INVENTORY

Mauritz Lindström (1849-1923) Sweden

Landscape With Mill at Sunset

oil on wood panel
signed AML
unframed 14.5 x 24.3 cm
framed 24.5 x 34.5 cm

Provenance: 
A Swedish private collection.

Essay:
The small yet stirring painting "Landscape With Mill at Sunset" showcases the remarkable talent of Swedish painter Mauritz Lindström. He was a respected artist whose landscapes are imbued with atmospheric depth, often called the Swedish Peder Mönsted. 

Lindström married Anna Elisabeth Helena von Götz in 1888. His artistic journey took him from the Royal Swedish Academy of Arts in Stockholm to the influential art scenes of Munich and Paris, and he even spent a significant period in England, primarily London, from the early 1880s until 1889.

The painting depicts a windmill perched atop a hill, its sails stark against the soft glow of the setting sun—a frequent subject that Lindström returned to, capturing the evocative moods of the landscape. 

Lindström joined the Opponents, a group challenging the academic norms of the time, and his work was featured in their groundbreaking exhibitions. His pieces, including "Autumn Landscape" and "Motif from Scotland," the latter purchased during an Opponent exhibition in 1885 is in the Nationalmuseum Stockholm collection.

A member of the Artists' Association, Lindström was closely aligned with their objectives until he chose to follow his path following a division in the organization in the early 1890s. This painting, with its reflective waters and the tranquil expanse of the land under a dramatic sky, is a testament to his lifelong dedication to capturing the essence of nature's quiet moments.

Jan Frans Soolmaker (Flanders 1635‑1685)

Shepherd with Sheep, Cows and a Goat in a Landscape

oil on relined canvas
canvas size 56 x 53 cm
frame included

Compare with the signed painting by Soolmaker sold at Sotheby’s London, 7 July 1999, lot 453.

Provenance:
The collection of Swedish Prince Fredrik Adolf (1750-1803);
The collection of Pär Ulmgren (1767-1846), no. 32;
The collection of Gösta Stenman (1888-1947), inv. no. 885;
Engineer and politician Gustaf Henry Hansson (1894‑1976), probably acquired from the above;
Thence by descent until 2021

Essay:
This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999.

The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further.

The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work.

The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson.

Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented.

Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre.

Anton Genberg (1862 - 1939) Sweden

The Winter Pond, 1927

oil on canvas
signed and dated A.Genberg 1927
unframed 66 x 87 cm
framed 76,5 x 97,5 cm

Provenance:
Private collection Sweden;
Bukowskis Auctions, lot 1535397 

Essay:

The Winter Pond is a captivating painting by Anton Genberg, a Swedish artist famous for his naturalist style landscapes. This particular piece, created in 1927, invites viewers into a serene winter scene marked by the stark contrast of a round, open water hole against the white expanse of snow. 

Anton Jonsson Genberg, born on June 20, 1862, in Östersund, was a painter whose works are synonymous with the majestic mountainous terrains of Sweden. His journey into art began after his secondary education when he attended the Tekniska skolan in Stockholm and received private lessons from Oscar Törnå. His formal education continued at the Royal Swedish Academy of Fine Arts under the tutelage of Per Daniel Holm, where his talent was recognized with several medals.

Genberg's career was punctuated by exhibitions not just in his homeland at the Konstnärshuset but also internationally, in cities such as Berlin, St. Louis, Buenos Aires, and Munich. The Baltic Exhibition in 1914 was a highlight, showcasing his expertise in capturing the enchanting snowy landscapes of Norrland. Dalarna and Jämtland also featured prominently in his oeuvre.

Beyond his paintings, Genberg contributed to the Swedish art community as Vice-Chairman of the Svenska konstnärernas förening and as a board member of the Sveriges allmänna konstförening. His contributions were recognized in 1922 when he was elected a member of the Royal Academy.

Genberg's personal life included a move to Nacka, where he resided in the historic Villa Wallbeck-Hansen and later, in a villa of his own design by architect Per Benson. Unfortunately, he lived there for only a few years before passing away in 1939 at the age of seventy-seven.

Today, Genberg's legacy endures through his works displayed in prestigious institutions like the Nationalmuseum and the Moderna museet. 

Frans van Severdonck (1809 - 1889)

Rooster and Hens at Daybreak, 1862

oil painting on wood panel
signed and dated
unframed 6.50 x 9.06 inches (16.5 x 23 cm)
framed 10.83 x 13.19 inches (27,5 x 33,5 cm)

Provenance:
A Swedish private collection.

Essay:
”Rooster and Hens at Daybreak” is a delightful painting of rural life, created by the Belgian artist Frans van Severdonck (1809-1889). Van Severdonck, a native of Brussels, spent his lifetime capturing the essence of his surroundings, dedicating his artistic endeavors to the city where he was born. While the intricacies of his training are not well-documented, the finesse and skill apparent in his works suggest a sophisticated level of formal education in the arts.

Specializing in animal portraiture, van Severdonck's paintings often showcase a peaceful coexistence of farm animals, depicted with a sense of harmony and tranquility that is both soothing and endearing. The painting is from 1862 and is no exception to his masterful approach. It features a vivid landscape inhabited by a proud rooster, attentive hens, and playful chickens. This particular piece conveys a simple yet vibrant farmyard scene, teeming with life and character.

