INVENTORY

Ture Ander (1881-1959) Sweden

A Värmland Lake View, 1945

oil on board
signed and dated Ture Ander 1945
unframed 61 x 75 cm (24.02 x 29.53 inches)
framed 71 x 84 cm (27.95 x 33.07 inches)

Provenance: 
A private collection Sundsvall, Sweden

Essay:
This landscape "A Värmland Lake View, 1945" by Ture Ander, completed in 1945, captures the serene beauty of a Värmland lake. The composition is dominated by soft, blue hues that give a tranquil feel, suggesting a calm day by the water. The trees in the foreground, depicted with a delicate blend of pink and earthy tones, add depth and contrast to the expansive lake and distant hills.

Ture Ander was born on September 17, 1880, in Askers socken, Örebro. At the age of 13, he moved to Stockholm to apprentice as a painter. While working during the day, he pursued evening courses at the Technical School, now known as Konstfack, where he graduated in 1903 with high honors in painting.

In 1905, Ander was accepted into the prestigious Artist Association School, studying alongside prominent artists such as Leander Engström, Isaac Grünewald, and Einar Nerman. His talent and dedication earned him a place in the notable 1909 exhibition "De Unga," which showcased emerging young artists.

Ander's quest for artistic growth took him to Paris, where he studied at the Académie Colarossi from 1911 to 1912. During his time in Paris, he was deeply influenced by the works of Paul Cézanne, whose approach to color and composition left a lasting impact on his style.

Upon returning to Sweden, Ture Ander married Ragnhild Franzén, a former student of the Fjæstad sisters. The couple eventually settled in Orrhöjda by Lake Racken in Värmland. Life was often challenging for the Anders, with financial difficulties being a constant companion. Despite these hardships, Ture continued to paint, while Ragnhild supplemented their income by gathering berries and mushrooms, and Ture himself turned to hunting and fishing.

The later years of Ture Ander's life were marked by profound sorrow following the prolonged illness and subsequent death of his beloved wife, Ragnhild. This period of personal grief is reflected in the somber tones and introspective mood of his later works.

Erik Abrahamsson (1871-1907) Sweden

Lake Landscape at Dusk with a Rowboat, 1896

oil on canvas
signed and dated E.Abrahamsson 1896
unframed 33 x 40 cm (12.99 x 15.75 inches)
framed 44 x 51 cm (17.32 x 20.08 inches)

Condition:
This painting has been restored by a professional art conservator in 2024. The colors are now vivid and vibrant, looking as fresh as when Erik Abrahamsson originally painted it in 1896. A newly crafted gold frame is included in the purchase, complementing the artwork beautifully.

Essay:
"Lake Landscape at Dusk with a Rowboat" is a captivating oil painting by the Swedish artist Erik Abrahamsson. Created in 1896, this work masterfully captures the tranquil beauty of a lakeside landscape bathed in the warm, fading light of dusk.

The painting is dominated by a serene lake, its surface reflecting the fiery hues of the sunset sky. The transition from the soft orange and pink tones of the horizon to the deeper blues of the evening creates a stunning visual gradient. The sky is dotted with wispy clouds, tinged with the last rays of the sun.

In the foreground, the shoreline is rugged and shadowed, providing a stark contrast to the illuminated water. A solitary rowboat glides gently across the calm lake, emphasizing the stillness and peace of the scene. Along the water’s edge, tall grasses sway subtly, adding a touch of movement to the otherwise tranquil setting.

On the left, a cluster of dark pine trees rises against the sky, their silhouettes standing out sharply against the vivid backdrop. In the middle distance, small, cozy farmhouses can be seen, their red roofs just visible as twilight descends.

This painting exemplifies Abrahamsson's skill in portraying natural light and his keen eye for capturing the serene beauty of the Swedish landscape.

The Artist:

Erik Abrahamsson (March 12, 1871 – January 15, 1907) was a Swedish painter and graphic artist. Born and died in Stockholm, Abrahamsson developed his craft through rigorous study and a natural talent for capturing the Nordic environment.

He honed his skills at the prestigious Royal Swedish Academy of Fine Arts from 1890 to 1896 and further advanced his techniques in etching during 1895-1896 under the guidance of Axel Tallberg. In addition to his studies, Abrahamsson worked as an engraver for the Swedish Postal Service starting in 1891, a position that influenced his meticulous attention to detail.

Though his life was tragically cut short at the age of 35, Abrahamsson was celebrated for his promising career as a graphic artist. His oeuvre, albeit limited due to his untimely death, includes finely executed plates featuring evocative landscapes. 

Ture Ander (1881-1959) Sweden

Lakeside Reflections, Värmland

oil on board
signed and dated Ture Ander 1945
unframed 33 x 48.5 cm (13.00 x 19.09 tum)
framed 49.5 x 64.5 cm (19.49 x 25.39 tum)

Provenance:
Architect Ludvig Mattsson (1888-1960), Arvika;
Thence by descent until we acquired it in 2024. 

