skillfully balanced, with the eye being led across the melting streams that meander through the landscape. The painting's execution, with its broad, confident brushstrokes, conveys both the tranquility and the dynamic nature of the season's transformation. "Vårvinter II" is not just a mere depiction of a place but a narrative of the cycle of seasons, a visual journey through time and change.
Karl Tirén's multifaceted background as a musician, violin maker, Sami researcher, and stationmaster enriches his artistry, infusing his work with a depth of cultural and environmental understanding. Trained in Germany, France, and England, Tirén brought a European sensibility to his representations of the Nordic landscapes.
Tirén's legacy persists through his varied contributions and is celebrated in his representation at the Jämtland County Museum in Östersund, among others. "Vårvinter II" stands as a serene yet evocative piece within this collection, inviting viewers to contemplate the beauty of the north and the transient moments between the seasons.
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Bernhard Oscarsson - View over Strandvägen, Stockholm
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€2.600
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Bernhard Oscarsson (1894-1977) Swedish
View over Strandvägen, Stockholm
oil on canvas signed and dated Oscarsson 1933 unframed 54 x 65 cm framed 70 x 80 cm
Essay: This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal Swedish Academy of Fine Arts in Stockholm, honed his craft extensively through his European travels in Spain, Italy, France, the Netherlands, and Germany. This particular piece is painted from Blasieholmen, behind the National Museum, with his gaze set towards Strandvägen.
Oscarsson's canvas is a symphony of colors, with each brushstroke contributing to the overall harmony of the scene. The foreground is graced with the tranquil paths of Blasieholmen, lined with welcoming benches and a solitary lamp post standing as a silent sentinel. A solitary figure walks towards the bustling Strandvägen, perhaps lost in thought or simply enjoying the scenic view. The rich foliage on the left provides a stark contrast to the open skies, where soft clouds dance in the light of the setting sun.
The painting's palette is reminiscent of the transitional phase between late impressionism and early modernism, capturing the ephemeral quality of light and the subtle nuances of urban life. It embodies a sense of peace and reflection amidst the daily hum of a growing city. Oscarsson's work is more than a mere depiction of a location; it is a portal to the soul of Stockholm, offering a timeless glimpse into the city's heart through the eyes of an artist who both loved and understood his subject deeply.
Same view today, 90 years later:
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Lindorm Liljefors - Goldfinches, Taormina
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€1.900
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Lindorm Liljefors (1909-1985) Sweden
Goldfinches, Taormina
oil on board signed and dated Taormina 83 Lindorm L unframed 19 x 27 cm framed 28.5 x 36 cm
Provenance: A Swedish private collection Essay: This exquisite painting by Lindorm Liljefors, the talented Swedish painter, draughtsman, and sculptor, is a testament to his profound connection with nature and his artistic lineage. Born on September 18, 1909, in Ytterjärna, Södermanland, and passing away on February 20, 1985, in Skyttorp, Uppsala County, Lindorm was the son of the renowned artist Bruno Liljefors. Educated at the Royal Swedish Academy of Arts in Stockholm from 1928 to 1934, under the tutelage of Alfred Bergström and Wilhelm Smith, he honed his skills before embarking on study trips to France and Italy in 1934.
Our painting "Goldfinches, Taormina" showcases a serene natural landscape, inspired by the picturesque scenery of Taormina, it captures the essence of Taormina's natural beauty, combining it with Liljefors' unique artistic perspective. The landscape is richly detailed with lush green grass, delicate flowers, and rugged stones. The focal point is two European goldfinches (Steglits): one gracefully perched on the ground and the other captured in mid-flight, adding a dynamic element to the tranquil scene. This portrayal not only highlights Liljefors' skill in rendering natural beauty but also reflects his personal love for the outdoors, a theme consistent throughout his career.
Lindorm Liljefors followed in his father's footsteps, both in his choice of motifs and his perspective on nature. His oeuvre includes a variety of nature scenes, such as hunters with dogs, crows on ice, badger families, ducks near openings in the ice, and forest interiors. As a sculptor, he focused on depicting humans and animals in motion. His passion for hunting and dogs, coupled with his contributions to the magazine "Svensk Jakt," further underscored his deep engagement with the natural world.
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Carl Johansson - Landscape View, Nordingrå, 1915
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€2.700
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Carl Johansson (1863-1944) Sweden
Landscape View, Nordingrå, 1915
oil on canvas signed and dated Carl Johansson 1915 unframed 58 x 70 cm (22.8 x 27.6 inches) framed 69 x 82 cm (27.2 x 32.3 inches)
Essay: We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. This area, known for its unique geology and as a UNESCO World Heritage Site, has inspired Johansson's creation, capturing the essence of the region's majestic beauty.
The painting features a meandering stream flowing through a vast landscape, flanked by sloping terrains on either side. In the background, the blue-hued mountains create a serene backdrop, harmonizing with Johansson's signature blue tones, a characteristic that earned him the nickname "Ultramarin Johansson." This artwork is a testament to Johansson's deep connection with the landscapes of Norrland, from where he drew many of his motifs.
Born in Härnösand, Carl Johansson's artistic talents were recognized early on by his drawing teacher, Conny Burman, at Klara Elementary School. His formal art education began at the Royal Swedish Academy of Arts in 1882, where he studied under Edvard Perséus and Per Daniel Holm. Johansson's career was marked by his affiliation with the Opponents movement in 1885, leading to his departure from the Academy.
