LANDSCAPES

Nils Kreuger (1858-1930) Sweden

Cattle on the Meadow

oil on wood panel
signet N.KREUGER.
unframed 13.5 x 24.5 cm
framed 26.5 x 37 cm

Provenance: 
A private collection, Belgium.

Essay:
This exquisite oil painting on panel, measuring 13.5 x 24.5 cm, is a beautiful piece by Nils Kreuger, a distinguished Swedish painter. The artwork depicts five cattle grazing on a green meadow, a scene that encapsulates the tranquil beauty of rural life. In the distance, the horizon is graced by the sea, adding a serene backdrop to the pastoral theme.

Nils Kreuger's unique style is evident in this painting, particularly in his characteristic use of black lines that trace the forms of the cattle. This stylistic choice adds a dynamic and almost rhythmic quality to the composition, capturing the essence of the animals in a way that is both artistic and lifelike.

The painting is further enhanced by a newly crafted, elegant black frame that complements its aesthetic and ensures its preservation.

Nils Kreuger (1858–1930) was a master of landscape and rural scene painting. His journey as an artist began at the Royal Swedish Academy of Fine Arts, although illness interrupted his studies. He later continued his education under Edvard Perséus and in Paris at the Académie Colarossi. Kreuger's early works were often painted en plein air in Grez-sur-Loing, showcasing his affinity for capturing natural light and atmosphere, particularly at dawn or dusk.

He was a key figure in the Opponenterna movement, which challenged the outdated methods of the Royal Academy. His move to Varberg led to the formation of the Varbergsskolan, a group that veered towards Romantic nationalism in landscape painting, influenced in part by Paul Gauguin and Van Gogh.

Kreuger's later years saw him in Stockholm, with summers in Öland where he painted cows and horses. His style evolved, introducing lighter palettes and dots, and he also ventured into illustration and furniture design. Despite challenges with his eyesight in his later years, Kreuger continued to paint, leaving behind a legacy that is celebrated in major Swedish art museums such as; Nationalmuseum Stockholm, Prins Eugens Waldemarsudde, the Thiel Gallery, and the Gothenburg Museum of Art.

This painting, with its delicate interplay of light and shadow and its representation of rural tranquility, is not only a testament to Kreuger's artistic skill but also a piece of Swedish cultural heritage. It is an ideal acquisition for collectors and enthusiasts of Nordic art, offering both aesthetic pleasure and historical significance.

Anton Genberg (1862 - 1939) Sweden

Winter Landscape, 1919

oil on canvas
signed and dated Anton Genberg 1919
unframed 73.5 x 101 cm
framed 84 x 111.5 cm

Essay:
We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry, known for his naturalistic depiction of the Scandinavian wilderness.

The work features a peaceful open brook in the foreground, meticulously painted with intricate and elongated brushstrokes that reflect the calm flow of the water. Following the waterline, a stand of birches emerges, almost glowing with a delicate lilac hue in the painting's twilight. Above, the sky is painted in an impressionist style, with broad strokes of white, blue, and lilac, creating a harmonious blend that captures the fleeting light of a Nordic winter.

The subject of the painting likely draws from the natural surroundings of Storängen in Stockholm, where Genberg resided in 1919. This painting is not only a visual masterpiece but also a piece of history from the artist's own life and surroundings.

Anton Genberg (1862-1939) was a celebrated Swedish painter, born in Östersund and later settled in Storängen, Stockholm. His body of work mainly features the landscapes of northern Sweden, particularly the mountainous regions. Genberg's education at the Technical School in Stockholm and the Royal Swedish Academy of Fine Arts.

Throughout his career, Genberg's exhibitions spanned across Stockholm, Berlin, St. Louis, Buenos Aires, and Munich, among others, highlighting his international recognition. He was also a significant figure in Swedish art societies, serving as the vice-chairman of the Swedish Artists' Association and a member of the board for the General Art Association of Sweden.

The artist's personal journey is reflected in his art. Genberg lived in the national romantic Villa Wallbeck-Hansen in Storängen, a location that inspired many of his works until he moved to a villa designed by architect Per Benson in 1924.

This painting is a testament to Genberg's legacy, embodying the serenity and beauty of Swedish winter landscapes. It comes with a finely crafted new black frame, which further enhances the piece's elegance. It is a significant addition to any collection, not only as a work of art but also as a slice of the rich cultural tapestry of Sweden, preserved through Genberg's exceptional talent.

Anton Genberg's works are held in the collections of several prominent museums: Nationalmuseum Stockholm, Helsingborgs Museum, Gävle Museum, Jamtli Östersund, Nordiska Museet

Attributed to Petrus Gerardus Vertin (1819-1893)

Busy Street in a Sunlit Dutch Town

oil on wood panel 
unframed 27 x 23 cm 
framed 39.5 x 35 cm 

Provenance: 
A Swedish private collection.