Essay:
This impressionistic landscape painting by Ture Ander, a distinguished member of the Rackstad group, captures the tranquil beauty of a serene lake. The still waters mirror the surrounding foliage and sky, creating a captivating interplay of light and reflections.

The Artist: Ture Ander (1881-1959)

Ture Ander, Also known as "Blomstermålaren" (The Flower Painter), was born on September 17, 1881, in Asker, Örebro County, and passed away on February 4, 1959, in Arvika, Värmland. Initially trained in the craft of painting, Ander pursued formal art education at the Technical School in Stockholm from 1898 to 1903. He further honed his skills at the Artist’s Association School between 1905 and 1908 and at the Académie Colarossi in Paris during 1911-1912. Here, he was significantly influenced by Paul Cézanne and other Impressionists.

Ture Ander’s early work often reflects a delicate, impressionistic approach, which can be seen in this lakeside painting. The composition’s vibrant yet harmonious color palette and the meticulous brushwork convey a sense of calm and timeless beauty. This piece is believed to date back to around 1920, aligning with the period when Ander’s style was characterized by such impressionistic techniques.

Rackstad Group Connection

In 1921, Ander relocated to Arvika and became associated with the Rackstad group, a collective of artists inspired by the picturesque environment around Lake Racken in Värmland. Influenced by his contemporaries and the serene landscapes of the region, Ander’s works from this period often depict the natural beauty of Värmland, though he is best known for his floral still lifes.

This particular painting likely captures a scene from the surroundings of Arvika, rendered in soft, diffused light typical of his impressionistic period. The reflections in the water, the gentle contours of the hills, and the autumnal hues of the foliage exemplify his skill in portraying the subtleties of natural light and landscape.

Eric Johansson (1896-1979) Sweden/Germany

Woman with Red Bow, 1940

oil on wood panel
signed on the back of the panel
dated 1940
unframed 60 x 54 cm
framed 71.5 x 66 cm 

Provenance: 
A Swedish private collection

Conditon: 
Very good condition, restored by a professional art restorer in 2024. Its original frame has an old patina and minor flaws. 

Eric Johansson's "Woman with Red Bow" (1940)

We are delighted to present for sale the evocative portrait “Woman with Red Bow” by the distinguished artist Eric Johansson, painted in 1940. This exquisite artwork portrays a woman seated by a window, holding a cigarette, her thoughtful gaze suggesting a narrative rich with introspection. The bold red bow tied around her neck contrasts strikingly with her dark attire, emphasizing her poised presence.

The scene, set in Täby just outside Stockholm, is imbued with a serene atmosphere, capturing a moment of quiet reflection. The bare trees visible through the window frame the subject against the muted tones of the backdrop, evoking a sense of stillness and contemplation. The painting, created during a time of global upheaval, invites viewers to ponder the woman’s inner world and the experiences she has endured.

About the Artist

Eric Johansson: A Journey Through Turbulent Times

Born in Dresden, Germany, in 1896, Eric Johansson was a talented artist whose life was deeply affected by the political upheavals of his time. Though relatively unknown in Sweden, Johansson achieved recognition as a notable expressionist abroad. His work, marked by vibrant expressions and emotional depth, was heavily influenced by the modernist movements of early 20th-century Europe, particularly the German expressionist collective "Die Brücke."

Growing up with German foster parents in a culturally rich Dresden, Johansson was immersed in an environment that nurtured his artistic ambitions. However, the rise of the Nazi regime in 1933 posed significant threats to his career and safety. Johansson, an outspoken critic of the regime and a member of the Communist Party, was also married to a Jewish woman. These factors made him a target for persecution. His art was deemed "degenerate" by the Nazis, and his works were displayed alongside other modernist masterpieces in the notorious Degenerate art (Entartete Kunst) exhibition, which aimed to discredit and condemn modernist art.

Despite his Swedish citizenship providing some initial protection, Johansson faced increasing danger. A casual remark about Hermann Göring led to his imprisonment for four months. Following his release, Johansson managed to escape from Germany, journeying through Czechoslovakia and Poland before finally finding refuge in Sweden, where he spent the rest of his life.

Johansson's body of work, much of which was tragically lost or destroyed during the Nazi purges, serves as a poignant testament to his resilience and artistic spirit. His paintings, once denigrated by the Nazis, now stand as enduring symbols of defiance and the power of creative expression in the face of oppression.

The Significance of "Woman with Red Bow"

Painted in 1940, as Europe was engulfed in the turmoil of World War II, "Woman with Red Bow" reflects a moment of deep contemplation and tranquility. The woman's serene yet enigmatic presence symbolizes a personal and collective resilience during a time of widespread uncertainty. The vibrant red bow serves as both a striking visual element and a symbol of strength amidst adversity.