Each bird is portrayed with remarkable attention to detail, from the texture of their feathers to the intensity of their gaze, imbuing each with a distinct personality. The landscape itself is rendered with a pastoral charm, the clear sky and distant horizon line providing a perfect backdrop to the pastoral activity in the foreground. The naturalistic color palette and the delicate play of light and shadow enhance the overall sense of authenticity and bucolic beauty.

Van Severdonck's ability to capture the essence of pastoral existence and his evident affection for his subjects are evident in this work. His paintings, though often modest in dimensions, are celebrated and coveted by collectors worldwide for their exquisite detail and the tranquil atmosphere they encapsulate.

Karl Tirén (1869-1955) Sweden

Vårvinter II, c. 1909

signed Karl Tirén
oil on board
unframed 59 x 98 cm
framed 76 x 105 cm

Provenance: A private collection in the north of Sweden

This painting, "Vårvinter II," painted around 1909 by the Swedish artist Karl Tirén, is a remarkable representation of a landscape in the cusp of the seasonal transition from winter to spring. The canvas is alive with the muted yet rich colours of the winter landscape, a subject close to Tirén's heart and frequent in his oeuvre. The scene is set against a backdrop of a gently sloping mountain, its snow-covered peak basking in the soft light of a spring sun, suggesting the lingering chill of winter yet the promise of warmer days. The foreground is dominated by an intricate play of melting snow and emerging rocks, with ice-capped pools reflecting the azure sky, a testament to the artist's skill in capturing water in its various states.

Bare trees, with their branches etched against the sky, speak of resilience and the imminent return of foliage. The composition is skillfully balanced, with the eye being led across the melting streams that meander through the landscape. The painting's execution, with its broad, confident brushstrokes, conveys both the tranquility and the dynamic nature of the season's transformation. "Vårvinter II" is not just a mere depiction of a place but a narrative of the cycle of seasons, a visual journey through time and change.

Karl Tirén's multifaceted background as a musician, violin maker, Sami researcher, and stationmaster enriches his artistry, infusing his work with a depth of cultural and environmental understanding. Trained in Germany, France, and England, Tirén brought a European sensibility to his representations of the Nordic landscapes.

Tirén's legacy persists through his varied contributions and is celebrated in his representation at the Jämtland County Museum in Östersund, among others. "Vårvinter II" stands as a serene yet evocative piece within this collection, inviting viewers to contemplate the beauty of the north and the transient moments between the seasons.

Bernhard Oscarsson (1894-1977) Swedish

View over Strandvägen, Stockholm

oil on canvas
signed and dated Oscarsson 1933
unframed 54 x 65 cm
framed 70 x 80 cm

Essay:
This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal Swedish Academy of Fine Arts in Stockholm, honed his craft extensively through his European travels in Spain, Italy, France, the Netherlands, and Germany. This particular piece is painted from Blasieholmen, behind the National Museum, with his gaze set towards Strandvägen.

Oscarsson's canvas is a symphony of colors, with each brushstroke contributing to the overall harmony of the scene. The foreground is graced with the tranquil paths of Blasieholmen, lined with welcoming benches and a solitary lamp post standing as a silent sentinel. A solitary figure walks towards the bustling Strandvägen, perhaps lost in thought or simply enjoying the scenic view. The rich foliage on the left provides a stark contrast to the open skies, where soft clouds dance in the light of the setting sun.

The painting's palette is reminiscent of the transitional phase between late impressionism and early modernism, capturing the ephemeral quality of light and the subtle nuances of urban life. It embodies a sense of peace and reflection amidst the daily hum of a growing city. Oscarsson's work is more than a mere depiction of a location; it is a portal to the soul of Stockholm, offering a timeless glimpse into the city's heart through the eyes of an artist who both loved and understood his subject deeply.

Same view today, 90 years later: 

Lindorm Liljefors (1909-1985) Sweden

Goldfinches, Taormina

oil on board
signed and dated Taormina 83 Lindorm L 
unframed 19 x 27 cm
framed 28.5 x 36 cm

Provenance:
A Swedish private collection 

Essay:
This exquisite painting by Lindorm Liljefors, the talented Swedish painter, draughtsman, and sculptor, is a testament to his profound connection with nature and his artistic lineage. Born on September 18, 1909, in Ytterjärna, Södermanland, and passing away on February 20, 1985, in Skyttorp, Uppsala County, Lindorm was the son of the renowned artist Bruno Liljefors. Educated at the Royal Swedish Academy of Arts in Stockholm from 1928 to 1934, under the tutelage of Alfred Bergström and Wilhelm Smith, he honed his skills before embarking on study trips to France and Italy in 1934.

Our painting "Goldfinches, Taormina" showcases a serene natural landscape, inspired by the picturesque scenery of Taormina, it captures the essence of Taormina's natural beauty, combining it with Liljefors' unique artistic perspective. The landscape is richly detailed with lush green grass, delicate flowers, and rugged stones. The focal point is two European goldfinches (Steglits): one gracefully perched on the ground and the other captured in mid-flight, adding a dynamic element to the tranquil scene. This portrayal not only highlights Liljefors' skill in rendering natural beauty but also reflects his personal love for the outdoors, a theme consistent throughout his career.