Essay: 
This painting, attributed to the Dutch artist Petrus Gerardus Vertin (1819-1893), is a quintessential example of his work, though it is unsigned. The scene is a bustling street in a Dutch town, depicted in broad daylight with people engaged in their daily tasks. On the right, there is a stall where food is being prepared in a steaming pot, and across the street, a woman sells vegetables. The street is lined with brick houses on both sides, laundry is hanging out to dry, and some windows display flowers in full bloom, adding vibrant splashes of color to the scene. The atmosphere is light and airy, with a blue sky scattered with clouds, and a church is visible in the background, suggesting the setting could be a product of Vertin's imagination.

Petrus Gerardus Vertin was a prominent 19th-century Dutch painter and graphic artist known for his detailed townscapes and street views. His works can be found in several Dutch museums, including the Rijksmuseum in Amsterdam, the Gemeentemuseum in The Hague, and the Centraal Museum in Utrecht. Vertin was a student of the renowned veduta painter Bartholomeus Johannes van Hove and opted for lithography and etching in his graphic works. His paintings often feature aligned house facades along streets or canals, a significant building such as a church in the background, and an atmospheric sky with moving clouds. These elements are all present in this work, along with the small figures that add a narrative character to the painting. Vertin's art captures various times of the year and different weather conditions, bringing the daily life of Dutch towns in the 19th century to the viewer with a vivid sense of realism and charm.

Rikard Lindström (1882-1943) Swedish

Winter Landscape

oil on canvas
signed Rikard Lindström
unframed 71 x 100 cm
framed 78 x 108 cm

Provenance: 
A Swedish private collection

Essay: 

Depicting a winter wonderland, this piece mesmerizes the viewer with its turquoise sky - a bold and unique choice that draws the eyes upwards. But the narrative is more profound. Set against this sky is a distant, rugged stone hill, standing as a testament to the timeless beauty of nature. A few trees benethe the hill, gracefully blanketed with snow. The snow itself is no ordinary white, but a mix of pink and blue shimmers, giving the piece a more interesting quality.

More intriguing are the tracks left in the snow. Whose might they be? An animal, perhaps? Or did the artist himself tread this frozen landscape, leaving behind a subtle signature? Such is the mystery of Lindström's work.

Rikard Magnus Lindström (1882-1943) was not just a painter but a storyteller, deeply rooted in his Swedish heritage. He's best known for his paintings of archipelago scenes, where the tranquil and tempestuous moods of the sea often play central characters. Born in Stockholm, Lindström's journey into the art world began at the Konstakademien in Stockholm, and his passion took him to Copenhagen and Paris. Throughout his life, Lindström's restless spirit saw him wander, capturing the diverse landscapes of Stockholm's archipelago, Västkusten, Åland, and notably, Lofoten. His affinity for portraying the vast expanse of the sea, often with sailing vessels in the backdrop, is legendary.

Lindström's colors were described as "powerful yet harmonious," and this piece is no exception. The juxtaposition of the turquoise sky with the shimmering snow showcases his masterful play with colors.

A member of the younger generation of the Konstnärsförbundet, Lindström was greatly influenced by the older members, particularly by Karl Nordström's national-romantic paintings. Besides painting, Lindström had a flair for writing and was a popular contributor to Dagens Nyheter, often penning articles and notes in Morgonbris.

However, beneath the vivacious, nature-loving exterior was a man of depth and complexity, as his ex-wife, Martha Rydell-Lindström, has depicted in her book. He was a lover of life, but his nature held layers of vulnerability and tenderness.

Today, this winter landscape stands as a tribute not just to Lindström's artistic genius but to the very essence of the man himself. Embrace the opportunity to own a piece of Swedish art history, painted by an artist whose legacy continues to inspire.

Rikard Lindströms paintings can be seen in many museums across the Nordic region, such as: 

Modern Museum (Moderna Museet)
Gothenburg Art Museum (Göteborgs Konstmuseum
Thiel Gallery (Thielska Galleriet)
Stockholm City Museum (Stockholms Stadsmuseum)
Norrköping Art Museum (Norrköpings Konstmuseum)
Helsingborg Museum (Helsingborgs Museum)
Maritime Museum (Sjöhistoriska Museet)
Västergötland Museum (Västergötlands Museum)
North Norwegian Art Museum (Nordnorsk Kunstmuseum)
National Gallery of Denmark (Statens Museum for Kunst) in Copenhagen
Prince Eugen's Waldemarsudde (Prins Eugens Waldemarsudde)
Zorn Museum (Zornmuseet)
Mariehamn Town Hall (Mariehamns stadshus)
Museums in Helsinki (Museum i Helsingfors)

Rikard Lindström (1882-1943) Sweden

Canal Scene, Early 1900s

oil on paper laid on masonite
signed R Lindström
unframed 33.5 x 26.5 cm
framed 42.5 x 35.5 cm
authenticated by Gustaf Jaensson on the back.

Essay:
For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lining its left side, this artwork radiates warmth and spontaneity. Two boats float gently on the water, while a crane stands tall in the distance. The painting exudes a palpable immediacy, with the varied brushwork – from thin, almost ephemeral strokes in the sky to the thicker, more pronounced ones – suggesting that it was painted on-site. In fact, small holes at the corners of the paper hint that Lindström might have painted it directly on point, most likely in Paris during the early 1900s.