Carl Gunne (1893-1979) Sweden

Archipelago Landscape, 1945

oil on canvas
signed and dated 
unframed: 38 x 94 cm (ca 14.96 x 37.01 inches)
framed: 54 x 100 cm (ca 21.26 x 39.37 inches)

Essay:
This captivating artwork by Carl Gunne, dated July 10, 1945, portrays a serene archipelago landscape. The painting, executed with a delicate blend of pastel hues, captures the essence of a tranquil sunset over a body of water. The distant islands, rendered in dark blues and purples, gently rise against the horizon, creating a subtle contrast with the soft, glowing sky above. The sky itself is a symphony of colors—warm oranges, soft pinks, and cool blues—melding seamlessly to convey the fading light of day. The water below mirrors these hues, enhancing the painting’s calm and reflective mood.

Gunne’s use of broad, sweeping brushstrokes and his sensitive treatment of light and color illustrate his deep understanding of the landscape’s tranquility and his ability to evoke a sense of peace and stillness. This piece is a testament to his skill in capturing the delicate interplay between land, water, and sky, typical of the Swedish archipelago.

About the Artist
Carl Mikael Gunne (September 29, 1893 – May 3, 1979) was a distinguished Swedish painter and a prominent figure in the art world, both as an artist and as a curator at Nationalmuseum in Stockholm. Born in Sundsvall to a builder and a painter, Gunne’s artistic path was influenced by his family’s creative background.

He pursued his academic studies at Uppsala University and also served as an attaché at the Ministry of Foreign Affairs. However, his passion for art soon led him to Nationalmuseum, where he became a dedicated curator. From 1932 to 1937, he managed the museum's collection of modern paintings and sculptures, playing a crucial role in promoting contemporary art.

Gunne was instrumental in organizing several notable exhibitions, including those in Paris in 1927 and 1929. His expertise and dedication extended to compiling a comprehensive catalog of Nationalmuseum's painting collection in 1936. His artistic oeuvre includes vibrant cityscapes of Uppsala and Stockholm, as well as distinguished portraits of prominent figures like King Gustaf V and Jussi Björling.

Carl Gunne’s legacy endures in several prestigious collections, including Nationalmuseum, Waldemarsudde, and museums in Helsinki, Antwerp, and Budapest. His contributions to art were recognized when he was made a corresponding member of the Royal Academy of Letters, History, and Antiquities (KVHAA) in 1957. He passed away in 1979 and was laid to rest at Norra begravningsplatsen in Stockholm.

Ivan Bergdahl (1929-2021) Sweden

Sunset, Svolvær, Lofoten (Solnedgång, Svolvær, Lofoten)

oil on board
signed Ivan Bergdahl
unframed: 25.5 x 37.5 cm (ca 10.04 x 14.76 inches)
framed: 36.5 x 48 cm (ca 14.37 x 18.90 inches)

Essay:
Ivan Bergdahl, a renowned Swedish painter born in 1929, captures the essence of the Nordic landscape in his painting "Sunset, Svolvær, Lofoten," created in 1961. Known for his vibrant and evocative depictions of nature, Bergdahl’s works are celebrated for their bold use of color and expressive brushwork.

In this painting, Bergdahl beautifully portrays the coastal town of Svolvær, situated in the heart of the Lofoten archipelago in Norway. Lofoten is famed for its dramatic scenery, characterized by towering mountains, deep fjords, and picturesque fishing villages. Svolvær, as one of the most significant towns in Lofoten, serves as a gateway to the archipelago's stunning natural beauty.

"Sunset, Svolvær, Lofoten" vividly captures the serene yet dynamic transition of daylight into dusk. The sky is ablaze with hues of orange, red, and blue, reflecting off the tranquil waters below. The colorful houses of Svolvær, with their traditional Nordic architecture, nestle against the rugged landscape, adding a human element to this breathtaking view. Bergdahl’s brushstrokes convey a sense of movement and fluidity, bringing the scene to life and immersing the viewer in the captivating beauty of a Lofoten sunset.

Ivan Bergdahl (1929-2021) Sweden

Sunny October Day, Abisko

oil on masonite
unframed: 21 x 45 cm (ca 8.27 x 17.72 inches)
framed: 31 x 55 cm (ca 12.20 x 21.65 inches)
signed Ivan Bergdahl

Essay:
Ivan Bergdahl, born in 1929 in Säbrå, is a celebrated Swedish artist renowned for his evocative landscape paintings that capture the stunning natural beauty of Sweden. His work, often inspired by the landscapes of northern Sweden, showcases his ability to depict the vibrant interplay of light and color in nature.

Sunny October Day, Abisko is a beautiful representation of his work from the early 1960s. This painting reflects the influence of Helmer Osslund, a master of Swedish landscape painting known for his vivid and expressive depictions of the northern Swedish wilderness. The use of bold colors and dynamic brushstrokes in Bergdahl’s painting pays homage to Osslund’s style, while also highlighting Bergdahl’s unique artistic vision.

