INVENTORY

Fritz Lindström (1874-1962) Sweden

French Landscape, c.1899

canvas dimensions 34 x 43 cm
with frame 44 x 53 cm
signed back on the canvas stretcher 
hand-made frame by Christer Björkman

Provenance: 
A private collection Värmland. 

Fritz Lindström was a prominent Swedish artist who was a member of the Rackstad group. Lindström began his career as an apprentice in decorative painting under Carl Grabow, where he first met Björn Ahlgrensson. He later attended the Konstnärsförbundets school in Stockholm under Richard Bergh from 1892 to 1896. Lindström also studied at the Valand Art School in Gothenburg under Carl Larsson from 1894 to 1895, and later spent time studying in Copenhagen and Paris from 1897 to 1899.

One of Lindström's early stunning paintings is our painting "French Landscape, c. 1899”. This beautiful painting captures a stunning sunrise, with a field reflecting in shades of blue, purple, and brown. A hill with trees rises up behind the field, and the sun rises behind the hill, casting a warm golden light over the entire scene. The sky is a riot of colours, from oranges and purple to bright yellows and pinks, creating a sense of energy and vitality that is truly breathtaking.

In 1900, Lindström returned to Sweden from France and was drawn to Värmland by his friend and brother-in-law Björn Ahlgrensson. In 1903, Lindström became a member of the Rackstad group, also known as the Racken group or Rackstad colony. Like many artists of his time, Lindström was inspired by the idea of the countryside as an ideal setting for artistic and spiritual work, and he remained loyal to this dream for over fifty years while living and working at Lake Racken.

Throughout his artistic career, Lindström was particularly interested in the difficult art of human studies. Although he struggled financially and initially had difficulty selling his paintings, his portraits quickly gained recognition for their finely composed structures and intimate character studies. As his reputation grew, Lindström's landscapes became increasingly popular, especially after a chance encounter with the chief of the National Museum, who was visiting Arvika to inaugurate an exhibition and was struck by Lindström's paintings.

This painting is a perfect example of Lindström's mastery of colour and composition, as well as his ability to capture the essence of a moment and convey its emotional impact in vivid detail. It is a work of art that truly deserves to be treasured and appreciated for generations to come. 

Robert Thegerström (1857‑1919) Sweden

“ A Glimpse of Morning Light, Dalarö”
Swedish title "Solglimt i morgon, Dalarö"

oil on board
painted late 19th century
signed R Thegerström
board dimensions 12.2 x 9 inches (31 x 23 cm)
frame 15.35 x 12.59 inches (39 x 32 cm)

Essay:
"A Glimpse of Morning Light, Dalarö" by Robert Thegerström (1857-1919) captures a serene forest with green vegetation. The painting showcases a few tree trunks, and a gentle ray of sunlight breaks through the foliage in the far-left corner. The technique used to depict the trees with long brushstrokes is reminiscent of Edvard Munch's style.

Robert Thegerström, a prominent artist from the late 19th to early 20th century, was known for his naturalistic landscape paintings. Born in 1857, Thegerström dedicated himself to capturing the essence of Swedish scenery, often depicting the tranquil beauty of nature in his works. His attention to detail and ability to evoke a sense of serenity made him a respected artist.

Dalarö, the location where this painting was created, played a significant role in the art scene during the late 1800s. Situated in the Stockholm Archipelago, Dalarö attracted numerous artists who sought inspiration from its picturesque landscapes and idyllic surroundings. Among the notable artists who were active in Dalarö during that period was Anders Zorn, a renowned Swedish painter. Zorn's exceptional talent and distinct style contributed to his international recognition as one of Sweden's greatest artists. His connection to Dalarö adds to the artistic significance of the area.

The combination of Thegerström's skilful brushwork, reminiscent of Munch, and the tranquil setting of Dalarö in the late 1800s creates a captivating artwork. "A Glimpse of Morning Light, Dalarö" invites viewers to immerse themselves in nature's peacefulness and appreciate the Swedish landscape's profound beauty.

Provenance: 
A Swedish private collection

 

Erik Tryggelin (1878-1962) Sweden

Summer's Day in Haga, 1902

signed and dated
painted July 4, 1902
oil on canvas mounted on board
canvas dimensions 14.17 x 11 inches (36 x 28 cm)
frame 18.11 x 15.35 inches (46 x 39 cm)

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedish artist Erik Tryggelin (1878-1962). Created in 1902, this captivating piece depicts a scene from Haga in Stockholm, capturing the essence of a sunny summer day by the water's edge.