About Rikard Lindström: A Journey Through Art and Travel

Born in Stockholm, Rikard Lindström established himself as a master of maritime and archipelago motifs. He began his artistic journey at the Royal Academy of Fine Arts in Stockholm in 1901, later expanding his horizons with studies under Kristian Zahrtmann in Copenhagen from 1902 to 1905 and many travels to Paris. The spirit of a wanderer, Lindström's travels across locations like Stockholm's archipelago, the West Coast, Åland, and particularly Lofoten, Norway, profoundly influenced his art.

Lindström's works often portrayed the sea in all its moods and vessels from behind, revealing a keen interest in life by the water. The bold yet harmonious colors in his pieces speak volumes of his deep appreciation for the maritime world.

Being part of the younger faction of the Artists' Association, Lindström was inspired by the older members like Karl Nordström and his national-romantic paintings. Lindström's work has been exhibited extensively, from Stockholm to Berlin, Venice, and the USA.

Furthermore, Rikard Lindström wasn't just an artist but also a writer, contributing articles and musings to newspapers like Dagens Nyheter.

Lindström's legacy in art is preserved in numerous museums. His works can be found in esteemed institutions like the Moderna Museet, Göteborgs Konstmuseum, Thielska Galleriet, and many more across Sweden and beyond, including the Statens Museum for Kunst in Copenhagen and museums in Helsinki.

Circle of Adriaen van Stalbemt (1580-1662)

A 17th Century Mythological Scene

oil on copper plate
unframed 16.3 x 21.4 cm (6.42 x 8.43 inches)
framed 26 x 31 cm (10.24 x 12.20 inches)

Provenance:
An important private collection, Sweden. 

Condition:
Professionally restored in Italy 1995. 

Expertise: 
Dr. Mari Pietrogiovanna (Report included)

Essay:
This small yet captivating painting, crafted on a copper plate, dates back to the mid-1600s and was created by a Flemish artist. 

Subject Matter: The central figure in the artwork is Mercury, easily identified by his symbolic attributes like winged sandals, petasus, and caduceus. Beside him is a likely female figure, characterized by her attire and absence of weaponry.

The depicted scene could represent two mythological tales:

1. Mercury and Calypso: This interpretation suggests the artwork shows the moment Zeus sends Mercury to Calypso's island, Ogygia. Mercury is there to order Calypso to release Ulysses, whom she saved from a shipwreck but kept captive. The lush, wooded background and the three distant figures could hint at Ulysses' farewell to Calypso.

2. Mercury and Herses: Another interpretation could be a scene from the love story of Mercury and Herses. The background figures might symbolize the sisters returning from a procession, while the forefront could be the initial meeting between Mercury and the most beautiful sister, Erse.

Artistic Inspiration: The painting's landscape and setting are heavily influenced by the early 17th century Northern European art trends, especially the works of Jan Brueghel the Elder. However, the artwork stands apart with its unique luminescence in detailing and a distinctive approach to depicting figures.

While the exact origin and artist remain somewhat mysterious, the style and treatment of light hint towards works close to Josse de Momper. There's a suggestion that it might have been influenced or created by artists like Adriaen van Stalbemt, known for his biblical subjects and detailed landscapes, around the first thirty years of the 1600s.
In conclusion, while we haven't been able to figure out the artist, it's essential to remember that the allure of a painting isn't solely tied to its creator's identity. Sometimes, the beauty and intrigue of the piece stand on their own, and a touch of mystery can only enhance its charm.

Charlotte Wahlström (1849-1924) Sweden

Haystack, c. 1895

oil on a Swedish wood panel
signed Charlotte Wahlström
unframed 22.7 x 14.7 cm (8.93 x 5.78 inches)
framed 30 x 22 cm (11.81 x 8.66 inches)

Provenance:
A Swedish private collection

Essay:
We are proud to showcase a captivating painting by Charlotte Wahlström, a petite yet enthralling painting measuring just 22.7 x 14.7 cm. The subject depicts a haystack situated on a meadow, close to a log cabin. Illuminated by warm sunlight, the haystack is brought to life with broad, thick brushstrokes, under a clear blue sky. The technique used is distinctly impressionistic, reminiscent of the style that was prominent during that period.

Created around 1895, this piece emerges a few years after Claude Monet's renowned series of haystacks which, like ours, often portrayed the exquisite lighting highlighting the stacks. It's intriguing to speculate if Monet's work influenced Wahlström's interpretation, given the similarities in the light portrayal.

(Claude Monet, Wheatstacks (detail), 1890–91. Collection Art Institute of Chicago, W1269)

Born as the daughter of builder Anders Wahlström and Carolina Setterberg, Charlotte was the niece of the city architect of Vasa, Carl Axel Setterberg. Wahlström embarked on her artistic journey at the Royal Academy of Fine Arts in Stockholm from 1878 to 1883, where she was honored with a royal medal in landscape painting in 1883. Post her time in Stockholm, she traveled to Paris and Brittany in 1885, subsequently venturing to Germany, the Netherlands, and Belgium on scholarship funds. By 1889, she had spent time in the artist colony of Barbizon.

