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Otto Lindberg (1880-1955) Sweden

Breakers at Utö, 1928
Bränningar vid Utö, 1928

oil on canvas
signed and dated Otto Lindberg 1928
unframed 70 x 120 cm
framed 78 x 127 cm

Essay:

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece measures 78 x 127 cm, including its elegant gold frame.

The term "Bränningar" refers to the powerful waves or breakers that crash against coastal formations or shallow grounds, known as "breakers" or "surf" in English. Lindberg's depiction captures the dynamic and mesmerizing interaction between the sea and the rugged coastline.

In this painting, Lindberg masterfully portrays the serene yet captivating seascape. The composition features the tumultuous sea breaking against the dark, rocky shoreline under a vibrant and moody sky. The subtle hues of green and blue dominate the sky and water, while the sunset casts a soft, warm glow across the horizon. In the distance, a solitary sailboat adds a sense of scale and tranquility to the otherwise dramatic scene.

About the Artist:

Otto Lindberg (1880-1955) was a renowned Swedish artist born in Söderhamn. Known for his landscapes and marine paintings, Lindberg studied at the Royal Academy of Fine Arts in Stockholm before furthering his education in Germany and Italy. His style is often described as post-impressionism, characterized by a personal touch and a keen focus on light and color.

Lindberg's works frequently feature a vibrant and strong color palette, aiming to capture the essence and atmosphere of nature. His ability to convey the interplay of light and natural elements is evident in "Bränningar vid Utö," making it a prime example of his artistic prowess.

This painting is a testament to Lindberg's talent and his love for the Swedish coastal landscape. It is a must-have for collectors and art enthusiasts who appreciate the beauty of nature rendered through a post-impressionist eye.

Otto Lindberg (1880-1955) Swedish

Landscape from the North of Sweden

oil on canvas
singed and dated Otto Lindberg 1926
canvas 75 x 58 cm (29.52 x 22.83 inches)
frame 85 x 69 cm (33.56 x 27.16 inches)

Provenance: 
A private collection Orléans, France.

Otto Lindberg was a Swedish artist born in Söderhamn in 1880. Lindberg was known for his landscapes and marine paintings. He studied at the Royal Academy of Fine Arts in Stockholm and later traveled to Germany and Italy to continue his studies.

Lindberg's style can be described as a form of post-impressionism, with a personal touch and a focus on light and color. He often used a strong and vibrant color palette and aimed to capture the atmosphere and light of nature in his works.

This beautiful painting by Lindberg, depicting a landscape of mountains in shades of brown, red, blue, and green, with a lake in the foreground painted with short brushstrokes of blue, pink, and yellow. The painting is set under a lovely summer sky with warm, inviting light.

Peder Mønsted (Mönsted) (1859-1941) Danish

Portrait of a Girl, 1887

oil on wood panel
signed and dated PMönsted 1887
unframed 27.5 x 19.5 cm (10.83 x 7.68 inches)
framed 39 x 30.5 cm (15.35 x 12.01 inches)

Condition: 
The portrait has recently undergone restoration by our art conservator in Stockholm. The surface was full of old nicotine and varnish who was safely removed, along with some poorly executed previous retouching. As a result, the painting now presents a completely different appearance. The colors are vibrant, and the skin tones are more natural. A newly crafted frame is included.

Essay:
This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed in profile, is adorned with jewelry that reflects the height of 1880s fashion. She wears a charm bracelet, inspired by Queen Victoria of England, who famously wore hers as a mourning piece after the death of Prince Albert in the 1860s. Each charm held a symbolic meaning—representing an event, place, or memory of a loved one. The bracelet is likely made of gold, a precious and fashionable material at the time.

Additionally, the girl wears two bangles on the same arm, a stylish choice for the portrait sitting, as it was more common to wear one on each arm. A large brooch adorns her neck, possibly a gold cameo made from seashell, although it's difficult to tell with certainty. On her finger, she wears a ring set with turquoise, a gemstone that was very popular at the time, adding another touch of fashionable elegance to the ensemble.

Her thoughtful expression and the graceful way she supports her head with her hand evoke a quiet sense of contemplation.

She is surrounded by lush green leaves, which adds a natural and organic contrast to her richly textured clothing and accessories. This balance between the softness of her features and the detailed background is a testament to Mønsted's skill in bringing lifelike realism to his subjects. Known primarily for his stunning landscapes, Portrait of a Girl showcases another dimension of Mønsted's artistic abilities — his ability to convey personality and depth in portraiture.