The scene captures a serene autumn day in Abisko, a village in the far north of Sweden, situated in the  Sápmi region. Abisko is renowned for its stunning natural scenery, including the majestic Abisko National Park, which is famous for its clear skies, rugged mountains, and vibrant fall colors. In this painting, Bergdahl masterfully portrays the rich autumnal hues and the tranquil waters, with the bright blue lake set against the warm tones of the surrounding landscape. The painting conveys a sense of peace and the timeless beauty of Abisko's nature.

Ivan Bergdahl (1929-2021) Sweden

Autumn by the Pond, Kvikkjokk
Swedish title: Höst vid Tjärnen, Kvikkjokk

painted 1974-77
oil on canvas
signed Ivan Bergdahl
canvas dimensions 25.98 x 37.79 inches (66 x 96 cm)
frame 28.74 x 40.55 inches (73 x 103 cm)

Provenance:
A Swedish Private Collection

Essay:
Ivan Bergdahl, a Swedish artist born in 1929 in Säbrå, brings the essence of the Nordic autumn to life in his remarkable painting "Autumn by the Pond, Kvikkjokk." This painting, painted between 1974 and 1977, captures the breathtaking beauty of Kvikkjokk, a serene village nestled in Jokkmokk Municipality, Norrbotten County, Northern Sweden.

Bergdahl’s work is celebrated for its vibrant depiction of Swedish landscapes, particularly focusing on the lakes, rivers, and rapids that define the country's natural beauty. In this piece, the artist employs bold and confident brush strokes, masterfully capturing the dynamic interplay of colors that characterize the autumn season in Kvikkjokk.

The painting showcases a rich tapestry of hues: the golden yellows and fiery reds of the autumn foliage, the deep greens of the evergreens, and the tranquil blues and turquoise of the sky and water. The composition draws the viewer into the heart of the landscape, inviting them to experience the serene beauty and vibrant energy of this Northern Swedish setting.

Ivan Bergdahl's technique is distinguished by the use of thick layers of paint in select areas, creating a sense of depth and texture that enhances the overall visual impact of the piece. The spontaneity and vigor in his brushwork reflect a deep connection to the landscape he so loved.

Having spent much of his life in Gådeå, a peaceful town near Härnösand, Bergdahl's works are imbued with a profound appreciation for the natural world. His passing in 2021 marked the end of a prolific career that left an important mark on Swedish art.

Karl Tirén (1869-1955) Sweden

Aurora Borealis (Northern Lights)

oil on board
unframed 69 x 95 cm
framed 85 x 110 m
signed K.Tiren

Essay:

Experience the enchanting beauty of the Northern Lights through Karl Tirén's magnificent painting, "Aurora Borealis". This captivating artwork portrays the mesmerizing dance of the auroras across the night sky, illuminating the rugged landscape below. The vibrant streaks of green and blue light cascade across the surface, capturing the ethereal quality of this natural wonder. The dark, silhouetted mountains provide a striking contrast to the luminous display above, adding depth and drama to the scene. Tirén's masterful use of color and texture brings the icy tranquility of the northern landscape to life, allowing viewers to almost feel the crisp, cold air and the silent awe of witnessing the Northern Lights.

About Karl Tirén:
Karl Tirén, born on June 23, 1869, in Oviken, was a multifaceted Swedish artist, known not only for his paintings but also for his extensive contributions to Sami culture and music. Though initially trained as a telegraph assistant, Tirén's passion for the arts led him to become a prominent painter, specializing in naturalistic depictions of Scandinavian landscapes and Sami life.

Throughout his career, Tirén served as a station inspector at various locations across northern Sweden, from Östersund to Kiruna. His time in these remote areas fueled his fascination with the local culture and the breathtaking natural phenomena like the Aurora Borealis.

In addition to his artistic endeavors, Tirén was a dedicated researcher of Sami music, particularly the traditional yoik. He documented and recorded many of these songs, preserving a vital aspect of Sami heritage. His pioneering work in using the phonograph for these recordings was instrumental in safeguarding these traditions for future generations.

Tirén's talents were not confined to painting and music alone; he was also a skilled violin maker and a member of the Royal Swedish Academy of Music. His artistic legacy includes significant public works, such as altarpieces for churches in Jämtland and Sundsvall.

Karl Tirén passed away on September 1, 1955, in Stockholm, but his diverse contributions to art, music, and cultural preservation continue to be celebrated. His works, like "Aurora Borealis" stand as a testament to his deep connection with the natural beauty and cultural richness of northern Scandinavia.

Otto Lindberg (1880-1955) Sweden

Breakers at Utö, 1928
Bränningar vid Utö, 1928

oil on canvas
signed and dated Otto Lindberg 1928
unframed 70 x 120 cm
framed 78 x 127 cm

Essay:

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece measures 78 x 127 cm, including its elegant gold frame.

The term "Bränningar" refers to the powerful waves or breakers that crash against coastal formations or shallow grounds, known as "breakers" or "surf" in English. Lindberg's depiction captures the dynamic and mesmerizing interaction between the sea and the rugged coastline.