Her accomplishments are numerous. She was awarded a bronze medal at the World's Fair in Saint Louis, USA, in 1904 and received the Idun magazine prize in 1911. She participated in exhibitions held by the Royal Academy of Fine Arts, as well as numerous collective exhibitions organized by the General Art Association of Sweden, Swedish Artists' Association, and the Association of Swedish Female Artists. She was represented in the Baltic Exhibition and several exhibitions in Copenhagen and Munich. Her paintings, often characterized by outstanding coloristic landscapes, frequently featured scenes from Skåne, Värmland, Dalarna, and the West Coast.

Today, Wahlström's legacy can be witnessed in various esteemed institutions including the Göteborg Art Museum, National Museum in Stockholm, Östergötland Museum, Malmö Museum, the County Museum in Östersund, and Örebro County Museum.

Comparable sale:


A larger painting (81x49 cm) with a similar motif was sold at Stockholms Auktionsverk in 2019, fetching a total price of 6000 €.

Alfred Ekstam (1878-1935) Mangskog, Sweden

View Over Lake Mangen, c. 1925

oil on canvas
signed a tergo, A Ekstam
canvas dimensions: 54 x 81 cm (21.3 x 31.9 inches)
frame dimensions: 70 x 96 cm (27.6 x 37.8 inches)

Provenance: 
A Swedish private collection

Essay:
We are pleased to present a magnificent painting by the talented Swedish artist, Alfred Ekstam (1878-1935). This breathtaking landscape features a view over a lake, believed to be Lake Mangen, near Ekstam's hometown. In the foreground, a lush green field extends to the lake, which shimmers in hues of purple, blue, and white, reminiscent of Claude Monet's impressionistic technique of painting water. It is a sight to behold. The sky, filled with clouds, is also mirrored in the water, adding depth and dimension to the scene. In the distance, green mountains loom, completing this picturesque vista. 

Alfred Ekstam was born in Mangskog in 1878, originally with the surname Johansson. He began his career as a painter's apprentice to a local master painter. After a few years, he moved to Stockholm to attend the Technical School, where his ambition to become an artist was ignited. However, finding it difficult to make a living as an artist, he returned to Värmland. Ekstam was a skilled craftsman and was discovered by Elis Eriksson at the Eriksson brothers' furniture workshop, where he was employed as a decorative painter. He also came into contact with notable artists such as Gustaf Fjæstad, Fritz Lindström, and Bror Lindh, who all provided lessons to the budding artist. A significant moment in Ekstam’s artistic journey was a visit to the artist Otto Hesselbom in Säffle, which greatly influenced his painting style. Ekstam's production was modest as he spent a long time on each painting, perfecting every detail. This dedication to his craft paid off in 1919 when all the paintings exhibited at his solo exhibition in Arvika were sold within a week. Tragically, Alfred Ekstam passed away in 1935 while cycling to Edane to visit an exhibition in Karlstad.

This particular piece showcases Ekstam's masterful handling of light and color, and his ability to capture the natural beauty of his homeland. It is not just a painting; it is a window into the serene and beautiful world that Ekstam saw through his own eyes. Don’t miss the opportunity to own a piece of history and beauty, painted by an artist who lived and breathed the very scenes he committed to canvas.

Condition:
When we acquired the painting, it was in desperate need of restoration. Dirt had become encapsulated in the varnish layer, evidently applied by someone unfamiliar with the proper technique. However, the artwork has since been meticulously restored and is now in excellent condition. Additionally, it includes a frame that was newly crafted in 2023.

Hilding Werner (1880-1944) Sweden

Moonlight Over Krokvattnet (near Glafsfjorden)
Swedish title: Månsken över Krokvattnet (nära Glafsfjorden) 

oil on canvas 
signed H.Werner
canvas dimensions 42.5 x 77 cm (16.73 x 30.31 inches)
frame 52 x 86 cm (20.47 x 33.86 inches)
frame is hand made by Christer Björkman. 

Provenance: 
Acquired from the artist by Ralph Almark; Thence within the same family until we acquired it 2023.

Essay: 
Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privileged to present one of his captivating works for sale - "Moonlight Over Krokvattnet (near Glafsfjorden)".

The canvas, a long piece measuring 42.5 x 77 cm, beautifully captures a scene near Glafsfjorden in Värmland, Sweden. The composition is thoughtfully arranged with land in the foreground, meandering water, a peninsula on the right, and blue mountains in the background. The painting virtually radiates the stunning moonlight that illuminates the scene. The sky, a blend of white and grey clouds, acts as a perfect backdrop for the moonlight that shines and reflects so beautifully on the water. There is a poignant, almost melancholy, atmosphere that envelops the scene. In the foreground on the right, a small red cottage adds a touch of warmth and a sense of human presence to the otherwise tranquil and solitary landscape.