Johansson's artistic journey included travels and studies in France, Tenerife, and Italy, reflected in the diverse landscapes featured in his works. He participated in several international exhibitions, including the World's Fair in Paris (1889), the Centennial Exhibition in Buenos Aires (1910), and the Panama Pacific International Exposition (1915). His first solo exhibition was held in 1933 at the Konstnärshuset in Stockholm, followed by several others, including a posthumous exhibition at Åmells art gallery in 1988.
Throughout his career, Johansson evolved from painting detailed landscapes in a traditional style to adopting a more impressionistic approach, influenced by French artists Claude Monet and Camille Pissarro. His later works, marked by a notable blue tone, showcased his unique style, blending nationalistic sentiments with a photographic analytical approach.
This particular painting, "Landscape View, Nordingrå, 1915" painted in 1915, is a fine example of Johansson's impressionistic style and ultramarine color palette. It not only highlights Johansson's technical prowess and demanding standards in painting but also encapsulates his love for the landscapes of Norrland.
Carl Johansson's legacy continues to be celebrated, with his works displayed in prestigious institutions like the Nationalmuseum in Stockholm, Kalmar Art Museum, and Hudiksvall municipality.
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Nils Kreuger - Cattle on the Meadow
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€3.000
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Nils Kreuger (1858-1930) Sweden
Cattle on the Meadow
oil on wood panel signet N.KREUGER. unframed 13.5 x 24.5 cm framed 26.5 x 37 cm
Provenance: A private collection, Belgium.
Essay: This exquisite oil painting on panel, measuring 13.5 x 24.5 cm, is a beautiful piece by Nils Kreuger, a distinguished Swedish painter. The artwork depicts five cattle grazing on a green meadow, a scene that encapsulates the tranquil beauty of rural life. In the distance, the horizon is graced by the sea, adding a serene backdrop to the pastoral theme.
Nils Kreuger's unique style is evident in this painting, particularly in his characteristic use of black lines that trace the forms of the cattle. This stylistic choice adds a dynamic and almost rhythmic quality to the composition, capturing the essence of the animals in a way that is both artistic and lifelike.
The painting is further enhanced by a newly crafted, elegant black frame that complements its aesthetic and ensures its preservation.
Nils Kreuger (1858–1930) was a master of landscape and rural scene painting. His journey as an artist began at the Royal Swedish Academy of Fine Arts, although illness interrupted his studies. He later continued his education under Edvard Perséus and in Paris at the Académie Colarossi. Kreuger's early works were often painted en plein air in Grez-sur-Loing, showcasing his affinity for capturing natural light and atmosphere, particularly at dawn or dusk.
He was a key figure in the Opponenterna movement, which challenged the outdated methods of the Royal Academy. His move to Varberg led to the formation of the Varbergsskolan, a group that veered towards Romantic nationalism in landscape painting, influenced in part by Paul Gauguin and Van Gogh.
Kreuger's later years saw him in Stockholm, with summers in Öland where he painted cows and horses. His style evolved, introducing lighter palettes and dots, and he also ventured into illustration and furniture design. Despite challenges with his eyesight in his later years, Kreuger continued to paint, leaving behind a legacy that is celebrated in major Swedish art museums such as; Nationalmuseum Stockholm, Prins Eugens Waldemarsudde, the Thiel Gallery, and the Gothenburg Museum of Art.
This painting, with its delicate interplay of light and shadow and its representation of rural tranquility, is not only a testament to Kreuger's artistic skill but also a piece of Swedish cultural heritage. It is an ideal acquisition for collectors and enthusiasts of Nordic art, offering both aesthetic pleasure and historical significance.
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Anton Genberg - Winter Landscape, 1919
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€3.200
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Anton Genberg (1862 - 1939) Sweden
Winter Landscape, 1919
oil on canvas signed and dated Anton Genberg 1919 unframed 73.5 x 101 cm framed 84 x 111.5 cm
Essay: We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry, known for his naturalistic depiction of the Scandinavian wilderness.
The work features a peaceful open brook in the foreground, meticulously painted with intricate and elongated brushstrokes that reflect the calm flow of the water. Following the waterline, a stand of birches emerges, almost glowing with a delicate lilac hue in the painting's twilight. Above, the sky is painted in an impressionist style, with broad strokes of white, blue, and lilac, creating a harmonious blend that captures the fleeting light of a Nordic winter.
The subject of the painting likely draws from the natural surroundings of Storängen in Stockholm, where Genberg resided in 1919. This painting is not only a visual masterpiece but also a piece of history from the artist's own life and surroundings.
Anton Genberg (1862-1939) was a celebrated Swedish painter, born in Östersund and later settled in Storängen, Stockholm. His body of work mainly features the landscapes of northern Sweden, particularly the mountainous regions. Genberg's education at the Technical School in Stockholm and the Royal Swedish Academy of Fine Arts.
Throughout his career, Genberg's exhibitions spanned across Stockholm, Berlin, St. Louis, Buenos Aires, and Munich, among others, highlighting his international recognition. He was also a significant figure in Swedish art societies, serving as the vice-chairman of the Swedish Artists' Association and a member of the board for the General Art Association of Sweden.
The artist's personal journey is reflected in his art. Genberg lived in the national romantic Villa Wallbeck-Hansen in Storängen, a location that inspired many of his works until he moved to a villa designed by architect Per Benson in 1924.
This painting is a testament to Genberg's legacy, embodying the serenity and beauty of Swedish winter landscapes. It comes with a finely crafted new black frame, which further enhances the piece's elegance. It is a significant addition to any collection, not only as a work of art but also as a slice of the rich cultural tapestry of Sweden, preserved through Genberg's exceptional talent.