Lindorm Liljefors followed in his father's footsteps, both in his choice of motifs and his perspective on nature. His oeuvre includes a variety of nature scenes, such as hunters with dogs, crows on ice, badger families, ducks near openings in the ice, and forest interiors. As a sculptor, he focused on depicting humans and animals in motion. His passion for hunting and dogs, coupled with his contributions to the magazine "Svensk Jakt," further underscored his deep engagement with the natural world.

Carl Johansson (1863-1944) Sweden

Landscape View, Nordingrå, 1915

oil on canvas
signed and dated Carl Johansson 1915
unframed 58 x 70 cm (22.8 x 27.6 inches)
framed 69 x 82 cm (27.2 x 32.3 inches)

Essay:
We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. This area, known for its unique geology and as a UNESCO World Heritage Site, has inspired Johansson's creation, capturing the essence of the region's majestic beauty.

The painting features a meandering stream flowing through a vast landscape, flanked by sloping terrains on either side. In the background, the blue-hued mountains create a serene backdrop, harmonizing with Johansson's signature blue tones, a characteristic that earned him the nickname "Ultramarin Johansson." This artwork is a testament to Johansson's deep connection with the landscapes of Norrland, from where he drew many of his motifs.

Born in Härnösand, Carl Johansson's artistic talents were recognized early on by his drawing teacher, Conny Burman, at Klara Elementary School. His formal art education began at the Royal Swedish Academy of Arts in 1882, where he studied under Edvard Perséus and Per Daniel Holm. Johansson's career was marked by his affiliation with the Opponents movement in 1885, leading to his departure from the Academy.

Johansson's artistic journey included travels and studies in France, Tenerife, and Italy, reflected in the diverse landscapes featured in his works. He participated in several international exhibitions, including the World's Fair in Paris (1889), the Centennial Exhibition in Buenos Aires (1910), and the Panama Pacific International Exposition (1915). His first solo exhibition was held in 1933 at the Konstnärshuset in Stockholm, followed by several others, including a posthumous exhibition at Åmells art gallery in 1988.

Throughout his career, Johansson evolved from painting detailed landscapes in a traditional style to adopting a more impressionistic approach, influenced by French artists Claude Monet and Camille Pissarro. His later works, marked by a notable blue tone, showcased his unique style, blending nationalistic sentiments with a photographic analytical approach.

This particular painting, "Landscape View, Nordingrå, 1915" painted in 1915, is a fine example of Johansson's impressionistic style and ultramarine color palette. It not only highlights Johansson's technical prowess and demanding standards in painting but also encapsulates his love for the landscapes of Norrland.

Carl Johansson's legacy continues to be celebrated, with his works displayed in prestigious institutions like the Nationalmuseum in Stockholm, Kalmar Art Museum, and Hudiksvall municipality.

Nils Kreuger (1858-1930) Sweden

Cattle on the Meadow

oil on wood panel
signet N.KREUGER.
unframed 13.5 x 24.5 cm
framed 26.5 x 37 cm

Provenance: 
A private collection, Belgium.

Essay:
This exquisite oil painting on panel, measuring 13.5 x 24.5 cm, is a beautiful piece by Nils Kreuger, a distinguished Swedish painter. The artwork depicts five cattle grazing on a green meadow, a scene that encapsulates the tranquil beauty of rural life. In the distance, the horizon is graced by the sea, adding a serene backdrop to the pastoral theme.

Nils Kreuger's unique style is evident in this painting, particularly in his characteristic use of black lines that trace the forms of the cattle. This stylistic choice adds a dynamic and almost rhythmic quality to the composition, capturing the essence of the animals in a way that is both artistic and lifelike.

The painting is further enhanced by a newly crafted, elegant black frame that complements its aesthetic and ensures its preservation.

Nils Kreuger (1858–1930) was a master of landscape and rural scene painting. His journey as an artist began at the Royal Swedish Academy of Fine Arts, although illness interrupted his studies. He later continued his education under Edvard Perséus and in Paris at the Académie Colarossi. Kreuger's early works were often painted en plein air in Grez-sur-Loing, showcasing his affinity for capturing natural light and atmosphere, particularly at dawn or dusk.

He was a key figure in the Opponenterna movement, which challenged the outdated methods of the Royal Academy. His move to Varberg led to the formation of the Varbergsskolan, a group that veered towards Romantic nationalism in landscape painting, influenced in part by Paul Gauguin and Van Gogh.

Kreuger's later years saw him in Stockholm, with summers in Öland where he painted cows and horses. His style evolved, introducing lighter palettes and dots, and he also ventured into illustration and furniture design. Despite challenges with his eyesight in his later years, Kreuger continued to paint, leaving behind a legacy that is celebrated in major Swedish art museums such as; Nationalmuseum Stockholm, Prins Eugens Waldemarsudde, the Thiel Gallery, and the Gothenburg Museum of Art.