Werner's talent in capturing the nuances of light and the natural beauty of the Värmland landscape is evident in this painting. The almost ethereal quality of the moonlight, the gentle reflection in the water, and the subtle interplay of colors create a mesmerizing and evocative image.

Born to the landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began at Caleb Althin's painting school in Stockholm in 1899. He also earned side income as a caricature artist for the newspaper Nya Nisse. His acquaintance with Richard Bergh led him to participate in the Konstnärsförbundet's (Artists' Association) second painting school in 1900-1901. Despite making only one study trip abroad to the Netherlands in 1905, Werner's artistry was influenced by other notable artists such as Gustaf Fjæstad and Otto Hesselbom, whom he encountered during his travels within Sweden.

Werner was one of the initiators of the Värmland Artists' Association and his art, including satirical drawings, was featured in a special exhibition by the Värmland Museum in 2015. He is also represented in the Värmland Museum's collection.

"Moonlight Over Krokvattnet" is not just a painting; it is a journey into the night, a dance of light and shadow, and a reflection of Werner's deep connection to the landscape of Värmland. Owning this painting is an opportunity to possess a piece of Swedish art history and the legacy of Hilding Werner.

Comparable sales:

Bukowskis Stockholm, 2023, Hilding Werner - Twilight landscape, Glafsfjorden, Final price 8,612 € including buyers premium. 

  

Bukowskis Stockholm, Hilding Werner - Landscape Glafsfjorden, Important Winter Sale 645, 2022, Final price 8,025 € including buyers premium. 

Oscar Lycke (1877-1927) Sweden

A Norrland Valley 

oil on canvas mounted on a sketch book board
signed Osc. Lycke 
dimensions 8.46 x 11.22 inches (21.5 x 28.5 cm)
frame 11.42 x 14.37 inches (29 x 36.5 cm)

Provenance: 
A Swedish private collection

Essay:
Oscar Lycke (1877-1927), a painter from Norrland (Northern Sweden), possessed a passion for art that began in his childhood, manifesting itself even in his early school sketches. From a humble start folding shirts and selling buttons behind a merchant’s counter, Lycke’s restless dreams of becoming an artist would propel him to the bustling streets of Stockholm. It was here that he first found sustenance through illustrations for magazines and satirical newspapers.


Oscar Lycke in his studio.

The painting we offer "A Norrland Valley" captures the very essence of Lycke's love for his homeland's natural beauty. Measuring 21.5 x 28.5 cm, this exquisite piece transports you to a valley, where meandering water snakes through mountains. The distant peaks take on a luscious shade of lilac-rose, their majesty contrasted by a nearby forest of spruce trees, touched with hints of green and yellow that seem to dance in the sunlight. The warm hues of a golden sky, dotted with purple clouds, encapsulate the scene, radiating a warmth that’s almost palpable.

This landscape is likely from the area around Sundsvall, his birthplace in Sweden. While small landscape paintings of this caliber are rare, this piece stands as a testament to Lycke’s dedication to his craft and his deep connection to his roots.

Despite early challenges in his career, Lycke’s eye for the northern landscapes resonated with many, aligning with the growing appreciation for Norrlandsromantiken – the Norrland romanticism. 

Notably, while Lycke faced varying degrees of success in Swedish exhibitions, his talent did not go unrecognized abroad. His exhibition in New York were a resounding success, where every one of his paintings found a buyer, speaking volumes about his international appeal.

Toward the end of his life, fate dealt him a challenging hand as he grappled with near-blindness – a harsh destiny for a visual artist. Yet, his legacy endures, with works like this painting offering a glimpse into his profound love for nature and an indomitable spirit that defied every obstacle.

Anton Genberg (1862-1939) Sweden

After Sunset by the Lake, 1889

oil on board
signed and dated A.Genberg -89
board dimensions 33 x 48.5 cm
frame 44.5 x 62 cm

Essay: 

Anton Genberg - Master of Impressionist Landscapes

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression.

His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals.

Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush.

Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum.

Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922.

Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism, located on Parkvägen 46 in Storängen, Nacka. Later, in 1924, he had a villa built on Ängsvägen 14, also in Storängen, designed by architect Per Benson, where he lived until 1929.

Anton Genberg's artistic journey came to a close in 1939, and he was laid to rest at the Norra Begravningsplatsen in Östersund.

The legacy of this brilliant artist endures through his art, which can be admired in various prominent museums such as Nationalmuseum, Helsingborgs museer, Gävle museum, Jamtli, Nordiska museet, and Västerås konstförenings galleri.

We invite you to revel in the beauty and mastery of Anton Genberg's timeless artistry, capturing nature's wonders through an impressionist lens.

Provenance: 
A private collection Jämtland, Sweden. 

Arthur Percy (1886-1976) Sweden 

Scandinavian Winter Landscape, 1907

oil on canvas
signed and dated A.Carlson-Percy 07
canvas dimensions 33.5 x 51.5 cm
frame 44.5 x 62 cm

Inscription on a board that the canvas was previous mounted on:Vy över gamla kyrkan, sedd från "Villa Bo" (today mounted on a new canvas stretcher without the board) 

Essay:
Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent.