Anton Genberg's works are held in the collections of several prominent museums: Nationalmuseum Stockholm, Helsingborgs Museum, Gävle Museum, Jamtli Östersund, Nordiska Museet
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Dutch School, 17th Century
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€5.500
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Dutch School, 17th Century
Shipping in a Stiff Breeze, a City Beyond
oil on oak panel unframed: 36 x 48 cm (14.2 x 18.9 inches) framed: 57 x 70 cm (22.4 x 27.6 inches)
Provenance: A private collection, Finland
Essay: We are delighted to present a significant piece from the Dutch School, most likely dating back to the late 17th century. This captivating painting showcases the dynamic force of nature with three ships vigorously navigating through stormy waters. The foreground is a scene of nautical struggle, as figures are depicted working intensely with the sails, steering, and bracing against the tumultuous sea.
In the serene background, the silhouette of a quaint town emerges, with spires from churches and the outlines of various buildings is visible. This juxtaposition of the calm town against the chaotic foreground serves as a powerful reminder of the unpredictability of life and nature.
Dominating the canvas, the sky occupies two-thirds of the painting, filled with brooding clouds that occasionally break to reveal patches of blue. The presence of birds adds a dynamic element to the otherwise ominous atmosphere.
While the artist remains unknown, the work is quintessentially Dutch in its execution, with meticulous attention to detail and a profound understanding of maritime life. The painting's oval shape is quite distinctive and is complemented by a suitably antique octagonal black frame, which adds to its historical charm.
This piece is a testament to the mastery of Dutch maritime painting and would make a profound statement in any collection. It reflects not only the artistry of the period but also the rich seafaring culture that is an integral part of Dutch heritage.
Condition: Recently restored by our Art Conservator in Stockholm. The panel is flat and stable, and the colors are bright and clear. Ready to hang.
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Erik Tryggelin - Vadstena Town Hall
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€900
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Erik Tryggelin (1878-1962) Swedish
Vadstena Town Hall, 1954
oil on canvas laid on masonite board signed and dated E.Tryggelin 19-21/9 1954 unframed 10.5 x 16 cm framed 19.5 x 25 cm
Provenance: A Swedish private collection
Essay:
This enchanting painting by Erik Tryggelin, dated September 19 and 21, 1954, captures the historic Rådhuset (Town Hall) in Vadstena, notably the oldest town hall in Sweden. Today, this iconic building houses the Rådhuskällaren restaurant. Tryggelin, born in 1878 in Stockholm, was a dedicated practitioner of Realism and Impressionism throughout his career, despite the burgeoning of modern movements like Expressionism and Cubism during his studies at the Royal Swedish Academy of Art and the Académie Colarossi in Paris.
In this particular work, Tryggelin brings to life the venerable architecture of Vadstena's Rådhuset with a lively depiction of a torchlight procession featuring small figures holding red banners in front of the building. The exact reason for this event remains a mystery, adding an element of intrigue to the scene. The painter's signature style—characterized by an idyllic, atmospheric quality and a mastery of northern light—imbues the painting with a sense of timelessness and an appreciation for the historical narrative of the locale.
Tryggelin's oeuvre primarily includes scenes from Stockholm and its archipelago, as well as Vadstena, portraying the serene beauty of these places. A critic once referred to him as 'the forgotten idyllic painter,' a testament to the tranquil yet profound impact of his works. His paintings, along with his photography, provide a precious documentation of Swedish life from the late 19th to the early 20th century, found in archives such as the Nordiska Museum and Stockholm City Museum. Also, the National Museum in Stockholm has a collection of over 60 works by Erik Tryggelin.
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Petrus Gerardus Vertin - Busy Street in a Sunlit Dutch Town
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Attributed to Petrus Gerardus Vertin (1819-1893)
Busy Street in a Sunlit Dutch Town
oil on wood panel unframed 27 x 23 cm framed 39.5 x 35 cm
Provenance: A Swedish private collection.
Essay: This painting, attributed to the Dutch artist Petrus Gerardus Vertin (1819-1893), is a quintessential example of his work, though it is unsigned. The scene is a bustling street in a Dutch town, depicted in broad daylight with people engaged in their daily tasks. On the right, there is a stall where food is being prepared in a steaming pot, and across the street, a woman sells vegetables. The street is lined with brick houses on both sides, laundry is hanging out to dry, and some windows display flowers in full bloom, adding vibrant splashes of color to the scene. The atmosphere is light and airy, with a blue sky scattered with clouds, and a church is visible in the background, suggesting the setting could be a product of Vertin's imagination.
Petrus Gerardus Vertin was a prominent 19th-century Dutch painter and graphic artist known for his detailed townscapes and street views. His works can be found in several Dutch museums, including the Rijksmuseum in Amsterdam, the Gemeentemuseum in The Hague, and the Centraal Museum in Utrecht. Vertin was a student of the renowned veduta painter Bartholomeus Johannes van Hove and opted for lithography and etching in his graphic works. His paintings often feature aligned house facades along streets or canals, a significant building such as a church in the background, and an atmospheric sky with moving clouds. These elements are all present in this work, along with the small figures that add a narrative character to the painting. Vertin's art captures various times of the year and different weather conditions, bringing the daily life of Dutch towns in the 19th century to the viewer with a vivid sense of realism and charm.
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J.A.G. (Johan Axel Gustaf) ACKE - Näspetus
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€750
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J.A.G. (JOHAN AXEL GUSTAF) ACKE.