This painting, with its delicate interplay of light and shadow and its representation of rural tranquility, is not only a testament to Kreuger's artistic skill but also a piece of Swedish cultural heritage. It is an ideal acquisition for collectors and enthusiasts of Nordic art, offering both aesthetic pleasure and historical significance.

 

Anton Genberg (1862 - 1939) Sweden

Winter Landscape, 1919

oil on canvas
signed and dated Anton Genberg 1919
unframed 73.5 x 101 cm
framed 84 x 111.5 cm

Essay:
We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry, known for his naturalistic depiction of the Scandinavian wilderness.

The work features a peaceful open brook in the foreground, meticulously painted with intricate and elongated brushstrokes that reflect the calm flow of the water. Following the waterline, a stand of birches emerges, almost glowing with a delicate lilac hue in the painting's twilight. Above, the sky is painted in an impressionist style, with broad strokes of white, blue, and lilac, creating a harmonious blend that captures the fleeting light of a Nordic winter.

The subject of the painting likely draws from the natural surroundings of Storängen in Stockholm, where Genberg resided in 1919. This painting is not only a visual masterpiece but also a piece of history from the artist's own life and surroundings.

Anton Genberg (1862-1939) was a celebrated Swedish painter, born in Östersund and later settled in Storängen, Stockholm. His body of work mainly features the landscapes of northern Sweden, particularly the mountainous regions. Genberg's education at the Technical School in Stockholm and the Royal Swedish Academy of Fine Arts.

Throughout his career, Genberg's exhibitions spanned across Stockholm, Berlin, St. Louis, Buenos Aires, and Munich, among others, highlighting his international recognition. He was also a significant figure in Swedish art societies, serving as the vice-chairman of the Swedish Artists' Association and a member of the board for the General Art Association of Sweden.

The artist's personal journey is reflected in his art. Genberg lived in the national romantic Villa Wallbeck-Hansen in Storängen, a location that inspired many of his works until he moved to a villa designed by architect Per Benson in 1924.

This painting is a testament to Genberg's legacy, embodying the serenity and beauty of Swedish winter landscapes. It comes with a finely crafted new black frame, which further enhances the piece's elegance. It is a significant addition to any collection, not only as a work of art but also as a slice of the rich cultural tapestry of Sweden, preserved through Genberg's exceptional talent.

Anton Genberg's works are held in the collections of several prominent museums: Nationalmuseum Stockholm, Helsingborgs Museum, Gävle Museum, Jamtli Östersund, Nordiska Museet

Attributed to Petrus Gerardus Vertin (1819-1893)

Busy Street in a Sunlit Dutch Town

oil on wood panel 
unframed 27 x 23 cm 
framed 39.5 x 35 cm 

Provenance: 
A Swedish private collection.

Essay: 
This painting, attributed to the Dutch artist Petrus Gerardus Vertin (1819-1893), is a quintessential example of his work, though it is unsigned. The scene is a bustling street in a Dutch town, depicted in broad daylight with people engaged in their daily tasks. On the right, there is a stall where food is being prepared in a steaming pot, and across the street, a woman sells vegetables. The street is lined with brick houses on both sides, laundry is hanging out to dry, and some windows display flowers in full bloom, adding vibrant splashes of color to the scene. The atmosphere is light and airy, with a blue sky scattered with clouds, and a church is visible in the background, suggesting the setting could be a product of Vertin's imagination.

Petrus Gerardus Vertin was a prominent 19th-century Dutch painter and graphic artist known for his detailed townscapes and street views. His works can be found in several Dutch museums, including the Rijksmuseum in Amsterdam, the Gemeentemuseum in The Hague, and the Centraal Museum in Utrecht. Vertin was a student of the renowned veduta painter Bartholomeus Johannes van Hove and opted for lithography and etching in his graphic works. His paintings often feature aligned house facades along streets or canals, a significant building such as a church in the background, and an atmospheric sky with moving clouds. These elements are all present in this work, along with the small figures that add a narrative character to the painting. Vertin's art captures various times of the year and different weather conditions, bringing the daily life of Dutch towns in the 19th century to the viewer with a vivid sense of realism and charm.

J.A.G. (JOHAN AXEL GUSTAF) ACKE.

"Näspetus"

from Zacharias Topelius book series "Reading for Children"
Ink on paper
picture 9 x 9 cm
frame 16 x 14 cm

Provenance: 
From the collection of Claes Moser 

Essay:
Here is a delicate ink drawing by the Swedish artist, J.A.G. Acke. Evoking a world of wonder straight from Zacharias Topelius' beloved book series "Reading for Children", this artwork captures a young boy, possibly in the throes of a captivating tale, surrounded by smiling, ethereal beings. Set against a dark backdrop, these luminous figures seem to emerge, offering a stark contrast and highlighting their mysterious presence. This piece is a testament to Acke's profound ability to blend narrative and artistry, making it a cherished collectible for any art enthusiast.