This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon.

The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses grace the canvas. An inscription on the back suggests that these charming structures could be old church buildings, adding an intriguing historical dimension to the artwork. The inscription reads "Vy över gamla kyrkan, sedd från 'Villa Bo'," translating to "View of the old church, seen from 'Villa Bo'."

Painted with meticulous attention to detail and a captivating use of colors, this artwork transports viewers into a serene world of tranquility and beauty. The warm, subtle glow of the spring light envelops the landscape, evoking a sense of calm and wonder, as if capturing a fleeting moment of natural grace.

Beyond the captivating painting, the artist Arthur Percy, was a prodigious talent who left an indelible mark on both the world of fine arts and design. At the age of 17, Percy began his artistic journey as an assistant to a decorative painter in Stockholm. Despite facing financial constraints, his passion and talent earned him a place at the esteemed Konstnärsförbundets skola (Artists' Association School).

Percy's artistic pursuits continued to blossom, and he became an integral part of the influential artist group "De unga" or "1909 års män," whose groundbreaking 1909 exhibition marked a significant step towards Swedish modernism. Eager to expand his artistic horizons, Percy and some of his fellow students embarked on a journey to Paris in 1908, where they were immersed in a vibrant art scene, encountering renowned masters such as Henri Matisse, Gauguin, Bracque, and Picasso. The late Cezanne also served as a significant source of inspiration for Percy.

While his accomplishments in design were commendable, Arthur Percy always considered himself first and foremost a painter. He ardently devoted the majority of his time to his passion for the fine arts, producing many work that captured the essence of nature and the spirit of his time.

This painting "Scandinavian Winter Landscape, 1907," serves as a testament to Arthur Percy's extraordinary talent and artistic vision. Its enchanting portrayal of a winter wonderland perfectly encapsulates the essence of his artistic prowess.

Provenance: 
A private collection Linköping, Sweden. 

Erik Tryggelin (1878-1962) Sweden

Summer's Day in Haga, 1902

signed and dated
painted July 4, 1902
oil on canvas mounted on board
canvas dimensions 14.17 x 11 inches (36 x 28 cm)
frame 18.11 x 15.35 inches (46 x 39 cm)

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedish artist Erik Tryggelin (1878-1962). Created in 1902, this captivating piece depicts a scene from Haga in Stockholm, capturing the essence of a sunny summer day by the water's edge.

"Summer's Day in Haga, 1902"  transports us to Hagaparken in Stockholm, where nature's tranquillity takes centre stage. Set against a picturesque shoreline, a cluster of birch trees gracefully leans towards the water's edge, creating an enchanting sight.  Tryggelin's artistry shines through in every brushstroke as he skillfully captures the essence of the scene. Delicate blades of grass emerge from the water's surface, perfectly mirrored in its stillness. The reflection creates a mesmerizing interplay between reality and its watery counterpart, adding depth and intrigue to the composition.

Hagaparken, a gem in Stockholm, provides the perfect motif for this artistic creation. Renowned for its serene beauty and scenic vistas, the park offers a peaceful haven amidst the bustling city. Tryggelin, a master at capturing the soul of nature, found inspiration within Hagaparken's idyllic setting, infusing his artwork with its harmonious essence.

The painting invites us to escape the chaos of everyday life, immersing ourselves in the gentle sway of the birch trees, the tranquil reflections in the water, and the timeless beauty of Hagaparken.

HILDING WERNER (1880-1944) Swedish

Värmland Landscape With a Red Barn

oil on board
signed H Werner
c. 1940
board dimensions 46 x 62 cm
A walnut tree frame, handmade by Christer Björkman is included, dimensions 58 x 74 cm.

Hilding Werner, A Värmland artist, was a distinguished Swedish painter and draftsman. Born to landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began after completing his studies at Karlstad University. In 1899, he enrolled at Caleb Althin's painting school in Stockholm, simultaneously working as a cartoonist for the newspaper Nya Nisse.

In 1905, Werner embarked on his sole study trip to the Netherlands. However, it was upon settling in Hammartjärnet in 1907 and establishing his own studio that he truly found his artistic niche. During those initial years, he maintained contact with fellow painters in the group known as De Frie and actively participated in their exhibitions.

Upon returning to Värmland, Werner crossed paths with Gustaf Fjæstad, renowned for his romantic and realistic landscape paintings. In 1912, Werner, Fjæstad, and Bror Lindh embarked on a boat trip to visit Otto Hesselbom in Säffle. The encounter with Hesselbom's art left an indelible impression on Werner, significantly shaping his future artistic endeavours.

This particular painting is most likely set in either Gillbergsdalen or Fryksdalen. Its remarkable attention to detail is evident in the seamless transition of colours in the sky, gracefully fading from blue to purple, pink, red, and yellow. The painting exudes meticulousness, capturing the essence of a typical Swedish arable landscape with a red barn as its focal point. The surrounding misty pond reflects the scenery beautifully, making this piece a rare gem in impeccable condition.