"Näspetus"
from Zacharias Topelius book series "Reading for Children" Ink on paper picture 9 x 9 cm frame 16 x 14 cm
Provenance: From the collection of Claes Moser
Essay: Here is a delicate ink drawing by the Swedish artist, J.A.G. Acke. Evoking a world of wonder straight from Zacharias Topelius' beloved book series "Reading for Children", this artwork captures a young boy, possibly in the throes of a captivating tale, surrounded by smiling, ethereal beings. Set against a dark backdrop, these luminous figures seem to emerge, offering a stark contrast and highlighting their mysterious presence. This piece is a testament to Acke's profound ability to blend narrative and artistry, making it a cherished collectible for any art enthusiast.
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Rikard Lindström - Winter Landscape
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€2.700
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Rikard Lindström (1882-1943) Swedish
Winter Landscape
oil on canvas signed Rikard Lindström unframed 71 x 100 cm framed 78 x 108 cm
Provenance: A Swedish private collection
Essay:
Depicting a winter wonderland, this piece mesmerizes the viewer with its turquoise sky - a bold and unique choice that draws the eyes upwards. But the narrative is more profound. Set against this sky is a distant, rugged stone hill, standing as a testament to the timeless beauty of nature. A few trees benethe the hill, gracefully blanketed with snow. The snow itself is no ordinary white, but a mix of pink and blue shimmers, giving the piece a more interesting quality.
More intriguing are the tracks left in the snow. Whose might they be? An animal, perhaps? Or did the artist himself tread this frozen landscape, leaving behind a subtle signature? Such is the mystery of Lindström's work.
Rikard Magnus Lindström (1882-1943) was not just a painter but a storyteller, deeply rooted in his Swedish heritage. He's best known for his paintings of archipelago scenes, where the tranquil and tempestuous moods of the sea often play central characters. Born in Stockholm, Lindström's journey into the art world began at the Konstakademien in Stockholm, and his passion took him to Copenhagen and Paris. Throughout his life, Lindström's restless spirit saw him wander, capturing the diverse landscapes of Stockholm's archipelago, Västkusten, Åland, and notably, Lofoten. His affinity for portraying the vast expanse of the sea, often with sailing vessels in the backdrop, is legendary.
Lindström's colors were described as "powerful yet harmonious," and this piece is no exception. The juxtaposition of the turquoise sky with the shimmering snow showcases his masterful play with colors.
A member of the younger generation of the Konstnärsförbundet, Lindström was greatly influenced by the older members, particularly by Karl Nordström's national-romantic paintings. Besides painting, Lindström had a flair for writing and was a popular contributor to Dagens Nyheter, often penning articles and notes in Morgonbris.
However, beneath the vivacious, nature-loving exterior was a man of depth and complexity, as his ex-wife, Martha Rydell-Lindström, has depicted in her book. He was a lover of life, but his nature held layers of vulnerability and tenderness.
Today, this winter landscape stands as a tribute not just to Lindström's artistic genius but to the very essence of the man himself. Embrace the opportunity to own a piece of Swedish art history, painted by an artist whose legacy continues to inspire.
Rikard Lindströms paintings can be seen in many museums across the Nordic region, such as:
Modern Museum (Moderna Museet) Gothenburg Art Museum (Göteborgs Konstmuseum Thiel Gallery (Thielska Galleriet) Stockholm City Museum (Stockholms Stadsmuseum) Norrköping Art Museum (Norrköpings Konstmuseum) Helsingborg Museum (Helsingborgs Museum) Maritime Museum (Sjöhistoriska Museet) Västergötland Museum (Västergötlands Museum) North Norwegian Art Museum (Nordnorsk Kunstmuseum) National Gallery of Denmark (Statens Museum for Kunst) in Copenhagen Prince Eugen's Waldemarsudde (Prins Eugens Waldemarsudde) Zorn Museum (Zornmuseet) Mariehamn Town Hall (Mariehamns stadshus) Museums in Helsinki (Museum i Helsingfors)
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Rikard Lindström - Canal Scene
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€2.400
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Rikard Lindström (1882-1943) Sweden
Canal Scene, Early 1900s
oil on paper laid on masonite signed R Lindström unframed 33.5 x 26.5 cm framed 42.5 x 35.5 cm authenticated by Gustaf Jaensson on the back.
Essay: For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lining its left side, this artwork radiates warmth and spontaneity. Two boats float gently on the water, while a crane stands tall in the distance. The painting exudes a palpable immediacy, with the varied brushwork – from thin, almost ephemeral strokes in the sky to the thicker, more pronounced ones – suggesting that it was painted on-site. In fact, small holes at the corners of the paper hint that Lindström might have painted it directly on point, most likely in Paris during the early 1900s.
About Rikard Lindström: A Journey Through Art and Travel
Born in Stockholm, Rikard Lindström established himself as a master of maritime and archipelago motifs. He began his artistic journey at the Royal Academy of Fine Arts in Stockholm in 1901, later expanding his horizons with studies under Kristian Zahrtmann in Copenhagen from 1902 to 1905 and many travels to Paris. The spirit of a wanderer, Lindström's travels across locations like Stockholm's archipelago, the West Coast, Åland, and particularly Lofoten, Norway, profoundly influenced his art.
Lindström's works often portrayed the sea in all its moods and vessels from behind, revealing a keen interest in life by the water. The bold yet harmonious colors in his pieces speak volumes of his deep appreciation for the maritime world.