In this painting, Lindberg masterfully portrays the serene yet captivating seascape. The composition features the tumultuous sea breaking against the dark, rocky shoreline under a vibrant and moody sky. The subtle hues of green and blue dominate the sky and water, while the sunset casts a soft, warm glow across the horizon. In the distance, a solitary sailboat adds a sense of scale and tranquility to the otherwise dramatic scene.

About the Artist:

Otto Lindberg (1880-1955) was a renowned Swedish artist born in Söderhamn. Known for his landscapes and marine paintings, Lindberg studied at the Royal Academy of Fine Arts in Stockholm before furthering his education in Germany and Italy. His style is often described as post-impressionism, characterized by a personal touch and a keen focus on light and color.

Lindberg's works frequently feature a vibrant and strong color palette, aiming to capture the essence and atmosphere of nature. His ability to convey the interplay of light and natural elements is evident in "Bränningar vid Utö," making it a prime example of his artistic prowess.

This painting is a testament to Lindberg's talent and his love for the Swedish coastal landscape. It is a must-have for collectors and art enthusiasts who appreciate the beauty of nature rendered through a post-impressionist eye.

Thomas Barker of Bath (1769-1847) British

Rocky Path With Figures

oil on oak panel
unframed 13 x 11 cm 
framed 23 x 20 cm
written on the back: Rocky Path With Figures by Barker of Bath

Provenance:
A Swedish private collection.

Condition:
The painting has recently undergone restoration by our conservator and is in excellent condition. It comes with a beautiful gold frame, whit a fine patina with minor flaws. 

Essay:
This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece showcases Barker's skill in capturing the essence of rural life and landscape, which he was so well known for. The painting features a serene and picturesque scene, where travelers navigate a rocky path through a wooded area. The attention to detail in the figures and the landscape highlights Barker's dedication to his craft and his ability to bring a scene to life.

Thomas Barker, also known as Barker of Bath, was a British painter renowned for his landscapes and depictions of rural life. Born in Trosnant near Pontypool, Monmouthshire, Barker displayed a talent for drawing from a young age. Despite being entirely self-taught, his artistic skills flourished, leading to a prolific career that spanned several decades.

Barker's journey to becoming an acclaimed artist began when his family moved to Bath, where he gained the patronage of Charles Spackman, a wealthy coach-builder. This support allowed Barker to refine his skills by copying the works of Dutch and Flemish masters. His talent soon gained recognition, and he became a regular exhibitor at prestigious institutions such as the Royal Academy and the British Institution.

Thomas Barker's works are held in several prominent museums and galleries, including:

• Tate Gallery, London: Houses six of Barker's paintings, including "A Woodman and his Dog in a Storm."
• Victoria Art Gallery, Bath: Home to "Hampton Rocks, Morning."
• Folger Shakespeare Library, Washington, D.C.: Displays "Macbeth and the Witches."
• Wolverhampton Art Gallery: Features "Italian Landscape 1808" "Landscape with a Waterfall" and "Landscape with Cattle."

Hilding Werner (1880-1944) Sweden

Hulda in a Room at Ruds Säteri 

mixed media on paper 
unframed 27 x 22.5 cm (10.63 x 8.86 inches)
framed 38 x 33.5 cm (14.96 x 13.19 inches)

Provenance:
We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.

Essay:
This finely executed portrait by Hilding Werner captures Hulda seated in a room at Ruds Säteri. The drawing, skillfully rendered with an ink pen, demonstrates Werner's mastery of line work. Each stroke contributes to the overall composition, creating a rich sense of depth and texture. Hulda is depicted sitting gracefully with a book in her hand, exuding an aura of calm contemplation. The background features a window, adding a sense of space and light to the scene.

About the Artist:

Hilding Werner (1880-1944) was a notable Swedish painter and draughtsman known for his romantic and realistic landscapes, portraits, and caricatures. Born in Värmland, Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he honed his distinctive style. His work often reflects a deep connection to the Swedish landscape and a keen eye for detail, as seen in this intimate portrait of Hulda. Werner's art continues to be celebrated for its emotional depth and technical precision.

Hilding Werner (1880-1944) Sweden

Barns Buildings at Ruds Säteri, 1900

watercolor on paper
unframed 21.5 x 31 cm (8.46 x 12.2 inches)
framed 22 x 40 cm (8.66 x 15.75 inches)
written on the back: Ruds ladugårdshus, 1900

Provenance: 
We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.

Condition: 
The watercolor is in a very good condition, having recently been treated by a paper conservator. The conservator successfully diminished the visibility of a text on the back, which had previously shown through to the front.
The frame is new and features UV-protected, non-reflective glass.

Essay:

This watercolor by Hilding Werner depicts the barn buildings at Säteriet (Manor) Rud in Arvika, capturing a serene and almost melancholic atmosphere. The soft tones and minimalistic composition highlight Werner's ability to convey stillness and introspection through his art.
The painting shows the quiet rural life of early 20th century Sweden, with snow-covered roofs and a calm, muted sky. The simplicity of the scene belies the depth of emotion and tranquility it evokes, a hallmark of Werner's artistic genius.