Christian Berg (1893–1976) Sweden

Beneath the Birch

signed Chr. Berg
pencil and watercolor on board
38 x 29.5 cm
frame dimensions 54 x 45 cm
the frame with UV protected glass is included

Essay:
We are proud to present an exquisite drawing by the renowned artist Christian Berg (1893-1976), executed around the 1920s. This captivating artwork portrays a landscape, showcasing the artist's remarkable talent and attention to detail.

The focal point of the composition rests on the left, where a solitary leafless birch tree gracefully extends its branches across the entire expanse of the sky. The artist's meticulous rendering of the intricate branch structure is truly awe-inspiring, displaying an impressive level of detail and precision.

To the right of the birch tree, some water comes into view and behind the birch tree, several spruce trees emerge, their forms delicately captured with green watercolor strokes. The surrounding ground, adorned with a lush green wash, seamlessly integrates with the natural environment of the trees.

In the background, the artist employs the soft hues of watercolor to depict distant, misty mountains. The bluish tones create a sense of depth, enhancing the overall serenity and vastness of the scene.

"My sculptural work is an expression of what captivates and engages me, whether it's a unique flower, a tree's form, a stone, or a seashell fragment on the beach that one desires to turn into poetry, or transforming a figure into a monumental stance, where the interplay of proportions seeks to evoke a sense of gravity and religiosity."
- Christian Berg

Christian Berg, primarily known for his later abstract sculptures, demonstrates his versatility an artist through this exceptional landscape drawing. While his abstract sculptures have gained significant acclaim and are highly sought after by collectors, this earlier work showcases his skillful mastery of capturing the essence of nature with astonishing precision.

The drawing's meticulous details and the artist's profound understanding of the beauty of the natural world make it a true masterpiece. It serves as a testament to Christian Berg's artistic range and his ability to evoke emotion and connection through his diverse body of work.

Charles Cardale Luck (1875-1954) Swedish

Winter Twilight

oil on board
signed C.C Luck
board dimensions 38 x 45.5 cm
frame 48.5 x 56.5 cm

Provenance: 
From a Swedish private collection 

Essay:
We are delighted to present a painting by the artist Charles Cardale Luck, titled "Winter Twilight." Luck, a Swedish artist, had a diverse background, having lived in various countries including France and England, where he became associated with the Cornwall art movement.

Charles Cardale Lucks paintings are rarely seen in the art market. The present painting captures the ethereal beauty of twilight, with its soft light permeating the scene. The artist's masterful use of short, almost Pointillist brushstrokes in shades of blue, white, and purple creates mesmerizing reflections on the snow-covered landscape. One intriguing aspect of this piece is Luck's ingenious technique of carving undulations into the sky and trees using the back of the brush, reminiscent of the technique pioneered by Rembrandt. This adds a sense of drama and vitality to the overall composition, enhancing the viewer's experience.

It is worth noting that Charles Cardale Luck concluded his artistic journey in Kenya, Africa, a testament to his global exploration and artistic inspiration.

Ivan Bergdahl (1929-2021) Sweden

Autumn by the Pond, Kvikkjokk
Swedish title: Höst vid Tjärnen, Kvikkjokk

painted 1974-77
oil on canvas
signed Ivan Bergdahl
canvas dimensions 25.98 x 37.79 inches (66 x 96 cm)
frame 28.74 x 40.55 inches (73 x 103 cm)

Provenance:
A Swedish Private Collection

Essay:
Ivan Bergdahl, born in 1929 in Säbrå, was a renowned Swedish artist recognized for his exquisite landscape paintings depicting Swedish lakes, rivers, and rapids. He spent the majority of his life in Gådeå, a tranquil town located outside Härnösand, Sweden. One of his notable works is this painting, created between 1974 and 1977, capturing the essence of Kvikkjokk in Northern Sweden. Kvikkjokk, a picturesque village nestled in Jokkmokk Municipality, Norrbotten County, is celebrated for its vibrant and captivating natural scenery, particularly during the autumn season. The landscape boasts an array of colors, ranging from golden yellows and lush greens to deep purples, blues, and even turquoise skies.

In this artwork, Ivan Bergdahl exhibits confident and spontaneous brush strokes, incorporating thick layers of paint in certain areas. It is a remarkable piece by Ivan Bergdahl, who sadly passed away in 2021.

Axel Zachrison (1884 - 1944) Sweden 

Landscape from Dalsland, Sweden

oil on canvas
signed A.Zachrison
canvas dimensions 70 x 111 cm 
frame 77.5 x 118 cm

Essay:
Axel Zachrison was a Swedish painter known for his landscapes from Dalsland. Born in Tydje, Dalsland, Zachrison's artistic journey was shaped by his experiences at sea and his encounters with influential artists such as Otto Hesselbom, a relative on his mother's side.

This captivating landscape painting titled "Landscape from Dalsland, Sweden"  showcases Zachrison's artistic talent and his ability to capture the beauty of nature. The sky, painted in shades of white and gray, features distinct lines around the clouds add a sense of movement and depth to the scene, reminiscent of Hesselbom's painting technique. In the background, we can see some blue mountains, their majestic presence contributing to the overall sense of grandeur.