Rikard Lindström (1882-1943) Swedish

Winter Landscape

oil on canvas
signed Rikard Lindström
unframed 71 x 100 cm
framed 78 x 108 cm

Provenance: 
A Swedish private collection

Essay: 

Depicting a winter wonderland, this piece mesmerizes the viewer with its turquoise sky - a bold and unique choice that draws the eyes upwards. But the narrative is more profound. Set against this sky is a distant, rugged stone hill, standing as a testament to the timeless beauty of nature. A few trees benethe the hill, gracefully blanketed with snow. The snow itself is no ordinary white, but a mix of pink and blue shimmers, giving the piece a more interesting quality.

More intriguing are the tracks left in the snow. Whose might they be? An animal, perhaps? Or did the artist himself tread this frozen landscape, leaving behind a subtle signature? Such is the mystery of Lindström's work.

Rikard Magnus Lindström (1882-1943) was not just a painter but a storyteller, deeply rooted in his Swedish heritage. He's best known for his paintings of archipelago scenes, where the tranquil and tempestuous moods of the sea often play central characters. Born in Stockholm, Lindström's journey into the art world began at the Konstakademien in Stockholm, and his passion took him to Copenhagen and Paris. Throughout his life, Lindström's restless spirit saw him wander, capturing the diverse landscapes of Stockholm's archipelago, Västkusten, Åland, and notably, Lofoten. His affinity for portraying the vast expanse of the sea, often with sailing vessels in the backdrop, is legendary.

Lindström's colors were described as "powerful yet harmonious," and this piece is no exception. The juxtaposition of the turquoise sky with the shimmering snow showcases his masterful play with colors.

A member of the younger generation of the Konstnärsförbundet, Lindström was greatly influenced by the older members, particularly by Karl Nordström's national-romantic paintings. Besides painting, Lindström had a flair for writing and was a popular contributor to Dagens Nyheter, often penning articles and notes in Morgonbris.

However, beneath the vivacious, nature-loving exterior was a man of depth and complexity, as his ex-wife, Martha Rydell-Lindström, has depicted in her book. He was a lover of life, but his nature held layers of vulnerability and tenderness.

Today, this winter landscape stands as a tribute not just to Lindström's artistic genius but to the very essence of the man himself. Embrace the opportunity to own a piece of Swedish art history, painted by an artist whose legacy continues to inspire.

Rikard Lindströms paintings can be seen in many museums across the Nordic region, such as: 

Modern Museum (Moderna Museet)
Gothenburg Art Museum (Göteborgs Konstmuseum
Thiel Gallery (Thielska Galleriet)
Stockholm City Museum (Stockholms Stadsmuseum)
Norrköping Art Museum (Norrköpings Konstmuseum)
Helsingborg Museum (Helsingborgs Museum)
Maritime Museum (Sjöhistoriska Museet)
Västergötland Museum (Västergötlands Museum)
North Norwegian Art Museum (Nordnorsk Kunstmuseum)
National Gallery of Denmark (Statens Museum for Kunst) in Copenhagen
Prince Eugen's Waldemarsudde (Prins Eugens Waldemarsudde)
Zorn Museum (Zornmuseet)
Mariehamn Town Hall (Mariehamns stadshus)
Museums in Helsinki (Museum i Helsingfors)

Rikard Lindström (1882-1943) Sweden

Canal Scene, Early 1900s

oil on paper laid on masonite
signed R Lindström
unframed 33.5 x 26.5 cm
framed 42.5 x 35.5 cm
authenticated by Gustaf Jaensson on the back.

Essay:
For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lining its left side, this artwork radiates warmth and spontaneity. Two boats float gently on the water, while a crane stands tall in the distance. The painting exudes a palpable immediacy, with the varied brushwork – from thin, almost ephemeral strokes in the sky to the thicker, more pronounced ones – suggesting that it was painted on-site. In fact, small holes at the corners of the paper hint that Lindström might have painted it directly on point, most likely in Paris during the early 1900s.

About Rikard Lindström: A Journey Through Art and Travel

Born in Stockholm, Rikard Lindström established himself as a master of maritime and archipelago motifs. He began his artistic journey at the Royal Academy of Fine Arts in Stockholm in 1901, later expanding his horizons with studies under Kristian Zahrtmann in Copenhagen from 1902 to 1905 and many travels to Paris. The spirit of a wanderer, Lindström's travels across locations like Stockholm's archipelago, the West Coast, Åland, and particularly Lofoten, Norway, profoundly influenced his art.

Lindström's works often portrayed the sea in all its moods and vessels from behind, revealing a keen interest in life by the water. The bold yet harmonious colors in his pieces speak volumes of his deep appreciation for the maritime world.

Being part of the younger faction of the Artists' Association, Lindström was inspired by the older members like Karl Nordström and his national-romantic paintings. Lindström's work has been exhibited extensively, from Stockholm to Berlin, Venice, and the USA.

Furthermore, Rikard Lindström wasn't just an artist but also a writer, contributing articles and musings to newspapers like Dagens Nyheter.

Lindström's legacy in art is preserved in numerous museums. His works can be found in esteemed institutions like the Moderna Museet, Göteborgs Konstmuseum, Thielska Galleriet, and many more across Sweden and beyond, including the Statens Museum for Kunst in Copenhagen and museums in Helsinki.