"Summer's Day in Haga, 1902"  transports us to Hagaparken in Stockholm, where nature's tranquillity takes centre stage. Set against a picturesque shoreline, a cluster of birch trees gracefully leans towards the water's edge, creating an enchanting sight.  Tryggelin's artistry shines through in every brushstroke as he skillfully captures the essence of the scene. Delicate blades of grass emerge from the water's surface, perfectly mirrored in its stillness. The reflection creates a mesmerizing interplay between reality and its watery counterpart, adding depth and intrigue to the composition.

Hagaparken, a gem in Stockholm, provides the perfect motif for this artistic creation. Renowned for its serene beauty and scenic vistas, the park offers a peaceful haven amidst the bustling city. Tryggelin, a master at capturing the soul of nature, found inspiration within Hagaparken's idyllic setting, infusing his artwork with its harmonious essence.

The painting invites us to escape the chaos of everyday life, immersing ourselves in the gentle sway of the birch trees, the tranquil reflections in the water, and the timeless beauty of Hagaparken.

Johan Christoffer Boklund (1817-1880)

The Young Artist 

oil on canvas mounted on board
canvas dimensions 40 x 31.5 cm
frame 53 x 45 cm

Essay:
Introducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse that he is diligently recreating on a round wooden panel. His painting style is simple, revealing his early stage as an artist. The horse he paints consists of straight lines, almost resembling a stick figure, which adds a charming element when juxtaposed with the actual wooden horse.

In 1837, Johan Christoffer Boklund arrived in Stockholm and joined the Royal Academy of Fine Arts. In 1846, accompanied by Johan Fredrik Höckert, he embarked on a journey to Munich, where he stayed for eight years. It was during this period that he developed his artistic skills further. In 1853, he sent his painting "The Curious Trumpeter" back to Sweden, which earned him a government scholarship and paved the way for his subsequent journey to Paris. In Paris, he worked at Thomas Couture's studio from 1854 to 1855. Boklund returned to Sweden in December 1855.

Upon his return, he became a teacher at the Academy of Fine Arts in 1856 and was appointed as a professor. That same year, he played a key role in the establishment of the Artists' Club (Konstnärsklubben). From 1856 to 1872, he served as the tutor to King Charles XV. In 1861, he became a member of the committee responsible for organizing the interior of the National Museum and acted as the acting treasurer at the Royal Museum. In 1866, he became the head curator of the Art Department at the National Museum and, in 1867, the court curator, overseeing Karl XV's painting collection, as well as serving as the director of the Royal Academy of Fine Arts. Boklund was also a committee member involved in organizing the Nordic Art Exhibition in Stockholm in 1866.

His works can be found in various art institutions, including the Nationalmuseum in Stockholm, the Gothenburg Museum of Art, the Vänersborg Museum, the Norrköping Art Museum, and the Kalmar Art Museum.

Provenance: 
Ruth Dagmar Brovall (1885-1971), Who was a relative of Boklund; Later - inherited within her family until 2005; Sold at Roslags Auctions, Norrtälje. 

HILDING WERNER (1880-1944) Swedish

Värmland Landscape With a Red Barn

oil on board
signed H Werner
c. 1940
board dimensions 46 x 62 cm
A walnut tree frame, handmade by Christer Björkman is included, dimensions 58 x 74 cm.

Hilding Werner, A Värmland artist, was a distinguished Swedish painter and draftsman. Born to landowner Anders Andersson and Inga Maria Johannesdotter, Werner's artistic journey began after completing his studies at Karlstad University. In 1899, he enrolled at Caleb Althin's painting school in Stockholm, simultaneously working as a cartoonist for the newspaper Nya Nisse.

In 1905, Werner embarked on his sole study trip to the Netherlands. However, it was upon settling in Hammartjärnet in 1907 and establishing his own studio that he truly found his artistic niche. During those initial years, he maintained contact with fellow painters in the group known as De Frie and actively participated in their exhibitions.

Upon returning to Värmland, Werner crossed paths with Gustaf Fjæstad, renowned for his romantic and realistic landscape paintings. In 1912, Werner, Fjæstad, and Bror Lindh embarked on a boat trip to visit Otto Hesselbom in Säffle. The encounter with Hesselbom's art left an indelible impression on Werner, significantly shaping his future artistic endeavours.