Being part of the younger faction of the Artists' Association, Lindström was inspired by the older members like Karl Nordström and his national-romantic paintings. Lindström's work has been exhibited extensively, from Stockholm to Berlin, Venice, and the USA.
Furthermore, Rikard Lindström wasn't just an artist but also a writer, contributing articles and musings to newspapers like Dagens Nyheter.
Lindström's legacy in art is preserved in numerous museums. His works can be found in esteemed institutions like the Moderna Museet, Göteborgs Konstmuseum, Thielska Galleriet, and many more across Sweden and beyond, including the Statens Museum for Kunst in Copenhagen and museums in Helsinki.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
Be aware that you as a customer are responsible for paying any taxes such as import tax in the country of destination (applies to orders outside the EU).
Jacob Ochtervelt (Workshop) - The Grape Seller
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€29.000
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Jacob Ochtervelt (Workshop)
The Grape Seller
oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in.
Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society.
At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side.
The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself.
The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm.
Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror. As one of the wealthiest individuals in Britain during his lifetime, Viscount Rothermere amassed a remarkable art collection. This painting was included in the book "Works of Art in the Collection of Viscount Rothermere" where its illustrated in black and white and expertise by Wilhelm Bode.
Provenance: Harold Harmsworth, 1st Viscount Rothermere (1868-1940) (Daily Mail founder), London, 1932; His posthumous sale, London, Christie's, 19 December 1941, lot 89 (as Ochtervelt); With Dr. F. Drey, London, before 1946; Gösta Stenman, Stockholm, 1947 (as Ochtervelt); Thence by descent until sold, Stockholm, Stockholms Auktionsverk, 10 December 2019, lot 2476 (as Attributed to Ochtervelt by Cabinet Turquin); Sotheby's London, Sale L20037, Old Master Day Sale, lot 155, (as Workshop of Jacob Ochtervelt)
Literature: P.G. Konody, Works of Art in the Collection of the Viscount Rothermere, London 1932, cat. no. 53, reproduced pl. 53 (as Ochtervelt) (see attached image with text by Wilhelm Bode); G. Stenman, Gamla Tiders Mästare, Stockholm 1947, p. 22, cat. no. 48, reproduced pl. 26 (as Ochtervelt); S.D. Kuretsky, The Paintings of Jacob Ochtervelt (1634-1682), Oxford 1979, p. 76, cat. no. 54-A, reproduced fig. 131.
Condition: Recently carefully cleaned by our art conservator in Stockholm. Only surface cleaning, the old varnish is still there.
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Circle of Adriaen van Stalbemt - A 17th Century Mythological Scene
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€4.250
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Circle of Adriaen van Stalbemt (1580-1662)
A 17th Century Mythological Scene
oil on copper plate unframed 16.3 x 21.4 cm (6.42 x 8.43 inches) framed 26 x 31 cm (10.24 x 12.20 inches)
Provenance: An important private collection, Sweden.
Condition: Professionally restored in Italy 1995.
Expertise: Dr. Mari Pietrogiovanna (Report included)
Essay: This small yet captivating painting, crafted on a copper plate, dates back to the mid-1600s and was created by a Flemish artist.
Subject Matter: The central figure in the artwork is Mercury, easily identified by his symbolic attributes like winged sandals, petasus, and caduceus. Beside him is a likely female figure, characterized by her attire and absence of weaponry.
The depicted scene could represent two mythological tales:
Mercury and Calypso: This interpretation suggests the artwork shows the moment Zeus sends Mercury to Calypso's island, Ogygia. Mercury is there to order Calypso to release Ulysses, whom she saved from a shipwreck but kept captive. The lush, wooded background and the three distant figures could hint at Ulysses' farewell to Calypso.
Mercury and Herses: Another interpretation could be a scene from the love story of Mercury and Herses. The background figures might symbolize the sisters returning from a procession, while the forefront could be the initial meeting between Mercury and the most beautiful sister, Erse.
Artistic Inspiration: The painting's landscape and setting are heavily influenced by the early 17th century Northern European art trends, especially the works of Jan Brueghel the Elder. However, the artwork stands apart with its unique luminescence in detailing and a distinctive approach to depicting figures.
While the exact origin and artist remain somewhat mysterious, the style and treatment of light hint towards works close to Josse de Momper. There's a suggestion that it might have been influenced or created by artists like Adriaen van Stalbemt, known for his biblical subjects and detailed landscapes, around the first thirty years of the 1600s. In conclusion, while we haven't been able to figure out the artist, it's essential to remember that the allure of a painting isn't solely tied to its creator's identity. Sometimes, the beauty and intrigue of the piece stand on their own, and a touch of mystery can only enhance its charm.
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Ingeborg Westfelt-Eggertz - Lost in Thoughts
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€2.200
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Ingeborg Westfelt-Eggertz (1855-1936) Sweden
Lost in Thoughts, before 1890
oil on canvas laid in masonite painted c. 1883-1889 signed I Westfelt, St.Nazair (Bretagne) unframed 23 x 21 cm framed 39 x 36 cm
Condition: Very good condition with bright and clear colors.
Essay: We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated amidst the grass. Dressed in a vest and hat, the young boy appears to be in his late teens or early twenties. His gaze is directed away, captured in contemplation or perhaps lost in distant thoughts. Painted with swift strokes, the artwork embodies spontaneity, presenting an unfinished portrait of the young man surrounded by rapidly rendered greenery.