Although this piece departs from the snowy winter scenes and serene waters Mønsted is famous for, it reflects the same commitment to detail and realism, emphasizing his academic naturalist approach. The artist’s travels throughout Europe and his associations with influential artists have clearly informed his meticulous technique, as evidenced in the delicate rendering of the girl’s skin tone and the interplay of light across the surface.

This portrait is a rare opportunity to own a lesser-known, yet equally captivating, work by one of Denmark's foremost realist painters.

Per Daniel Holm (Malingsbo, Dalarna 1835–1903 Stockholm) Attributed to. 

Landscape from Kvikkjokk, c. 1861

oil on board
unframed 39 x 56 cm (15.4 x 22 inches)
framed 46.5 x 63 cm (18.3 x 24.8 inches)

Condition:
Very good condition, recently restored by professional art conservator in Stockholm. 

Essay:
This exquisite landscape by Per Daniel Holm captures the serene beauty of Kvikkjokk, a remote area in Lapland, Sweden. Holm created the piece following his participation in a scientific expedition to Lapland from July to September 1861, led by Carl Anton Petterson, inspector of the kingdom's navigation schools and a member of the Academy of Military Sciences. The purpose of the expedition was to gather geographical data and make precise location and height determinations for the creation of a comprehensive economic map, as the knowledge of Lapland's interior was, at the time, incomplete and often inaccurate.

Kvikkjokk and the neighboring settlement Kammjokk served as the expedition’s destination—regions scarcely populated in the 19th century. Holm, an exceptionally skilled draftsman and painter, documented the journey with studies in pencil, watercolor, and oil. On his return to Stockholm, these studies became the basis for a series of remarkable works that captured the essence of Lapland's rugged and untouched nature.

Among these works, Holm’s most famous painting, “Saggat-träsk Kvikkjokk” (1861, Nationalmuseum, Stockholm), stands as a testament to his ability to evoke the sublime grandeur of the northern wilderness. The present work, Landscape from Kvikkjokk, was similarly conceived from sketches made during this expedition, reflecting Holm's unique ability to blend scientific precision with artistic expression.

Adding to the significance of this painting is its connection to Axel Wilhelm Nordgren (1828–1888), who created a copy of the work, underscoring its importance and influence in the artistic circles of the time. Holm’s original compositions from Lapland were later exhibited and sold at the Konstnärshuset in Stockholm in November 1903, in a retrospective that celebrated his contributions to Swedish art.

Per (Pehr) Wickenberg (1812-1846) Swedish

Dutch Winter landscape with children playing on the ice

oil on relined canvas
signed and dated P.Wickenberg 1839
gold frame with patina included
canvas dimensions 51.5 x 70.5 cm (20.27 x 27.75 inches)
frame 69.5 x 88 cm (27.36 x 34.64 inches) 

Essay:
Per Wickenberg, was a Swedish maestro of the brush who left an indelible mark on the world despite his brief life, truncated by tuberculosis at the age of 34. A prodigy who dedicated over two decades to his craft, Wickenberg's journey began at the Royal Academy of Art in Stockholm. His ambition took him beyond the familiar landscapes of Sweden to the artistic epicenter of Paris in 1837, where recognition and acclaim awaited him. His depictions of the Nordic chill won him gold medals at the prestigious Salon de Paris consecutively in 1838 for "Nordiskt vinterlandskap" and in 1839 for "Vinterfiske."

Empowered by a scholarship from his homeland, Wickenberg ventured through Belgium and the Netherlands, where he further honed his skill and perspective. The painting we present is a product of this period, a testament to his success and his exceptional ability to evoke the stark beauty of winter. Every detail is rendered with extraordinary care—the children on the ice, a sledge heaped with hay, and a solitary skater in the distance, lending depth and vivacity to the scene. This painting is not merely a visual treat; it is an homage to a visionary artist's lifelong devotion to capturing the essence of his environment. It is our privilege to offer this exquisite piece, a slice of Wickenberg's enduring legacy.
Artist: Per (Pehr) Wickenberg (1812-1846) Swedish

Condition: 
Overall good condition, bright and clear colors. 
There are some old retouching in some areas (please contact for UV images)

Provenance: 
AAG Auctions, Amsterdam, nov 2015, lot 29;
A Swedish private collection

Attributed to Petrus Gerardus Vertin (1819-1893)

Busy Street in a Sunlit Dutch Town

oil on wood panel 
unframed 27 x 23 cm 
framed 39.5 x 35 cm 

Provenance: 
A Swedish private collection.