This particular painting is most likely set in either Gillbergsdalen or Fryksdalen. Its remarkable attention to detail is evident in the seamless transition of colours in the sky, gracefully fading from blue to purple, pink, red, and yellow. The painting exudes meticulousness, capturing the essence of a typical Swedish arable landscape with a red barn as its focal point. The surrounding misty pond reflects the scenery beautifully, making this piece a rare gem in impeccable condition.

Christian Berg (1893–1976) Sweden

Beneath the Birch

signed Chr. Berg
pencil and watercolor on board
38 x 29.5 cm
frame dimensions 54 x 45 cm
the frame with UV protected glass is included

Essay:
We are proud to present an exquisite drawing by the renowned artist Christian Berg (1893-1976), executed around the 1920s. This captivating artwork portrays a landscape, showcasing the artist's remarkable talent and attention to detail.

The focal point of the composition rests on the left, where a solitary leafless birch tree gracefully extends its branches across the entire expanse of the sky. The artist's meticulous rendering of the intricate branch structure is truly awe-inspiring, displaying an impressive level of detail and precision.

To the right of the birch tree, some water comes into view and behind the birch tree, several spruce trees emerge, their forms delicately captured with green watercolor strokes. The surrounding ground, adorned with a lush green wash, seamlessly integrates with the natural environment of the trees.

In the background, the artist employs the soft hues of watercolor to depict distant, misty mountains. The bluish tones create a sense of depth, enhancing the overall serenity and vastness of the scene.

"My sculptural work is an expression of what captivates and engages me, whether it's a unique flower, a tree's form, a stone, or a seashell fragment on the beach that one desires to turn into poetry, or transforming a figure into a monumental stance, where the interplay of proportions seeks to evoke a sense of gravity and religiosity."
- Christian Berg

Christian Berg, primarily known for his later abstract sculptures, demonstrates his versatility an artist through this exceptional landscape drawing. While his abstract sculptures have gained significant acclaim and are highly sought after by collectors, this earlier work showcases his skillful mastery of capturing the essence of nature with astonishing precision.

The drawing's meticulous details and the artist's profound understanding of the beauty of the natural world make it a true masterpiece. It serves as a testament to Christian Berg's artistic range and his ability to evoke emotion and connection through his diverse body of work.

Francesco Guardi (Venice 1712-1793) Attributed to

Shipping in Stormy Waters

oil on canvas
canvas dimensions 20 x 23 ½ in. (50.8 x 59.7 cm.)
frame 25.7 x 29 inches (65.5 x 74 cm.)

Provenance:
Christie's London, 2 November 2016, lot 180 (as Attributed to Francesco Guardi), sold for GBP 102.500;
Private collection France;
Sotheby’s Paris, 17 June 2021, lot 165 (as Attributed to Francesco Guardi)

Essay:
No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention.

Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person.

Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters.

Charles Cardale Luck (1875-1954) Swedish

Winter Twilight

oil on board
signed C.C Luck
board dimensions 38 x 45.5 cm
frame 48.5 x 56.5 cm

Provenance: 
From a Swedish private collection 

Essay:
We are delighted to present a painting by the artist Charles Cardale Luck, titled "Winter Twilight." Luck, a Swedish artist, had a diverse background, having lived in various countries including France and England, where he became associated with the Cornwall art movement.

Charles Cardale Lucks paintings are rarely seen in the art market. The present painting captures the ethereal beauty of twilight, with its soft light permeating the scene. The artist's masterful use of short, almost Pointillist brushstrokes in shades of blue, white, and purple creates mesmerizing reflections on the snow-covered landscape. One intriguing aspect of this piece is Luck's ingenious technique of carving undulations into the sky and trees using the back of the brush, reminiscent of the technique pioneered by Rembrandt. This adds a sense of drama and vitality to the overall composition, enhancing the viewer's experience.

It is worth noting that Charles Cardale Luck concluded his artistic journey in Kenya, Africa, a testament to his global exploration and artistic inspiration.

NICOLAES MAES (1634-1693)

PORTRAIT OF A YOUNG DUTCH GENTLEMAN

signed N Maes (lower right) 
oil on panel
45.1 x 37.4 cm; 17¾ x 14¾ in.