Ruds Säteri, 1927

About Hilding Werner:

Hilding Werner (1880-1944), a Swedish painter and draughtsman, is known for his romantic and realistic landscapes, particularly of the Värmland region. His work spans from caricatures to poignant rural scenes, such as this one. Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he developed his distinctive style. His art is celebrated for its emotional depth and connection to the Swedish landscape.

This watercolor not only showcases Werner's technical skill but also his ability to capture the essence of rural Sweden, making it a significant piece in his oeuvre.

Hilding Werner (1880-1944) Sweden

Stormy Day in Finnskogen, 1906
(Swedish title: Ovädersdag i Finnskogen, 1906)

ink drawing
unframed: 12 x 15 cm (4.72 x 5.91 inches)
framed: 22 x 24.5 cm (8.66 x 9.65 inches)
year: 1906-1907

Provenance: 
We acquired this ink drawing, along with several sketches, watercolors, and oil paintings, as part of a collection. It had previously been inherited within the artist's family.

Essay:

Hilding Werner's ink drawing "Stormy Day in Finnskogen" captures a dramatic moment in the historic region of Finnskogen, located in the counties of Värmland in Sweden and Innlandet in Norway. This sketch, dated July 1906, presents a vivid depiction of an impending storm, showcasing Werner's skill in conveying movement and atmosphere through expressive line work.

About the Motif:

Finnskogen, which translates to "Forest of the Finns," is a unique area rich in history due to the migration of Finnish people during the 17th century. These migrants, known as Skogfinner or "Forest Finns," established themselves in the dense forests, bringing with them their distinct cultural practices, including slash-and-burn agriculture (svedjebruk). The landscape of Finnskogen, characterized by its deep forests and historical significance, provides a hauntingly beautiful backdrop for Werner's work.

Historical Significance of Finnskogen:
The core area of Finnskogen is situated in the eastern part of Solør, adjacent to the Swedish border. This forested belt, approximately 32 kilometers wide, has been home to a blend of Swedish and Finnish cultures for centuries. The region's history includes periods of tension and integration, with Finnish settlers initially welcomed but later facing expulsion during the 1630s due to conflicts over agricultural practices. By the 20th century, the cultural integration was such that pure Finnish descent was rare, though Finnish place names and traditions persisted.

Since 2018, efforts have been underway to designate Finnskogen as a UNESCO World Heritage site, recognizing its cultural and historical significance.

About Hilding Werner:

Hilding Werner (1880-1944) was a Swedish painter and draughtsman, born in Millesviks socken, Värmland. After studying at Caleb Althin's art school in Stockholm and participating in the Konstnärsförbundet's second art school, Werner developed his distinctive style. His works range from romantic and realistic landscapes to caricatures, with a particular focus on the Värmland region. Despite not holding any solo exhibitions during his lifetime, Werner's contributions to art were celebrated posthumously, including a retrospective at the Värmlands museum in 1946.

Werner's connection to fellow artists like Gustaf Fjæstad and Bror Lindh influenced his work significantly. His landscape paintings often reflect a romantic and introspective view of nature, mirroring the emotive and atmospheric qualities seen in "Stormy Day in Finnskogen."

This drawing not only exemplifies Werner's artistic talent but also serves as a historical document, encapsulating the essence of Finnskogen during a stormy summer day over a century ago.

Oskar Bergman (1879-1963) Sweden

Birch Trees Reflected in a Stream

watercolor on paper
signed Oskar Bergman 
c. 1905-1915
full paper dimensions: 7.5 x 6 cm (2.95 x 2.36 inches)
visible image: 5.5 x 4 cm (2.17 x 1.57 inches)
framed: 14 x 11.5 cm (5.51 x 4.53 inches) ​​

Condition: 
Very good condition, with bright and clear colors.
We've replaced the old glass with a UV protected non-reflective glass.

Provenance: 
A Swedish privat collection;
Stockholms Auktionsverk, no 3413529. 

Essay:
We are delighted to present this rare miniature landscape by the artist Oskar Bergman. Measuring just 5.5 x 4 cm, this exquisite piece comes with its original frame and gold passepartout.

The painting beautifully depicts a tranquil scene of birch trees standing tall by a meandering stream, set against a vivid blue sky. The intricate details and vibrant colors showcase Bergman's mastery in watercolor, capturing the serene beauty of the Swedish landscape with remarkable precision and realism.

About the artist: Oskar Bergman (born October 18, 1879, in Stockholm – died July 20, 1963, in Saltsjöbaden) was a distinguished Swedish painter and graphic artist. Bergman primarily worked with watercolor and gouache, creating realistic and detailed portrayals of the central Swedish landscape. Despite being self-taught, he made several study trips across Europe to refine his skills and broaden his artistic horizons.