Jacob Ochtervelt (Workshop)

The Grape Seller

oil on canvas
unframed: 80.7 x 61 cm.; 31 ¾ x 24 in.
framed: 109.5 x 89 cm.; 43 1/8 x 35 in.

Essay:
This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society.

At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side.

The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself.

The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm.

Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror. As one of the wealthiest individuals in Britain during his lifetime, Viscount Rothermere amassed a remarkable art collection. This painting was included in the book "Works of Art in the Collection of Viscount Rothermere"  where its illustrated in black and white and expertise by Wilhelm Bode. 

Provenance:
Harold Harmsworth, 1st Viscount Rothermere (1868-1940) (Daily Mail founder), London, 1932;
His posthumous sale, London, Christie's, 19 December 1941, lot 89 (as Ochtervelt);
With Dr. F. Drey, London, before 1946;
Gösta Stenman, Stockholm, 1947 (as Ochtervelt);
Thence by descent until sold, Stockholm, Stockholms Auktionsverk, 10 December 2019, lot 2476 (as
Attributed to Ochtervelt by Cabinet Turquin);
Sotheby's London, Sale L20037, Old Master Day Sale, lot 155, (as Workshop of Jacob Ochtervelt)

Literature:
P.G. Konody, Works of Art in the Collection of the Viscount Rothermere, London 1932, cat. no. 53,
reproduced pl. 53 (as Ochtervelt) (see attached image with text by Wilhelm Bode);
G. Stenman, Gamla Tiders Mästare, Stockholm 1947, p. 22, cat. no. 48, reproduced pl. 26 (as Ochtervelt);
S.D. Kuretsky, The Paintings of Jacob Ochtervelt (1634-1682), Oxford 1979, p. 76, cat. no. 54-A, reproduced fig. 131.

Condition: 
Recently carefully cleaned by our art conservator in Stockholm. Only surface cleaning, the old varnish is still there. 

Ingeborg Westfelt-Eggertz (1855-1936) Sweden

Lost in Thoughts, before 1890

oil on canvas laid in masonite
painted c. 1883-1889
signed I Westfelt, St.Nazair (Bretagne)
unframed 23 x 21 cm
framed 39 x 36 cm

Condition:
Very good condition with bright and clear colors. 

Essay:
We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated amidst the grass. Dressed in a vest and hat, the young boy appears to be in his late teens or early twenties. His gaze is directed away, captured in contemplation or perhaps lost in distant thoughts. Painted with swift strokes, the artwork embodies spontaneity, presenting an unfinished portrait of the young man surrounded by rapidly rendered greenery.

There's a distinct charm to unfinished artworks and oil sketches like this one. Such paintings offer a rare insight into the artist's creative process, almost serving as a window into their thoughts and initial intentions. At many times a sketch can be more interesting than a finished painting, as it reveals the raw, unfiltered essence of the artist's vision.

The sketch is signed and the place of its creation is inscribed on the front: Saint Nazaire, Bretagne, painted around 1883-1889.

Born in Stockholm on 17th May 1855, Ingeborg Aurora Westfelt-Eggertz was a pivotal figure in the Swedish art world. Daughter to chamberlain Carl Peter Westfelt and Aurora Charlotta Löthman, she later married the editor August Emil Eggertz in 1893. Her artistic journey began at the Technical School and then led her to the Royal Academy of Fine Arts in Stockholm from 1873 to 1880. Further honing her craft, she studied under Collin and Courtois in Paris by 1883. While in Paris, she opened a school for young women from high society in 1887 and contributed drawings to the Delagrave publishing firm.

Returning to Stockholm in 1890, she co-established a painting school for female students with Elisabeth Keyser. Throughout her life, she shifted residences, living in places such as Visby, Landskrona, and finally settling in Gothenburg by 1903. No matter where she resided, Westfelt-Eggertz remained committed to educating and establishing painting schools for women alongside her personal creations. Her oeuvre consists mainly of genre scenes, figure depictions, and portraits, often in pastel. Several works from her Parisian period found homes with North and South American collectors.

Her accomplishments include awards such as a gold medal in oil painting in Arcachon in 1888, a silver medal in Versailles in 1889, and a Mention Honorable in Evreux. Her legacy is immortalized in esteemed institutions like the Göteborg Art Museum, Hallands Art Museum, Bohuslän Museum in Uddevalla, and the National Museum in Stockholm.

Charlotte Wahlström (1849-1924) Sweden

Haystack, c. 1895

oil on a Swedish wood panel
signed Charlotte Wahlström
unframed 22.7 x 14.7 cm (8.93 x 5.78 inches)
framed 30 x 22 cm (11.81 x 8.66 inches)

Provenance:
A Swedish private collection

Essay:
We are proud to showcase a captivating painting by Charlotte Wahlström, a petite yet enthralling painting measuring just 22.7 x 14.7 cm. The subject depicts a haystack situated on a meadow, close to a log cabin. Illuminated by warm sunlight, the haystack is brought to life with broad, thick brushstrokes, under a clear blue sky. The technique used is distinctly impressionistic, reminiscent of the style that was prominent during that period.