There's a distinct charm to unfinished artworks and oil sketches like this one. Such paintings offer a rare insight into the artist's creative process, almost serving as a window into their thoughts and initial intentions. At many times a sketch can be more interesting than a finished painting, as it reveals the raw, unfiltered essence of the artist's vision.
The sketch is signed and the place of its creation is inscribed on the front: Saint Nazaire, Bretagne, painted around 1883-1889.
Born in Stockholm on 17th May 1855, Ingeborg Aurora Westfelt-Eggertz was a pivotal figure in the Swedish art world. Daughter to chamberlain Carl Peter Westfelt and Aurora Charlotta Löthman, she later married the editor August Emil Eggertz in 1893. Her artistic journey began at the Technical School and then led her to the Royal Academy of Fine Arts in Stockholm from 1873 to 1880. Further honing her craft, she studied under Collin and Courtois in Paris by 1883. While in Paris, she opened a school for young women from high society in 1887 and contributed drawings to the Delagrave publishing firm.
Returning to Stockholm in 1890, she co-established a painting school for female students with Elisabeth Keyser. Throughout her life, she shifted residences, living in places such as Visby, Landskrona, and finally settling in Gothenburg by 1903. No matter where she resided, Westfelt-Eggertz remained committed to educating and establishing painting schools for women alongside her personal creations. Her oeuvre consists mainly of genre scenes, figure depictions, and portraits, often in pastel. Several works from her Parisian period found homes with North and South American collectors.
Her accomplishments include awards such as a gold medal in oil painting in Arcachon in 1888, a silver medal in Versailles in 1889, and a Mention Honorable in Evreux. Her legacy is immortalized in esteemed institutions like the Göteborg Art Museum, Hallands Art Museum, Bohuslän Museum in Uddevalla, and the National Museum in Stockholm.
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Charlotte Wahlström - Haystack, c. 1895
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€2.150
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Charlotte Wahlström (1849-1924) Sweden
Haystack, c. 1895
oil on a Swedish wood panel signed Charlotte Wahlström unframed 22.7 x 14.7 cm (8.93 x 5.78 inches) framed 30 x 22 cm (11.81 x 8.66 inches)
Provenance: A Swedish private collection
Essay: We are proud to showcase a captivating painting by Charlotte Wahlström, a petite yet enthralling painting measuring just 22.7 x 14.7 cm. The subject depicts a haystack situated on a meadow, close to a log cabin. Illuminated by warm sunlight, the haystack is brought to life with broad, thick brushstrokes, under a clear blue sky. The technique used is distinctly impressionistic, reminiscent of the style that was prominent during that period.
Created around 1895, this piece emerges a few years after Claude Monet's renowned series of haystacks which, like ours, often portrayed the exquisite lighting highlighting the stacks. It's intriguing to speculate if Monet's work influenced Wahlström's interpretation, given the similarities in the light portrayal.
(Claude Monet, Wheatstacks (detail), 1890–91. Collection Art Institute of Chicago, W1269)
Born as the daughter of builder Anders Wahlström and Carolina Setterberg, Charlotte was the niece of the city architect of Vasa, Carl Axel Setterberg. Wahlström embarked on her artistic journey at the Royal Academy of Fine Arts in Stockholm from 1878 to 1883, where she was honored with a royal medal in landscape painting in 1883. Post her time in Stockholm, she traveled to Paris and Brittany in 1885, subsequently venturing to Germany, the Netherlands, and Belgium on scholarship funds. By 1889, she had spent time in the artist colony of Barbizon.
Her accomplishments are numerous. She was awarded a bronze medal at the World's Fair in Saint Louis, USA, in 1904 and received the Idun magazine prize in 1911. She participated in exhibitions held by the Royal Academy of Fine Arts, as well as numerous collective exhibitions organized by the General Art Association of Sweden, Swedish Artists' Association, and the Association of Swedish Female Artists. She was represented in the Baltic Exhibition and several exhibitions in Copenhagen and Munich. Her paintings, often characterized by outstanding coloristic landscapes, frequently featured scenes from Skåne, Värmland, Dalarna, and the West Coast.
Today, Wahlström's legacy can be witnessed in various esteemed institutions including the Göteborg Art Museum, National Museum in Stockholm, Östergötland Museum, Malmö Museum, the County Museum in Östersund, and Örebro County Museum.
Comparable sale:
A larger painting (81x49 cm) with a similar motif was sold at Stockholms Auktionsverk in 2019, fetching a total price of 6000 €.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Frants Henningsen - A Summer's Day on Hornbæk Beach, 1886
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€15.000
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Frants Henningsen (1850-1908) Denmark
A Summer's Day on Hornbæk Beach, 1886
pastel on canvas canvas dimensions 41 x 33 cm (16.14 x 12.99 inches) frame 56 x 49 cm (22.05 x 19.29 inches) hand made oak frame by Stockholms Bildhuggeri
Provenance: A Swedish private collection
Comparable sales: Christie's London British and European Art, 15 jul 2021 Lot 130, Frants Henningsen - A Summer's Day on Hornbæk Beach 1884 Price realised 43,750 GBP (605,000 SEK)
Essay:
We are pleased to present a striking pastel by the Danish artist, Frants Henningsen (1850-1908), titled "A Summer's Day on Hornbæk Beach" dated 1886. The scene is from Hornbæk Beach in Denmark, featuring a beach with some pooled water, a few green grass plants, followed by the sea with sailboats, and land visible on the horizon. The water reflection in the puddle on the beach and in the sea is exceptionally beautiful, reflecting the sky, which has a few clouds. This is a motif that the artist revisited several times during the 1880s, including a larger oil painting executed in 1884, sold at Christie's in 2021, and another one from 1883 in the museum collection: The Hirschsprung Collection, Copenhagen. Our pastel is undoubtedly the brightest of those we could find; it is strikingly beautiful and in exceptionally good condition. The artwork comes in a beautiful handmade oak gold frame by Stockholms Bildhuggeri.