And In the left part, the viewer can see some land illuminated by the warm rays of the afternoon sun. The vibrant colors of orange, green, and yellow bring the landscape to life, infusing it with a sense of vitality and serenity. A shimmering body of water in the the center, reflecting the luminous white light and creating captivating mirror-like reflections.

The foreground of the painting consists of a darker forest area which skillfully framing the lower part of the composition. This deliberate contrast adds depth and visual interest to the artwork, drawing the viewer's attention to the enchanting scenery.

It's undated but likely executed in the 1920s, the painting carries an undeniable "wow" factor upon first sight. Zachrison's skillful brushwork and his masterful use of decorative color choices create a captivating and immersive experience for the viewer. His ability to evoke emotional responses through his art is a testament to his talent and artistic vision.

Zachrison studied under the guidance of renowned artist Carl Wilhelmson from 1921 to 1922. Additionally, he embarked on self-guided artistic expeditions to Italy and France.
These study trips allowed Zachrison to explore different techniques, expand his artistic horizons, and find inspiration in the masterpieces of renowned painters. Initially, Zachrison's artistic style closely followed that of his mentor, Otto Hesselbom. However, as he continued to evolve as an artist, he forged his own path and achieved success through his distinctive and decorative use of color. 

Axel Zachrison's "Landscape from Dalsland, Sweden" is a testament to his ability to capture the serene beauty of nature. This remarkable painting allows viewers to immerse themselves in the tranquility of the depicted landscape, inviting them to contemplate the profound connection between humanity and the natural world. With his unique style and decorative color choices, Zachrison leaves a lasting legacy as a skilled and influential Swedish painter.

Arvid Jacobsson (Jacobson) (1881-1966) Sweden

Birch Forest, Karlberg, 1909

oil on canvas
canvas dimensions 52.5 x 36 cm
frame 61.5 x 45 cm

Essay: 
Painted in 1909, this artwork depicts a scene from Karlberg, located on Kungsholmen (Stockholm). The focal point is a majestic birch forest, with tall and graceful birch trees. The tops of the birches form soft, rounded lines against the blue sky, reminiscent of Otto Hesselbom's technique.

In the background, a denser forest emerges, adding depth to the composition. The blue sky holds a single, delicate cloud, enhancing the serene atmosphere of the painting.

Arvid Jacobsson's skillful brushwork brings this birch forest to life, capturing the beauty and tranquility of the scene. The artist's meticulous attention to detail and ability to create harmonious compositions shine through in this painting.

Condition: 
The canvas is upholstered on a new canvas stretcher, surface cleaned in 2023. Some small retouching is visible with the naked eye. Frame from 2023 included. 

Ante Karlsson-Stig (1885 -1967) Sweden

Mountain View from Hålland, Sweden

oil on canvas
signed and dated  a.K:son.Stig 1932
canvas dimensions 52 x 83 cm
frame dimensions 62 x 94 cm

Essay:

The painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish painter who studied under Henri Matisse in Paris. He was known for his landscape paintings, and this piece is a perfect example of his mastery of the genre.

Karlsson-Stig lived in the area where the painting was created and was captivated by the beauty of the surrounding landscape near Undersåker and Åre. The painting portrays a vast landscape with the Indalsälven lake in the foreground. The reflection of the mountains in the water is beautifully captured with fine details. The background shows the mountain Välliste in a blue-purple tone, and the calm sky with a few clouds complements the scene. The trees in the painting have a green and purple hue, which adds depth to the painting.

The composition of the painting is impressive. Karlsson-Stig expertly captures the grandeur of the landscape while still portraying a sense of serenity and calmness. The colours used in the painting blend perfectly, creating a harmonious and balanced piece. The painting evokes a feeling of peacefulness and tranquillity, inviting the viewer to escape into the beauty of nature.

Ante Karlsson-Stig was a highly respected painter in Sweden, his paintings are known for their soft, muted tones and the way he captures the beauty of nature. This painting is a prime example of his exceptional skills and talent as a painter.

Dick Beer (b. London 1893 - d. Stockholm 1938) 

Motif from Trosa, Sweden, 1934

oil on canvas
signed Dick Beer 1934
canvas dimensions 46 x 61 cm
frame 57 x 72 cm
gold frame included


Dick Beer is a renowned Swedish artist whose works have captured the beauty and essence of the Swedish landscape.This oil painting on canvas from 1934, depicting a summer day in Trosa, it is an interesting piece that will leave any art enthusiast captivated.

The painting showcases the picturesque Trosa canal with its historic buildings in the background, perfectly capturing the essence of the Swedish countryside. The warm and vibrant colors used by Dick Beer breathe life into the canvas and evoke a sense of tranquility and calmness.

Dick Beer was known for his unique and innovative style, which was a blend of impressionism and expressionism. He was an expert in capturing the nuances of light and shadow, and his use of bold colors and visible brushstrokes gives his paintings a distinctive character.