Created around 1895, this piece emerges a few years after Claude Monet's renowned series of haystacks which, like ours, often portrayed the exquisite lighting highlighting the stacks. It's intriguing to speculate if Monet's work influenced Wahlström's interpretation, given the similarities in the light portrayal.

(Claude Monet, Wheatstacks (detail), 1890–91. Collection Art Institute of Chicago, W1269)

Born as the daughter of builder Anders Wahlström and Carolina Setterberg, Charlotte was the niece of the city architect of Vasa, Carl Axel Setterberg. Wahlström embarked on her artistic journey at the Royal Academy of Fine Arts in Stockholm from 1878 to 1883, where she was honored with a royal medal in landscape painting in 1883. Post her time in Stockholm, she traveled to Paris and Brittany in 1885, subsequently venturing to Germany, the Netherlands, and Belgium on scholarship funds. By 1889, she had spent time in the artist colony of Barbizon.

Her accomplishments are numerous. She was awarded a bronze medal at the World's Fair in Saint Louis, USA, in 1904 and received the Idun magazine prize in 1911. She participated in exhibitions held by the Royal Academy of Fine Arts, as well as numerous collective exhibitions organized by the General Art Association of Sweden, Swedish Artists' Association, and the Association of Swedish Female Artists. She was represented in the Baltic Exhibition and several exhibitions in Copenhagen and Munich. Her paintings, often characterized by outstanding coloristic landscapes, frequently featured scenes from Skåne, Värmland, Dalarna, and the West Coast.

Today, Wahlström's legacy can be witnessed in various esteemed institutions including the Göteborg Art Museum, National Museum in Stockholm, Östergötland Museum, Malmö Museum, the County Museum in Östersund, and Örebro County Museum.

Comparable sale:


A larger painting (81x49 cm) with a similar motif was sold at Stockholms Auktionsverk in 2019, fetching a total price of 6000 €.

Alfred Ekstam (1878-1935) Mangskog, Sweden

View Over Lake Mangen, c. 1925

oil on canvas
signed a tergo, A Ekstam
canvas dimensions: 54 x 81 cm (21.3 x 31.9 inches)
frame dimensions: 70 x 96 cm (27.6 x 37.8 inches)

Provenance: 
A Swedish private collection

Essay:
We are pleased to present a magnificent painting by the talented Swedish artist, Alfred Ekstam (1878-1935). This breathtaking landscape features a view over a lake, believed to be Lake Mangen, near Ekstam's hometown. In the foreground, a lush green field extends to the lake, which shimmers in hues of purple, blue, and white, reminiscent of Claude Monet's impressionistic technique of painting water. It is a sight to behold. The sky, filled with clouds, is also mirrored in the water, adding depth and dimension to the scene. In the distance, green mountains loom, completing this picturesque vista. 

Alfred Ekstam was born in Mangskog in 1878, originally with the surname Johansson. He began his career as a painter's apprentice to a local master painter. After a few years, he moved to Stockholm to attend the Technical School, where his ambition to become an artist was ignited. However, finding it difficult to make a living as an artist, he returned to Värmland. Ekstam was a skilled craftsman and was discovered by Elis Eriksson at the Eriksson brothers' furniture workshop, where he was employed as a decorative painter. He also came into contact with notable artists such as Gustaf Fjæstad, Fritz Lindström, and Bror Lindh, who all provided lessons to the budding artist. A significant moment in Ekstam’s artistic journey was a visit to the artist Otto Hesselbom in Säffle, which greatly influenced his painting style. Ekstam's production was modest as he spent a long time on each painting, perfecting every detail. This dedication to his craft paid off in 1919 when all the paintings exhibited at his solo exhibition in Arvika were sold within a week. Tragically, Alfred Ekstam passed away in 1935 while cycling to Edane to visit an exhibition in Karlstad.

This particular piece showcases Ekstam's masterful handling of light and color, and his ability to capture the natural beauty of his homeland. It is not just a painting; it is a window into the serene and beautiful world that Ekstam saw through his own eyes. Don’t miss the opportunity to own a piece of history and beauty, painted by an artist who lived and breathed the very scenes he committed to canvas.

Condition:
When we acquired the painting, it was in desperate need of restoration. Dirt had become encapsulated in the varnish layer, evidently applied by someone unfamiliar with the proper technique. However, the artwork has since been meticulously restored and is now in excellent condition. Additionally, it includes a frame that was newly crafted in 2023.

Hilding Werner (1880-1944) Sweden

Moonlight Over Krokvattnet (near Glafsfjorden)
Swedish title: Månsken över Krokvattnet (nära Glafsfjorden) 

oil on canvas 
signed H.Werner
canvas dimensions 42.5 x 77 cm (16.73 x 30.31 inches)
frame 52 x 86 cm (20.47 x 33.86 inches)
frame is hand made by Christer Björkman. 

Provenance: 
Acquired from the artist by Ralph Almark; Thence within the same family until we acquired it 2023.

Essay: 
Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privileged to present one of his captivating works for sale - "Moonlight Over Krokvattnet (near Glafsfjorden)".