PROVENANCE
With Agnews, London;
Seymour Berry (2nd Viscount Camrose);
Christie's,Hackwood Park, 20-22 April 1998, lot 771, Sold for 78.100€; 
Christie's London, 27 April 2007, lot 58

LITERATURE:
Krempel, Nicholas Maes, Petersberg, 2000, p. 367, mentioned under F5 (Fruit still life in a landscape, Ashmolean Museum, Oxford), and dated to around 1670.

INTRODUCTION

Circle of Gonzales Coques (1614/18-1684) Flemish 

A Boy Counting his Coins

oil on copper
17th-century
plate dimensions 24 x 21 cm
with frame 43.5 x 39.5 cm

Provenance: 
A Swedish private collection

Mannerist School, 1600s

St Paul With Sword and Book

oil on copper
plate size 6.29 x 5.11 inches (16 x 13cm)
frame 10.62 x 9.05 inches (27 x 23 cm)

Provenance:
From a Swedish Private Collection.

Essay:
Mannerism, derived from the Italian term "maneria," which simply means "style," was an artistic movement that emerged in the later years of the Italian High Renaissance, around 1520, and extended into the early 17th century. It is often referred to as the "stylish style" due to its emphasis on self-conscious artifice rather than realistic depiction. Historians debate whether Mannerism should be classified as a style, a movement, or a period.

In contrast to the harmonious ideals embraced by renowned artists such as Raphael, Michelangelo, and Leonardo da Vinci, Mannerist painters took a step further and created compositions that were almost bizarre. They introduced fresh color schemes, elongated proportions, and exaggerated anatomy of figures, portraying them in convoluted and serpentine poses. These artists skillfully exhibited their techniques and abilities, aiming to evoke a sense of sophisticated elegance.

Among the notable Mannerist painters are Jacopo da Pontormo, Bronzino, Lavinia Fontana, and Joachim Wtewael. In our painting "St Paul With Sword and Book," we can observe the artist's adherence to the Mannerist style through elements such as the vivid colors of the clothing, the hand gestures, and the meticulously painted face.

Unknown Artist, Follower of Godfried Schalcken 

Old Woman and Boy with Candles

oil on wood panel
painted in the 1800s
panel 28.5 x 23.5 cm
frame 40 x 33.5 cm

Condition:
Good condition, newly restored by our professional art conservator in Stockholm. Please contact us for a more in-depth CR.

Essay:
In this painting titled "Old Woman and Boy with Candles" an intriguing scene unfolds before our eyes. An older woman gazes ahead, her eyes shielded from the flickering candlelight, while a young boy stands behind her, holding his own candle, ready to ignite its flame. This artwork's play of light and darkness harks back to the technique employed by the renowned artist Rubens (Mauritshuis, inv.no. 1150), who drew inspiration from Caravaggio's mastery of capturing light and shadow. Notably, this motif has been replicated by other artists such as Godfried Schalcken and Johann Georg Trautmann. Although the artist of our painting remains unknown, it bears a striking resemblance to Godfried Schalcken's interpretation of Rubens' original composition (National Museum in Warsaw, MNW). Several well-known copies of Schalcken's version of the painting exist, each capturing the essence of the scene in their unique way.

The painting "Old Woman and Boy with Candles" exudes a sense of quiet anticipation and serenity. The central figures, the older woman and the young boy create a powerful contrast between youth and age, while their candles symbolize the transient nature of life and the hope they bring. The woman's contemplative expression hints at a hidden story, inviting viewers to imagine the thoughts and emotions that lie within her mind. The careful positioning of the candles and the interplay of light and shadow add depth and atmosphere to the composition, immersing the viewer in the scene.

The artist's skilful use of chiaroscuro, a technique that emphasizes the stark contrast between light and dark, enhances the dramatic effect of the painting. The soft glow of the candlelight illuminates the woman's weathered features, casting a gentle radiance upon her face. The warm and cool tones further enrich the visual experience, evoking a sense of harmony and balance.

Ivan Bergdahl (1929-2021) Sweden

Autumn by the Pond, Kvikkjokk

painted 1974-77
oil on canvas
signed Ivan Bergdahl
canvas dimensions 25.98 x 37.79 inches (66 x 96 cm)
frame 28.74 x 40.55 inches (73 x 103 cm)

Provenance:
A Swedish Private Collection

Essay:
Ivan Bergdahl, born in 1929 in Säbrå, was a renowned Swedish artist recognized for his exquisite landscape paintings depicting Swedish lakes, rivers, and rapids. He spent the majority of his life in Gådeå, a tranquil town located outside Härnösand, Sweden. One of his notable works is this painting, created between 1974 and 1977, capturing the essence of Kvikkjokk in Northern Sweden. Kvikkjokk, a picturesque village nestled in Jokkmokk Municipality, Norrbotten County, is celebrated for its vibrant and captivating natural scenery, particularly during the autumn season. The landscape boasts an array of colors, ranging from golden yellows and lush greens to deep purples, blues, and even turquoise skies.