Essay: 
This painting, attributed to the Dutch artist Petrus Gerardus Vertin (1819-1893), is a quintessential example of his work, though it is unsigned. The scene is a bustling street in a Dutch town, depicted in broad daylight with people engaged in their daily tasks. On the right, there is a stall where food is being prepared in a steaming pot, and across the street, a woman sells vegetables. The street is lined with brick houses on both sides, laundry is hanging out to dry, and some windows display flowers in full bloom, adding vibrant splashes of color to the scene. The atmosphere is light and airy, with a blue sky scattered with clouds, and a church is visible in the background, suggesting the setting could be a product of Vertin's imagination.

Petrus Gerardus Vertin was a prominent 19th-century Dutch painter and graphic artist known for his detailed townscapes and street views. His works can be found in several Dutch museums, including the Rijksmuseum in Amsterdam, the Gemeentemuseum in The Hague, and the Centraal Museum in Utrecht. Vertin was a student of the renowned veduta painter Bartholomeus Johannes van Hove and opted for lithography and etching in his graphic works. His paintings often feature aligned house facades along streets or canals, a significant building such as a church in the background, and an atmospheric sky with moving clouds. These elements are all present in this work, along with the small figures that add a narrative character to the painting. Vertin's art captures various times of the year and different weather conditions, bringing the daily life of Dutch towns in the 19th century to the viewer with a vivid sense of realism and charm.

Philippe Marie Picard (1915-1997) French

French Landscape

oil on canvas
signed Ph m Picard
dated a tergo 16.4 -46
canvas size 12.99 x 22.04 inches (33 x 56 cm )
frame 23.03 x 31.49 inches (58.5 x 80 cm)

Provenance:
A Swedish private collection.

The Artist:
The year was 1915, and Philippe Marie was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard. He was then accepted to the École supérieure des beaux-arts de Tours from 1932 to 1934, where he was a pupil of Maurice Mathurin. In 1935, he entered the School of Fine Arts in Paris, then in 1936-1938 the studio of Fernand Sabatté, and finally Charles-François-Prosper Guérin studio.

Phillippe Marie exhibited at the Salon des Indépendants 1945, where the city of Paris bought the first painting.
He then exhibited regularly at the Salon des Indépendants until 1989. In 1946 when this painting was created, he exhibited for the first time in Stockholm. At the end of the same year, he was noticed by Youki Desnos and exhibit at the Fontan gallery in Paris. In 1947 and 1948, he participated in a group exhibition at the Marquié Gallery in New York under the title: School of Paris - Paintings with Eugène Boudin , Jean-Baptiste Corot , Braque , Andre Lhote , Élisée Maclet , Camille Pissarro and Henri Rousseau. He travelled to Sweden from October to November 1949. It will be his only trip abroad. Subsequently, he made several important exhibitions in Sweden. He continues to exhibit in Sweden, Germany, Switzerland, Venezuela, Lebanon, Spain, Mexico, Montreal.
In the 1940s, Picard painted realistic portraits, still lifes, and landscapes; he experimented with black lines in his paintings. In the 1950s, his art became more expressionist. Around 1970, he turned to a semi-abstraction and later to Fauvism.

Reinhold Grohmann (1877-1915)

German Autumn Landscape With Windmill, 1903

oil on board 
signed with monogram 
board dimensions 47 x 47.5 cm
with frame 57 x 58 cm

Provenance: 
A Swedish private collection

English:
Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. 

Grohmann's works are known for their unique style, which featured bold colors and visible brushstrokes. He was heavily influenced by the Impressionist and Post-Impressionist movements and often used their techniques to create his distinctive style.

This particular painting from 1903, depicting a German landscape with a blooming bush in the foreground, a shimmering stream with reflections, and a hill with a windmill in the background, showcases Grohmann's exceptional skill as a painter. The painting captures the essence of an autumn day with its warm colors and visible brushstrokes.

German:
Reinhold Grohmann (1877-1915) war ein deutscher Maler, der an der Académie Julian in Paris studierte, einer renommierten Kunstschule, die Studierende aus der ganzen Welt anzog.

Grohmanns Werke sind bekannt für ihren einzigartigen Stil, der kräftige Farben und sichtbare Pinselstriche umfasste. Er war stark von den Impressionisten und Post-Impressionisten beeinflusst und nutzte oft ihre Techniken, um seinen unverwechselbaren Stil zu kreieren.

Dieses besondere Gemälde von 1903, das eine deutsche Landschaft mit einem blühenden Busch im Vordergrund, einem schimmernden Bach mit Reflexionen und einem Hügel mit einer Windmühle im Hintergrund darstellt, zeigt Grohmanns außergewöhnliches Können als Maler. Das Gemälde fängt die Essenz eines Herbsttages mit seinen warmen Farben und sichtbaren Pinselstrichen ein.