Hornbæk Beach 1883, oil on canvas,
The Hirschsprung Collection, Copenhagen
About Frants Henningsen:
Frants Peter Diderik Henningsen was a Danish painter, illustrator, and professor. His paintings often depict unfortunate occurrences in the lives of middle-class people living in Copenhagen during challenging times. Although connected with Denmark's more traditional realist school, he faced criticism from some of his more reactionary contemporaries, especially Karl Madsen, who objected to his appointment as a professor at the Academy in 1887. Erik Henningsen, also an artist, was his younger brother.
Henningsen graduated from Borgerdyd School in Christianshavn, attended C.V. Nielsen's drawing school, and then completed his studies at the Danish Academy in 1875. He studied at Léon Bonnat's school in Paris from 1877 to 1878 and traveled to Spain with Peder Severin Krøyer, Frans Schwartz, and Julius Lange in 1878.
Henningsen's first exhibited painting was a portrait of actress Julie Sødring in 1874, after which he virtually exhibited every year at the Charlottenborg Spring Exhibition held at Charlottenborg Palace. Despite his studies under Bonnat, he remained a rather traditional, diligent, and careful artist, portraying everything from portraits, genre works, and landscapes to animal paintings and illustrations. His interest in compassion rather than beautification can be seen in his masterpiece, "Forladt. Dog ej af Venner i Nøden" (Deserted. But Not by Friends in Need).
Forladt. Dog ej af Venner i Nøden, 1888
Skagen Painters:
The Skagen Painters were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Frants Henningsen was a contemporary of some of the artists in this group, including Peder Severin Krøyer, whom he traveled with to Spain. The Skagen Painters were known for their depictions of the natural surroundings and everyday life in Skagen, characterized by their bright light and loose painting techniques, which were influenced by Impressionism.
See how pastel crayons are made by hand:
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Isaac Grünewald - A Farmer With His Three-Pronged Pitchfork
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€3.850
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Isaac Grünewald (1889-1946) Sweden
Postcard Depicting A Farmer With His Three-Pronged Pitchfork (A Self-Portrait?) watercolor on a postcard dimensions: 14 cm x 9 cm (5.51 x 3.54 inches) frame: 22.5 cm x 17.5 cm (8.86 x 6.89 inches)
Provenance: The Aschberg family
Essay: We are delighted to offer for sale a unique watercolor painting by the renowned Swedish artist, Isaac Grünewald (1889-1946). This special piece is painted on a postcard and depicts a farmer holding a pitchfork, ready for a day's work. The farmer is adorned in yellow shoes, checkered trousers in shades of pink and green, a blue jacket, and a straw hat. The features of his nose and lips are distinctly rendered, and the pitchfork is held high, signaling his readiness to work.
On the back of the postcard, Isaac penned a New Year's greeting to the Aschberg family. According to the postmark, the postcard was sent in 1923, making it exactly 100 years old. The postcard has been recently framed in a specially crafted, reversible frame handmade by Stockholms Bildhuggeri.
Isaac Grünewald was one of Sweden's most prominent modernist painters. Born in Stockholm in 1889, he studied at the Royal Swedish Academy of Fine Arts and later in Paris under Henri Matisse. Grünewald was heavily influenced by the Fauvist movement, and his work is characterized by its bold use of color and expressionist style.
This watercolor postcard is not only a testament to Isaac Grünewald's skill as an artist but also a piece of history, providing insight into the artist's personal connections and the way in which he used his art to communicate with friends and loved ones. The detailed depiction of the farmer, combined with the personal message on the back and the expertly crafted, reversible frame, make this artwork a fascinating and valuable addition to any art collection.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Josefina Holmlund - Coastal Landscape, Arild
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€1.950
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Josefina Holmlund (1827-1905) Sweden
Coastal Landscape, Arild
oil on wood panel signed J Holmlund indistinctly dated 9(6?) panel dimensions: 18 cm x 27 cm (7.09 x 10.63 inches) frame dimensions: 29 cm x 38 cm (11.42 x 14.96 inches)
Provenance: A Swedish private collection
Essay: 'Coastal Landscape, Arild' is painted by Swedish artist, Josefina Holmlund (1827-1905). Created circa 1896, this beautiful artwork captures a view from Arild, a picturesque village located on the coast of Skåne, Sweden. The scene unfolds from a vantage point above the village, overlooking rooftops, sailboat masts, and lush vegetation in the foreground, with the dark blue sea, characterized by waves crashing against the rocky shore, stretching out towards the horizon. In the distance, the villages of Torekov, Vejby, and Skälderviken can be discerned along the coastline.
Josefina Holmlund was a prominent Swedish painter known for her landscape and genre paintings. Born in 1827, Holmlund's artistic journey was marked by a dedication to capturing the natural beauty and everyday life of her homeland. Her work often features coastal scenes, rural landscapes, and village life, all rendered with meticulous attention to detail and a keen sense of observation.
Arild, the location depicted in this painting, is a historic fishing village situated on the Kullen Peninsula in Skåne, Sweden. Renowned for its natural beauty, Arild has long been a popular destination for artists and nature lovers alike. The village's picturesque setting, with its traditional cottages, rocky coastline, and surrounding countryside, has inspired countless artworks over the years.