In this artwork, Ivan Bergdahl exhibits confident and spontaneous brush strokes, incorporating thick layers of paint in certain areas. It is a remarkable piece by Ivan Bergdahl, who sadly passed away in 2021.

Flemish School, 1600s

Saint Nicholas of Tolentino

oil on copper
plate dimensions 24.5 x 18.5 cm
frame 30.5 x 24.5 cm

Provenance:
A Swedish private collection. 

Essay:
This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknown. The composition presents Saint Nicholas in full figure within a divided landscape, providing depth to the scene. The color palette consists of blues, yellows, and greens, with glimpses of ancient buildings in the background.

Saint Nicholas of Tolentino is portrayed wearing a black priest's cape adorned with embroidered gold stars. In his left hand, he holds a plate with a bird on its rim, while his right hand rests on his chest. His cheerful smile suggests his contentment in the depicted environment.

The symbolism of Saint Nicholas of Tolentino lies in his association with a variety of virtues and attributes. As the patron saint of animals, he is often depicted with birds or other creatures. The presence of the bird on the plate signifies his gentle nature and connection to the natural world. Additionally, Saint Nicholas is known for his piety and acts of charity, symbolized by his priestly attire.

The landscape division in the painting serves to emphasize the spiritual significance of Saint Nicholas' presence. The background featuring ancient buildings hints at the continuity of faith and the lasting impact of the saint's teachings.

This Flemish artwork invites contemplation of Saint Nicholas of Tolentino's legacy and the values he embodied. The skillful execution on a copper plate showcases the technical prowess of the unknown artist, who has successfully captured the saint's joy and harmonious connection with the surrounding environment.

Despite the artist's anonymity, this captivating painting stands as a testament to the enduring appeal of Flemish art and the ability to convey profound spiritual themes through the masterful use of color, composition, and symbolism.

Axel Zachrison (1884 - 1944) Sweden 

Landscape from Dalsland, Sweden

oil on canvas
signed A.Zachrison
canvas dimensions 70 x 111 cm 
frame 77.5 x 118 cm

Essay:
Axel Zachrison was a Swedish painter known for his landscapes from Dalsland. Born in Tydje, Dalsland, Zachrison's artistic journey was shaped by his experiences at sea and his encounters with influential artists such as Otto Hesselbom, a relative on his mother's side.

This captivating landscape painting titled "Landscape from Dalsland, Sweden"  showcases Zachrison's artistic talent and his ability to capture the beauty of nature. The sky, painted in shades of white and gray, features distinct lines around the clouds add a sense of movement and depth to the scene, reminiscent of Hesselbom's painting technique. In the background, we can see some blue mountains, their majestic presence contributing to the overall sense of grandeur.

And In the left part, the viewer can see some land illuminated by the warm rays of the afternoon sun. The vibrant colors of orange, green, and yellow bring the landscape to life, infusing it with a sense of vitality and serenity. A shimmering body of water in the the center, reflecting the luminous white light and creating captivating mirror-like reflections.

The foreground of the painting consists of a darker forest area which skillfully framing the lower part of the composition. This deliberate contrast adds depth and visual interest to the artwork, drawing the viewer's attention to the enchanting scenery.

It's undated but likely executed in the 1920s, the painting carries an undeniable "wow" factor upon first sight. Zachrison's skillful brushwork and his masterful use of decorative color choices create a captivating and immersive experience for the viewer. His ability to evoke emotional responses through his art is a testament to his talent and artistic vision.

Zachrison studied under the guidance of renowned artist Carl Wilhelmson from 1921 to 1922. Additionally, he embarked on self-guided artistic expeditions to Italy and France.
These study trips allowed Zachrison to explore different techniques, expand his artistic horizons, and find inspiration in the masterpieces of renowned painters. Initially, Zachrison's artistic style closely followed that of his mentor, Otto Hesselbom. However, as he continued to evolve as an artist, he forged his own path and achieved success through his distinctive and decorative use of color. 