Bergman's works are well-represented in prominent institutions such as the Nationalmuseum, the Thiel Gallery, Norrköping Art Museum, Örebro County Council, and Malmö Museum. He resided near Neglinge Gård in Saltsjöbaden for many years and is buried at the local cemetery in Skogsö. Notably, Oskar Bergman was the brother of actor and theater director Axel Bergman.

This miniature landscape, which is one of the finest we have seen, is a testament to Bergman's exceptional talent and his ability to encapsulate the essence of nature in a compact format. 

Allan Österlind (1855-1938) Swedish/ French

Sevilla, 1893

watercolour on paper
signed and dated Allan Österlind Sivilla 1893
the motif is c. 44 x 29,5 cm
frame 63 x 47.5 cm

Essay:

Allan Österlind, a Swedish artist who became a well known figure in French art circles, beautifully captures the essence of Andalusian culture in his 1893 watercolor painting, "Sevilla." Born to Per August Österlind and Johanna Petronella Skoog, Österlind embarked on his artistic journey at the Konstakademin in Stockholm and later honed his skills at the École des Beaux-Arts in Paris. Originally training as a sculptor under Pierre-Jules Cavelier, Österlind transitioned to painting, a medium through which he found profound expression and acclaim.

Allan Österlind's "Sevilla" captures a compelling glimpse into traditional Spanish life, reflecting the artist's time in Spain in 1893. The watercolour features a group of four figures dressed in cultural attire, exuding a sense of daily life and communal interaction in Sevilla. A mature woman, adorned in a blue and white traditional dress, sits prominently in the foreground, her face marked by an expression of thoughtful engagement. Next to her stands a younger woman in a vibrant red shawl, playing a guitar, adding a musical element that suggests a typical leisure scene.

Two other figures, a young girl and a man in a traditional hat, complete the group, contributing to the narrative of a community scene. The man's attire and posture hint at a story of rural or market life, possibly after a day's work. The backdrop and the simple, yet expressive use of watercolor enhance the rustic and warm feel of the scene, suggesting the simplicity and the vibrancy of life in Sevilla during the late 19th century.

This painting not only showcases Österlind's adeptness with watercolor but also reflects his deep engagement with the places he visited. His ability to capture the essence of Andalusian culture, with its vivid colors and dynamic expressions, speaks to his broader artistic journeys.

Österlind's life was marked by a constant exploration of new environments and artistic techniques. After settling in France in 1877, he became an active participant in the Parisian art scene, frequently exhibiting at the Paris Salon and becoming associated with the Société Nationale des Beaux-Arts. His paintings, often inspired by his travels and the people he encountered, are celebrated for their sensitivity and vibrant portrayal of everyday life.

Wilhelm Dahlbom (1855-1928) Sweden

Moonlight, Idö, 1912

oil on canvas
signed and dated Wilhelm Dahlbom Idö 1912.
unframed 36 x 43 cm
framed 54 x 60 cm 

Condition:
Overall very good condition, the original gold frame has some minor repairs. 

Provenance:
Bukowskis Finland, 2 April 2008, lot 645, called "Kuunvaloa - Månsken. (1912)", Illustrated on page 88 of the catalog;
A private collection Finland. 

Essay:
We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the scene unfolding on a rugged shoreline where the relentless caress of the sea has smoothed the rocks over time. It is an evocative portrayal of nature's timeless beauty and power.

The location depicted is Idö, which could refer to the islands of the same name either in Västervik or Norrtälje, known for their picturesque landscapes. The painting is in excellent condition and It is housed within an elegant gold frame, which is most likely the original frame. 

Wilhelm Dahlbom (1855-1928) was the son of entomologist Anders Gustaf Dahlbom. He honed his artistic skills at the Royal Swedish Academy of Fine Arts in Stockholm and continued his studies abroad, particularly in Paris, but also in Italy and Germany. Dahlbom's passion for landscape painting is evident in his works, which predominantly feature central Sweden and Skåne's beech forests, often a favored subject.

His paintings is today housed in prestigious museum collections such as Nationalmuseum in Stockholm, the Malmö Art Museum, and the Swedish Portrait Collection at Gripsholm Castle. 

Gustaf Fjaestad (Fjæstad) (1868-1948) Sweden

Spring Flood 1930

oil on board
signed and dated 30.4.30
unframed 22 x 36 cm
framed 35 x 48.5 cm

authenticated 1970 by his son Bo Fjæstad (on the back)

Essay:
"Spring Flood" from 1930 by Gustaf Fjæstad, is a compelling testament to his ability to capture the dynamic essence of nature. The artwork vividly illustrates the surging waters of a spring flood, with a sense of movement so intense that viewers can almost hear the rush of water. A remarkable feature of this piece is Fjæstad's innovative technique of etching details into the paint using the reverse end of his brush, adding texture and depth to the scene.

