Products

Justus Juncker (1703-1763, Germany) Attributed to

Scholar Sharpening His Quill Penn

Expertise: We would like to thank Dr. Fred G Meijer for his valuable knowledge in researching this painting. His conclusion as follows: The painting of an old scholar sharpening his pen, in my opinion, is a characteristic work of Justus Juncker (Mainz 1703 – 1767 Frankfurt am Main).
Scholars in their study were a favourite subject of the artist, for instance "Alchemist in his study, sold at Lempertz) and (Dorotheum lot 310, 2020-11). Obviously, Juncker was much inspired by Dutch paintings from the seventeenth century.

oil on oak panel (18th century)
signed with monogram FVM ....?
panel size 11.81 x 9.44 inches (30 x 24 cm)
frame 18.11 x 15.74 inches (46 x 40 cm)
beautiful handcrafted frame included


Provenance: A Swedish Private Collection

Justus Lundegård (1860-1924)

Sailboats in the Swedish Archipelago

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style.  In this painting, we can see his later talent for painting white light and a crisp poetry in the mood with spontaneous brush strokes. 

oil on canvas
signed
canvas dimensions 18.11 x 25.59 inches (46 x 65 cm)
frame 23.62 x 31.49 inches (60 x 80 cm)

Provenance:
A Swedish Private Collection

Karl Tirén (1869-1955) Sweden

Aurora Borealis (Northern Lights)

oil on board
unframed 69 x 95 cm
framed 85 x 110 m
signed K.Tiren

Essay:

Experience the enchanting beauty of the Northern Lights through Karl Tirén's magnificent painting, "Aurora Borealis". This captivating artwork portrays the mesmerizing dance of the auroras across the night sky, illuminating the rugged landscape below. The vibrant streaks of green and blue light cascade across the surface, capturing the ethereal quality of this natural wonder. The dark, silhouetted mountains provide a striking contrast to the luminous display above, adding depth and drama to the scene. Tirén's masterful use of color and texture brings the icy tranquility of the northern landscape to life, allowing viewers to almost feel the crisp, cold air and the silent awe of witnessing the Northern Lights.

About Karl Tirén:
Karl Tirén, born on June 23, 1869, in Oviken, was a multifaceted Swedish artist, known not only for his paintings but also for his extensive contributions to Sami culture and music. Though initially trained as a telegraph assistant, Tirén's passion for the arts led him to become a prominent painter, specializing in naturalistic depictions of Scandinavian landscapes and Sami life.

Throughout his career, Tirén served as a station inspector at various locations across northern Sweden, from Östersund to Kiruna. His time in these remote areas fueled his fascination with the local culture and the breathtaking natural phenomena like the Aurora Borealis.

In addition to his artistic endeavors, Tirén was a dedicated researcher of Sami music, particularly the traditional yoik. He documented and recorded many of these songs, preserving a vital aspect of Sami heritage. His pioneering work in using the phonograph for these recordings was instrumental in safeguarding these traditions for future generations.

Tirén's talents were not confined to painting and music alone; he was also a skilled violin maker and a member of the Royal Swedish Academy of Music. His artistic legacy includes significant public works, such as altarpieces for churches in Jämtland and Sundsvall.

Karl Tirén passed away on September 1, 1955, in Stockholm, but his diverse contributions to art, music, and cultural preservation continue to be celebrated. His works, like "Aurora Borealis" stand as a testament to his deep connection with the natural beauty and cultural richness of northern Scandinavia.

Karl Tirén (1869-1955) Sweden

Vårvinter II, c. 1909

signed Karl Tirén
oil on board
unframed 59 x 98 cm
framed 76 x 105 cm

Provenance: A private collection in the north of Sweden

This painting, "Vårvinter II," painted around 1909 by the Swedish artist Karl Tirén, is a remarkable representation of a landscape in the cusp of the seasonal transition from winter to spring. The canvas is alive with the muted yet rich colours of the winter landscape, a subject close to Tirén's heart and frequent in his oeuvre. The scene is set against a backdrop of a gently sloping mountain, its snow-covered peak basking in the soft light of a spring sun, suggesting the lingering chill of winter yet the promise of warmer days. The foreground is dominated by an intricate play of melting snow and emerging rocks, with ice-capped pools reflecting the azure sky, a testament to the artist's skill in capturing water in its various states.