Axel Zachrison's "Landscape from Dalsland, Sweden" is a testament to his ability to capture the serene beauty of nature. This remarkable painting allows viewers to immerse themselves in the tranquility of the depicted landscape, inviting them to contemplate the profound connection between humanity and the natural world. With his unique style and decorative color choices, Zachrison leaves a lasting legacy as a skilled and influential Swedish painter.

Helmer Hertzhoff (1873-1958) Sweden

Aurora Borealis (Norrsken) 

oil on board
signed H Hertzhoff
c.1940
board dimensions 60.5 x 59.5 cm
frame 70 x 68 cm

Essay:
Norrsken (Aurora Borealis) is a vibrant painting in a pointillistic style with short brushstrokes, created by the artist Helmer Hertzhoff around 1940s. Hertzhoff, born in 1873 and passing away in 1958, was a master of capturing the ethereal beauty of nature through his artwork. This particular piece showcases his talent for conveying the mesmerizing spectacle of the Northern Lights.

The painting presents a kaleidoscope of colors, reminiscent of the enchanting display of the Aurora Borealis. The ground is depicted in shades of purple, green, blue, and yellow, forming a harmonious blend that adds depth to the composition. The sky, dominated by a strong blue hue, serves as the backdrop for the dazzling display of the Northern Lights in vibrant yellow tones. The strokes of yellow create luminous pillars that stretch across the heavens, illuminating the night with an otherworldly glow.

Amidst this celestial symphony, a few solitary pines stand tall, their presence adding a sense of tranquility and anchoring the viewer to the earthly realm. The contrast between the vivid yellow lights and the serene dark silhouettes of the trees further enhances the ethereal atmosphere of the painting. A sprinkle of stars can also be seen, glimmering in the background, as if paying homage to the nocturnal spectacle unfolding above.

Hertzhoff's masterful use of the pointillistic technique, with its meticulously applied short brushstrokes, creates a sense of movement and energy within the composition. The carefully placed dots of color blend harmoniously when viewed from a distance, evoking a feeling of awe and wonder that mirrors the actual experience of witnessing the Aurora Borealis.

Arvid Jacobsson (Jacobson) (1881-1966) Sweden

Birch Forest, Karlberg, 1909

oil on canvas
canvas dimensions 52.5 x 36 cm
frame 61.5 x 45 cm

Essay: 
Painted in 1909, this artwork depicts a scene from Karlberg, located on Kungsholmen (Stockholm). The focal point is a majestic birch forest, with tall and graceful birch trees. The tops of the birches form soft, rounded lines against the blue sky, reminiscent of Otto Hesselbom's technique.

In the background, a denser forest emerges, adding depth to the composition. The blue sky holds a single, delicate cloud, enhancing the serene atmosphere of the painting.

Arvid Jacobsson's skillful brushwork brings this birch forest to life, capturing the beauty and tranquility of the scene. The artist's meticulous attention to detail and ability to create harmonious compositions shine through in this painting.

Condition: 
The canvas is upholstered on a new canvas stretcher, surface cleaned in 2023. Some small retouching is visible with the naked eye. Frame from 2023 included. 

Victor Ravet (1840-1895)

A Young Woman With Her Dog, 1876

oil on wood panel
signed and dated J.V.Ravet 1876 
panel dimensions 14.17 x 9.25 inches (36 x 23.5 cm)
frame 18.50 x 13.58 inches (47 x 34.5 cm)

Essay:
In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty.

She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion.

The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings.

Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era.

With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play of light and shadow adds depth and a sense of tranquillity to the composition.

"A Young Woman With Her Dog" invites viewers to appreciate the beauty and serenity of an intimate moment frozen in time. It transports us to a world of refinement, evoking a sense of nostalgia for an era steeped in elegance and sophistication.
This wonderful painting by Victor Ravet is a testament to his skill and artistry, as he seamlessly blends historical influences with his own unique vision. It captivates with its charm, inviting us to immerse ourselves in a world where grace and beauty intertwine.

Alfred Bergström (1869-1930) Swedish

Sunrise over the Fields

oil on canvas
signed and dated Alfr Bergström -02
canvas dimensions 20.47 x 26.37 inches (52 x 67 cm)
frame 24.60 x 30.70 inches (62.5 x 78 cm)

Essay:
Alfred Bergström (1869 - 1930) was a prominent Swedish artist and professor at the Academy of Fine Arts in Stockholm. He honed his artistic skills through studies both in Sweden and France, including the Academy of Fine Arts in Sweden, where he earned a prestigious Royal Medal.