The canvas, a long piece measuring 42.5 x 77 cm, beautifully captures a scene near Glafsfjorden in Värmland, Sweden. The composition is thoughtfully arranged with land in the foreground, meandering water, a peninsula on the right, and blue mountains in the background. The painting virtually radiates the stunning moonlight that illuminates the scene. The sky, a blend of white and grey clouds, acts as a perfect backdrop for the moonlight that shines and reflects so beautifully on the water. There is a poignant, almost melancholy, atmosphere that envelops the scene. In the foreground on the right, a small red cottage adds a touch of warmth and a sense of human presence to the otherwise tranquil and solitary landscape.

Werner's talent in capturing the nuances of light and the natural beauty of the Värmland landscape is evident in this painting. The almost ethereal quality of the moonlight, the gentle reflection in the water, and the subtle interplay of colors create a mesmerizing and evocative image.

Born to the landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began at Caleb Althin's painting school in Stockholm in 1899. He also earned side income as a caricature artist for the newspaper Nya Nisse. His acquaintance with Richard Bergh led him to participate in the Konstnärsförbundet's (Artists' Association) second painting school in 1900-1901. Despite making only one study trip abroad to the Netherlands in 1905, Werner's artistry was influenced by other notable artists such as Gustaf Fjæstad and Otto Hesselbom, whom he encountered during his travels within Sweden.

Werner was one of the initiators of the Värmland Artists' Association and his art, including satirical drawings, was featured in a special exhibition by the Värmland Museum in 2015. He is also represented in the Värmland Museum's collection.

"Moonlight Over Krokvattnet" is not just a painting; it is a journey into the night, a dance of light and shadow, and a reflection of Werner's deep connection to the landscape of Värmland. Owning this painting is an opportunity to possess a piece of Swedish art history and the legacy of Hilding Werner.

Comparable sales:

Bukowskis Stockholm, 2023, Hilding Werner - Twilight landscape, Glafsfjorden, Final price 8,612 € including buyers premium. 

  

Bukowskis Stockholm, Hilding Werner - Landscape Glafsfjorden, Important Winter Sale 645, 2022, Final price 8,025 € including buyers premium. 

Oscar Lycke (1877-1927) Sweden

A Norrland Valley 

oil on canvas mounted on a sketch book board
signed Osc. Lycke 
dimensions 8.46 x 11.22 inches (21.5 x 28.5 cm)
frame 11.42 x 14.37 inches (29 x 36.5 cm)

Provenance: 
A Swedish private collection

Essay:
Oscar Lycke (1877-1927), a painter from Norrland (Northern Sweden), possessed a passion for art that began in his childhood, manifesting itself even in his early school sketches. From a humble start folding shirts and selling buttons behind a merchant’s counter, Lycke’s restless dreams of becoming an artist would propel him to the bustling streets of Stockholm. It was here that he first found sustenance through illustrations for magazines and satirical newspapers.


Oscar Lycke in his studio.

The painting we offer "A Norrland Valley" captures the very essence of Lycke's love for his homeland's natural beauty. Measuring 21.5 x 28.5 cm, this exquisite piece transports you to a valley, where meandering water snakes through mountains. The distant peaks take on a luscious shade of lilac-rose, their majesty contrasted by a nearby forest of spruce trees, touched with hints of green and yellow that seem to dance in the sunlight. The warm hues of a golden sky, dotted with purple clouds, encapsulate the scene, radiating a warmth that’s almost palpable.

This landscape is likely from the area around Sundsvall, his birthplace in Sweden. While small landscape paintings of this caliber are rare, this piece stands as a testament to Lycke’s dedication to his craft and his deep connection to his roots.

Despite early challenges in his career, Lycke’s eye for the northern landscapes resonated with many, aligning with the growing appreciation for Norrlandsromantiken – the Norrland romanticism. 

Notably, while Lycke faced varying degrees of success in Swedish exhibitions, his talent did not go unrecognized abroad. His exhibition in New York were a resounding success, where every one of his paintings found a buyer, speaking volumes about his international appeal.

Toward the end of his life, fate dealt him a challenging hand as he grappled with near-blindness – a harsh destiny for a visual artist. Yet, his legacy endures, with works like this painting offering a glimpse into his profound love for nature and an indomitable spirit that defied every obstacle.

Anton Genberg (1862-1939) Sweden

After Sunset by the Lake, 1889

oil on board
signed and dated A.Genberg -89
board dimensions 33 x 48.5 cm
frame 44.5 x 62 cm

Essay: 

Anton Genberg - Master of Impressionist Landscapes

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression.

His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals.

Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush.

Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum.

Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922.

Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism, located on Parkvägen 46 in Storängen, Nacka. Later, in 1924, he had a villa built on Ängsvägen 14, also in Storängen, designed by architect Per Benson, where he lived until 1929.

Anton Genberg's artistic journey came to a close in 1939, and he was laid to rest at the Norra Begravningsplatsen in Östersund.

The legacy of this brilliant artist endures through his art, which can be admired in various prominent museums such as Nationalmuseum, Helsingborgs museer, Gävle museum, Jamtli, Nordiska museet, and Västerås konstförenings galleri.

We invite you to revel in the beauty and mastery of Anton Genberg's timeless artistry, capturing nature's wonders through an impressionist lens.

Provenance: 
A private collection Jämtland, Sweden.