Bare trees, with their branches etched against the sky, speak of resilience and the imminent return of foliage. The composition is skillfully balanced, with the eye being led across the melting streams that meander through the landscape. The painting's execution, with its broad, confident brushstrokes, conveys both the tranquility and the dynamic nature of the season's transformation. "Vårvinter II" is not just a mere depiction of a place but a narrative of the cycle of seasons, a visual journey through time and change.

Karl Tirén's multifaceted background as a musician, violin maker, Sami researcher, and stationmaster enriches his artistry, infusing his work with a depth of cultural and environmental understanding. Trained in Germany, France, and England, Tirén brought a European sensibility to his representations of the Nordic landscapes.

Tirén's legacy persists through his varied contributions and is celebrated in his representation at the Jämtland County Museum in Östersund, among others. "Vårvinter II" stands as a serene yet evocative piece within this collection, inviting viewers to contemplate the beauty of the north and the transient moments between the seasons.

Flemish School, 1600s

Landscape With Pan and Syrinx

painted around the 1600s
oil on copper
19 x 23.5 cm
frame 29 x 34 cm
Hand-made oak frame by Swedish frame maker Christer Björkman.

Provenance:
A private collection France;
Art Dealer Antiquario Dipinti Antichi, 2022, France

Léon Richet (1847-1907) French

Girl with Flowered Hat

oil on panel 
panel 21.5 x 16 cm
with frame 32.5 x 26.5 cm
signed upper left corner: Leon Richet (see IR image)

Provenance: 
A Swedish private collection

Essay:
Introducing a stunning portrait by renowned French artist Léon Richet (1847-1907), depicting a young girl adorned with a beautiful floral wreath and a hat perched atop her head. This small yet captivating painting showcases Richet's mastery of the sfumato technique, which was famously invented by Leonardo da Vinci. The shading and blending of colors in the girl's face are truly remarkable, making her expression all the more captivating.

The girl's gaze is hauntingly mesmerizing, drawing you into the painting and capturing your attention. Her innocent and youthful appearance is enhanced by the delicate flowers adorning her head, which add a touch of femininity and beauty to the piece.

Léon Richet was a talented French painter, known for his landscapes, portraits, and still-life paintings. He was a contemporary of the Impressionists and often exhibited alongside them, though his style was more traditional and classical. Richet's works were highly sought after in his time, and his legacy continues to inspire artists and art lovers today.

This particular portrait of the young girl with the flower crown is just one example of Richet's exceptional talent. The same girl can be found in several of his paintings, indicating the artist's fondness and his desire to capture her in various ways.

If you're looking to add a touch of classic elegance to your art collection, this portrait by Léon Richet is a must-have.

Lindorm Liljefors (1909-1985) Sweden

Goldfinches, Taormina

oil on board
signed and dated Taormina 83 Lindorm L 
unframed 19 x 27 cm
framed 28.5 x 36 cm

Provenance:
A Swedish private collection 

Essay:
This exquisite painting by Lindorm Liljefors, the talented Swedish painter, draughtsman, and sculptor, is a testament to his profound connection with nature and his artistic lineage. Born on September 18, 1909, in Ytterjärna, Södermanland, and passing away on February 20, 1985, in Skyttorp, Uppsala County, Lindorm was the son of the renowned artist Bruno Liljefors. Educated at the Royal Swedish Academy of Arts in Stockholm from 1928 to 1934, under the tutelage of Alfred Bergström and Wilhelm Smith, he honed his skills before embarking on study trips to France and Italy in 1934.

Our painting "Goldfinches, Taormina" showcases a serene natural landscape, inspired by the picturesque scenery of Taormina, it captures the essence of Taormina's natural beauty, combining it with Liljefors' unique artistic perspective. The landscape is richly detailed with lush green grass, delicate flowers, and rugged stones. The focal point is two European goldfinches (Steglits): one gracefully perched on the ground and the other captured in mid-flight, adding a dynamic element to the tranquil scene. This portrayal not only highlights Liljefors' skill in rendering natural beauty but also reflects his personal love for the outdoors, a theme consistent throughout his career.