Bergström achieved recognition primarily for his exceptional talent in capturing landscapes. In fact, he served as a landscape painting instructor at the Art Academy in Stockholm from 1898 to 1901. Just one year later, he created this beautiful landscape titled "Sunrise over the Fields." It showcases his impressive ability to depict sunrises with warm and vibrant colors, accompanied by a remarkable three-dimensionality in the composition. This atmospheric quality became his distinguishing feature within his landscape works.

Deeply influenced by the French Impressionist movement, Bergström incorporated elements of this artistic style into his own creations. In "Sunrise over the Fields," we can discern his inspired approach derived from the movement. The painting presents a foreground of a harvest field, while a serene lake reflects the early morning sky, brilliantly capturing the essence of a sunrise.

Although the exact location where this artwork was painted remains elusive, it is most likely situated in the countryside close to Stockholm. Notably, the Nationalmuseum Stockholm has a similar painting titled "Sommarkväll" (Summer Evening) from the same year, 1902.

Provenance: 
A Swedish private collection.

Karl Weise (1890 - 1947) Germany

Reflections of Contemplation, 1919 

oil on canvas
signed upper right Karl Weise 
canvas dimensions 25.19 x 34.44 inches (64 x 87.5)
with frame 30.70 x 39.76 inches (78 x 101 cm)
painted 1919

Essay:
This painting features a young girl sitting on a chair in a dimly lit room, illuminated by the soft glow of an orange-tinted ceiling lamp. This painting captures the essence of the candle-light genre of art, which originated in the 17th century and was popularized by Dutch and Flemish artists.

The candle-light paintings were characterized by the use of a single source of light, which was usually a candle, and were often accompanied by the inclusion of reflective surfaces such as mirrors, to create an ambiance of warmth and intimacy. Weise's painting is a beautiful example of this genre, as he uses the same technique of a single source of light to create a sense of depth and realism in the painting.

The girl in the painting is dressed in a vibrant red dress and white stockings, and her expression suggests a moment of contemplation. On the table, there is a photo frame, perhaps containing a picture of someone dear to her, and its reflection is visible in the mirror in the background. The piano on the right side of the painting is in shadow, while above it is a portrait painting with a golden frame, which adds to the ambiance of the room.

Karl Weise was a renowned painter known for his exceptional use of light and shadow in his paintings, which created a mesmerizing play of light that evoked a sense of depth and realism in his work. His paintings were highly appreciated during his lifetime, and they continue to be admired today for their timeless beauty and artistic merit.

In conclusion, Karl Weise's painting is a beautiful example of the candle-light genre of art. The use of a single source of light creates a warm and intimate ambiance, while the shadows add depth and dimension to the painting. The young girl's expression and the inclusion of the photo frame and portrait painting add a sense of storytelling to the painting, making it a truly captivating classic artwork. 

Provenance:
A Swedish private collection. 

Ante Karlsson-Stig (1885 -1967) Sweden

Mountain View from Hålland, Sweden

oil on canvas
signed and dated  a.K:son.Stig 1932
canvas dimensions 52 x 83 cm
frame dimensions 62 x 94 cm

Essay:

The painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish painter who studied under Henri Matisse in Paris. He was known for his landscape paintings, and this piece is a perfect example of his mastery of the genre.

Karlsson-Stig lived in the area where the painting was created and was captivated by the beauty of the surrounding landscape near Undersåker and Åre. The painting portrays a vast landscape with the Indalsälven lake in the foreground. The reflection of the mountains in the water is beautifully captured with fine details. The background shows the mountain Välliste in a blue-purple tone, and the calm sky with a few clouds complements the scene. The trees in the painting have a green and purple hue, which adds depth to the painting.

The composition of the painting is impressive. Karlsson-Stig expertly captures the grandeur of the landscape while still portraying a sense of serenity and calmness. The colours used in the painting blend perfectly, creating a harmonious and balanced piece. The painting evokes a feeling of peacefulness and tranquillity, inviting the viewer to escape into the beauty of nature.

Ante Karlsson-Stig was a highly respected painter in Sweden, his paintings are known for their soft, muted tones and the way he captures the beauty of nature. This painting is a prime example of his exceptional skills and talent as a painter.