In 'Coastal Landscape, Arild,' Holmlund masterfully captures the essence of this idyllic location. The detailed rendering of the village buildings, the vegetation surrounding them, and the boats moored in the harbor, combined with the dramatic depiction of the sea and distant coastline, creates a composition that is both dynamic and harmonious. The artist's use of color, particularly the deep blues of the sea and the varied greens of the vegetation, adds depth and vitality to the scene.
This painting represents a unique opportunity to acquire a work by a highly regarded Swedish artist, and a beautiful depiction of a beloved coastal location. 'Coastal Landscape, Arild' is not only a testament to Josefina Holmlund's skill as a painter but also a tribute to the natural beauty and charm of the Skåne region
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Carl Johansson - A Tranquil Landscape View, 1943
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€2.700
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Carl Johansson (1863-1944) Sweden
A Tranquil Landscape View, 1943
oil on wood panel signed and dated Carl Johansson 1943 - panel dimensions: 41 cm x 55 cm (16.14 inches x 21.65 inches) frame dimensions: 57 cm x 71 cm (22.44 inches x 27.95 inches)
Provenance: We acquired this piece from a private collection in Canada.
Condition: Very good, newly restored by professional art conservator 2023, the pane is flat and stable. New frame from 2023 included.
Essay: We are delighted to present a beautiful landscape painting by the Swedish artist Carl Johansson (1863-1944). Painted in 1943, during the latter part of his career, this piece showcases many of the elements that earned him the nickname 'Ultramarine Johansson'. The artwork prominently features a serene landscape with two trees in the foreground, their sprawling canopies occupying much of the painting's upper half, allowing glimpses of the sky through the leaves. A winding stream snakes its way through the middle ground, while rolling hills form a tranquil backdrop. The artist's fondness for blue hues is evident, with varying shades of blue defining the sky, water, and even the shadows amongst the foliage. This predilection for blue shades became a defining characteristic of Johansson’s later works, earning him his nickname.
Johansson employs short brushstrokes and a generous application of paint, giving the piece a rich texture and a vibrant, almost impressionistic quality. Although the exact location depicted in the painting remains uncertain, it is believed to represent the area around Sundsvall, a region familiar to the artist.
Carl Johansson’s journey as an artist began in the late 19th century and spanned several decades, during which his style evolved and matured. Initially influenced by the realism movement, his work gradually transitioned to incorporate elements of impressionism, as demonstrated by the short brushstrokes and liberal use of color in this piece. Despite the changes in his style, Johansson remained committed to capturing the beauty and essence of the Swedish landscape throughout his career.
This painting, along with another piece by Johansson, was acquired from a private collection in Canada. It represents an opportunity to own a work by an artist whose dedication to his craft and love for his homeland shines through in every brushstroke.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Alfred Ekstam - View Over Lake Mangen
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€5.750
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Alfred Ekstam (1878-1935) Mangskog, Sweden
View Over Lake Mangen, c. 1925
oil on canvas signed a tergo, A Ekstam canvas dimensions: 54 x 81 cm (21.3 x 31.9 inches) frame dimensions: 70 x 96 cm (27.6 x 37.8 inches)
Provenance: A Swedish private collection
Essay: We are pleased to present a magnificent painting by the talented Swedish artist, Alfred Ekstam (1878-1935). This breathtaking landscape features a view over a lake, believed to be Lake Mangen, near Ekstam's hometown. In the foreground, a lush green field extends to the lake, which shimmers in hues of purple, blue, and white, reminiscent of Claude Monet's impressionistic technique of painting water. It is a sight to behold. The sky, filled with clouds, is also mirrored in the water, adding depth and dimension to the scene. In the distance, green mountains loom, completing this picturesque vista.
Alfred Ekstam was born in Mangskog in 1878, originally with the surname Johansson. He began his career as a painter's apprentice to a local master painter. After a few years, he moved to Stockholm to attend the Technical School, where his ambition to become an artist was ignited. However, finding it difficult to make a living as an artist, he returned to Värmland. Ekstam was a skilled craftsman and was discovered by Elis Eriksson at the Eriksson brothers' furniture workshop, where he was employed as a decorative painter. He also came into contact with notable artists such as Gustaf Fjæstad, Fritz Lindström, and Bror Lindh, who all provided lessons to the budding artist. A significant moment in Ekstam’s artistic journey was a visit to the artist Otto Hesselbom in Säffle, which greatly influenced his painting style. Ekstam's production was modest as he spent a long time on each painting, perfecting every detail. This dedication to his craft paid off in 1919 when all the paintings exhibited at his solo exhibition in Arvika were sold within a week. Tragically, Alfred Ekstam passed away in 1935 while cycling to Edane to visit an exhibition in Karlstad.
This particular piece showcases Ekstam's masterful handling of light and color, and his ability to capture the natural beauty of his homeland. It is not just a painting; it is a window into the serene and beautiful world that Ekstam saw through his own eyes. Don’t miss the opportunity to own a piece of history and beauty, painted by an artist who lived and breathed the very scenes he committed to canvas.
Condition: When we acquired the painting, it was in desperate need of restoration. Dirt had become encapsulated in the varnish layer, evidently applied by someone unfamiliar with the proper technique. However, the artwork has since been meticulously restored and is now in excellent condition. Additionally, it includes a frame that was newly crafted in 2023.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
Be aware that you as a customer are responsible for paying any taxes such as import tax in the country of destination (applies to orders outside the EU).