Lindorm Liljefors followed in his father's footsteps, both in his choice of motifs and his perspective on nature. His oeuvre includes a variety of nature scenes, such as hunters with dogs, crows on ice, badger families, ducks near openings in the ice, and forest interiors. As a sculptor, he focused on depicting humans and animals in motion. His passion for hunting and dogs, coupled with his contributions to the magazine "Svensk Jakt," further underscored his deep engagement with the natural world.

Martin Eder (1917-1978) Swedish

Portrait of a Man

Martin Eder was a Swedish drawing teacher, artist and ceramicist. Martin was born on the island of Gotland and spent a lot of time there, he also lived in Sala. Martin was a curious artist who made study trips to France, Italy and Tunisia, among other places.
This portrait of Martin Eder is very special, it was painted in 1954 and depicts an unknown man, painted with expressionist brushstrokes with clear fine colours. With a few brushstrokes, he managed to create a portrait that is exciting and powerful.

Gouache on masonite
signed and dated Eder -54
picture dimensions 13.50 x 10.15 inches (34.3 x 25.8 cm)
frame 17.71 x 14.17 inches (45 x 36 cm)

Provenance:
A Swedish Private Collection

Mathys (Mathijs) Schoevaerdts (1665/1667- after 1702) 

Fishmarket in a Southern Port City

oil on canvas
canvas dimensions 17.71 x 25.98 inches (45 x 66 cm)
frame dimensions 24.80 x 33.07 inches (63 x 84 cm)

Expertise:
This painting comes with a certificate (photocopy) from Ellen Bernt, stating that it is "a flawless and characteristic work by the Brussels landscape and figure painter Mathys Schoevaerdts."

Provenance:
Im Kinsky Kunst Auktionen Vienna, 2010-09, Alte Mesiter Sale, lot 2, as Mathys Schoevaerdts;
Dorotheum Vienna, Alte Meister, 2015-12, Lot nr 79, as Mathys Schoevaerdts;
A private collection in Sweden, it was acquired on the sale above.  

Essay:
"Fishmarket in a Southern Port City" is an exquisite painting by the renowned Flemish artist Mathys Schoevaerdts, celebrated for his vibrant landscapes and lively genre scenes. This captivating work, created in the late 17th century, is a testament to Schoevaerdts' skilful blend of realism and idealism, embodying the serene and bustling atmosphere of a southern European port city.

The painting masterfully captures a bustling fish market set against the backdrop of a picturesque port city. The scene is rich with architectural details, including classical arches and a stately building, possibly indicating the city's historical significance and southern European influence.

Schoevaerdts populates the scene with a myriad of figures, each engaged in various activities typical of a lively market day. Fishermen, merchants, and townsfolk animate the foreground, their detailed and individualized poses adding depth and narrative to the composition. The meticulous depiction of everyday life offers a glimpse into the cultural and social dynamics of the time.

The landscape is characterized by rolling hills and a calm, expansive water body, possibly a river or coastal inlet. The distant mountains and the serene sky, painted in delicate hues of blue and pink, evoke a sense of tranquility and timeless beauty. This harmony between the natural and built environments is a hallmark of Schoevaerdts' style.

The use of light in this painting is particularly striking. The warm, golden light of the setting sun bathes the entire scene, casting long shadows and highlighting the textures and details of the architecture and figures. The palette of soft blues, greens, and warm earth tones enhances the painting's inviting and nostalgic feel.

The Artist:
Mathys Schoevaerdts (c. 1665/1667 – after 1702) was a Flemish painter whose works were highly sought after in his lifetime. He trained under Adriaen Frans Boudewijns and became a master of the Brussels Guild of Saint Luke in 1690. Schoevaerdts' work, influenced by Jan Brueghel the Elder, is noted for its blend of detailed realism and idyllic scenes, often imbued with a sense of pastoral happiness.

Schoevaerdts' oeuvre is celebrated for its intricate landscapes filled with lively scenes of peasant life, kermesses, and fantastical elements. Although little is known about his personal life, his legacy is preserved through his works that continue to captivate art enthusiasts and collectors. His unique approach to composition and his ability to blend naturalistic detail with imaginative elements have earned him a distinguished place in the history of Flemish painting.