Gustaf Fjæstad was not only a distinguished Swedish painter but also a notable member of the Rackstad colony, a community of artists based in Arvika, Värmland. His artistic journey began at the Royal Swedish Academy of Fine Arts and was followed by studies at the Konstnärsförbundet school. Fjæstad's creative versatility saw him collaborate with artists like Bruno Liljefors and Carl Larsson, contributing to works displayed in prestigious locations, including the Biological Museum in Stockholm and the Stockholm National Museum.

Nils Forsberg (1842-1934) Sweden

Oil Sketch for the Painting "Death of a Hero", c. 1885-88

oil on wood panel
stamp signed
unframed 32.5 x 41 cm
framed 42 x 50 cm

Provenance: 
Sold through Nils Forsberg's estate.

Essay:
The artwork presented here is an oil sketch by the Swedish painter Nils Forsberg, a study for his famous painting "Death of a Hero, 1888", today in Nationalmuseum Stockholm art collection. The final panting earning him the gold medal at the Salon in Paris.
The sketch is an intimate glimpse into Forsberg's meticulous process and the raw emotion that underpins the final painting.

"Death of a Hero" is a narrative frozen in time, inspired by the harrowing experiences and sights Forsberg encountered during the Franco-Prussian War. Depicted is a man kneeling and leaning over the bed of a deceased hero, encapsulating the ultimate sacrifice and the weight of loss in war. Forsberg's study is divided into three sections, each elaborating on the theme and adding depth to the narrative, allowing the viewer to witness the evolution of the motif.

Born in Riseberga, Scania, on 17 December 1842, Nils Forsberg's journey from a peasant's son to a Parisian artist is a story of determination and passion. His early life, marked by farming and an apprenticeship in house painting, eventually led him to Paris in 1867, thanks to a government stipend. Studying under Léon Bonnat, Forsberg honed his craft, later contributing significantly to historical painting with a focus on realism and social commentary.

The oil sketch here for sale is not just an artwork but a piece of history, offering insights into Forsberg's creative process. 

Death of a Hero 1888, Nationalmuseum Stockholm 

Hilding Linnqvist (1891-1984) Sweden

A Rural Landscape With Cows and Horses

watercolor
signed with monogram HL
framed 43.5 x 51.5 cm

Essay: 
This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984.
Linnqvist, known for his association with the Naïvist movement, often described as a "lyrical Naïvist," showcases his unique ability to capture the essence of rural life with a remarkable simplicity and charm. This artwork features grazing cows and horses amidst a lush landscape, with water reflections in the foreground, encapsulating the artist's love for landscape motifs.

The painting exudes Naïvist characteristics, revered for its beauty in simplicity, almost giving the impression of being unfinished. However, we believe that Linnqvist considered this piece completed decided to sign it with his monogram HL.
Linnqvist's artistic journey began at the Technical School (now Konstfack) from 1908 to 1910 and continued at the Royal Swedish Academy of Arts from 1910 to 1912, before he left to form an independent study group with fellow artists. This group made its debut in 1914, but Linnqvist's breakthrough came with the autumn exhibition at Liljevalchs in 1918.

This watercolor remains a testament to Linnqvist's enduring legacy and his connection with the natural world, rendered with a depth of feeling and an understated elegance that speaks directly to the viewer's soul.

Axel Axelsson (Axelson) (1854-1892) Sweden

A Day in Venice, 1892

oil on canvas
signed and dated 
unframed 24 x 14 cm (9.45 x 5.51 inches)
framed 28 x 18.5 cm (11.02 x 7.28 inches)

Essay: 

This captivating painting by Axel Axelsson (1854-1892), titled "A Day in Venice, 1892", illustrates a moment in Venice in the year 1892. Within the compact dimensions of 24 x 14 cm, Axelson masterfully captures the tasks of daily life in Venice during that time. The scene is centered around a woman drawing water from a well, surrounded by chickens pecking at the ground, which adds a touch of liveliness to the painting. The background features a hanging lamp with blue glass, while a staircase leads the viewer's eye upwards, hinting at unseen spaces and stories beyond.

The courtyard setting is rich with detail: wooden shutters slightly ajar in the upper windows, with laundry hanging to dry, whispering tales of the lives within. A birdcage placed between the windows serves as a charming detail.
Despite the painting's modest size, Axelson's skill in capturing details and atmosphere is evident, showcasing his expertise in architectural and interior motifs.

Axelsson's journey as an artist took him across Europe and North Africa after his studies at the Royal Swedish Academy of Arts between 1872 and 1876. Primarily focusing on architectural motifs and church interiors, his works often feature scenes from Venice, Rome, and the Rhine region. His participation in the Royal Swedish Academy of Arts' exhibitions in 1885 and 1887, and his connection to the Lill-Jans artist circle—mentioned in August Strindberg's novel "The Red Room"—highlighting that he was an important artist of his time, unfortunately he is today almost forgotten. 

Axelsson's paintings are held in prestigious collections such as the National Museum in Stockholm, Norrköping's Art Museum, and the Gothenburg Museum of Art.