If you are seeking to purchase classic paintings, you have come to the right place. Our extensive collection spans from the early 16th century to the early 1900s and features a carefully curated selection. Additionally, we offer complimentary international shipping on all orders.
oil on masonite unframed: 21 x 45 cm (ca 8.27 x 17.72 inches) framed: 31 x 55 cm (ca 12.20 x 21.65 inches) signed Ivan Bergdahl
Essay: Ivan Bergdahl, born in 1929 in Säbrå, is a celebrated Swedish artist renowned for his evocative landscape paintings that capture the stunning natural beauty of Sweden. His work, often inspired by the landscapes of northern Sweden, showcases his ability to depict the vibrant interplay of light and color in nature.
Sunny October Day, Abisko is a beautiful representation of his work from the early 1960s. This painting reflects the influence of Helmer Osslund, a master of Swedish landscape painting known for his vivid and expressive depictions of the northern Swedish wilderness. The use of bold colors and dynamic brushstrokes in Bergdahl’s painting pays homage to Osslund’s style, while also highlighting Bergdahl’s unique artistic vision.
The scene captures a serene autumn day in Abisko, a village in the far north of Sweden, situated in the Sápmi region. Abisko is renowned for its stunning natural scenery, including the majestic Abisko National Park, which is famous for its clear skies, rugged mountains, and vibrant fall colors. In this painting, Bergdahl masterfully portrays the rich autumnal hues and the tranquil waters, with the bright blue lake set against the warm tones of the surrounding landscape. The painting conveys a sense of peace and the timeless beauty of Abisko's nature.
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Otto Lindberg - Breakers at Utö, 1928
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Otto Lindberg (1880-1955) Sweden
Breakers at Utö, 1928 Bränningar vid Utö, 1928
oil on canvas signed and dated Otto Lindberg 1928 unframed 70 x 120 cm framed 78 x 127 cm
Essay:
We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece measures 78 x 127 cm, including its elegant gold frame.
The term "Bränningar" refers to the powerful waves or breakers that crash against coastal formations or shallow grounds, known as "breakers" or "surf" in English. Lindberg's depiction captures the dynamic and mesmerizing interaction between the sea and the rugged coastline.
In this painting, Lindberg masterfully portrays the serene yet captivating seascape. The composition features the tumultuous sea breaking against the dark, rocky shoreline under a vibrant and moody sky. The subtle hues of green and blue dominate the sky and water, while the sunset casts a soft, warm glow across the horizon. In the distance, a solitary sailboat adds a sense of scale and tranquility to the otherwise dramatic scene.
About the Artist:
Otto Lindberg (1880-1955) was a renowned Swedish artist born in Söderhamn. Known for his landscapes and marine paintings, Lindberg studied at the Royal Academy of Fine Arts in Stockholm before furthering his education in Germany and Italy. His style is often described as post-impressionism, characterized by a personal touch and a keen focus on light and color.
Lindberg's works frequently feature a vibrant and strong color palette, aiming to capture the essence and atmosphere of nature. His ability to convey the interplay of light and natural elements is evident in "Bränningar vid Utö," making it a prime example of his artistic prowess.
This painting is a testament to Lindberg's talent and his love for the Swedish coastal landscape. It is a must-have for collectors and art enthusiasts who appreciate the beauty of nature rendered through a post-impressionist eye.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Thomas Barker of Bath - Rocky Path With Figures
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Thomas Barker of Bath (1769-1847) British
Rocky Path With Figures
oil on oak panel unframed 13 x 11 cm framed 23 x 20 cm written on the back: Rocky Path With Figures by Barker of Bath
Provenance: A Swedish private collection.
Condition: The painting has recently undergone restoration by our conservator and is in excellent condition. It comes with a beautiful gold frame, whit a fine patina with minor flaws.
Essay: This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece showcases Barker's skill in capturing the essence of rural life and landscape, which he was so well known for. The painting features a serene and picturesque scene, where travelers navigate a rocky path through a wooded area. The attention to detail in the figures and the landscape highlights Barker's dedication to his craft and his ability to bring a scene to life.
Thomas Barker, also known as Barker of Bath, was a British painter renowned for his landscapes and depictions of rural life. Born in Trosnant near Pontypool, Monmouthshire, Barker displayed a talent for drawing from a young age. Despite being entirely self-taught, his artistic skills flourished, leading to a prolific career that spanned several decades.
Barker's journey to becoming an acclaimed artist began when his family moved to Bath, where he gained the patronage of Charles Spackman, a wealthy coach-builder. This support allowed Barker to refine his skills by copying the works of Dutch and Flemish masters. His talent soon gained recognition, and he became a regular exhibitor at prestigious institutions such as the Royal Academy and the British Institution.
Thomas Barker's works are held in several prominent museums and galleries, including:
Tate Gallery, London: Houses six of Barker's paintings, including "A Woodman and his Dog in a Storm."
Victoria Art Gallery, Bath: Home to "Hampton Rocks, Morning."
Folger Shakespeare Library, Washington, D.C.: Displays "Macbeth and the Witches."
Wolverhampton Art Gallery: Features "Italian Landscape 1808" "Landscape with a Waterfall" and "Landscape with Cattle."
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Hilding Werner - Hulda in a Room at Ruds Säteri
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Hilding Werner (1880-1944) Sweden
Hulda in a Room at Ruds Säteri
mixed media on paper unframed 27 x 22.5 cm (10.63 x 8.86 inches) framed 38 x 33.5 cm (14.96 x 13.19 inches) Provenance: We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.
Essay: This finely executed portrait by Hilding Werner captures Hulda seated in a room at Ruds Säteri. The drawing, skillfully rendered with an ink pen, demonstrates Werner's mastery of line work. Each stroke contributes to the overall composition, creating a rich sense of depth and texture. Hulda is depicted sitting gracefully with a book in her hand, exuding an aura of calm contemplation. The background features a window, adding a sense of space and light to the scene.
About the Artist:
Hilding Werner (1880-1944) was a notable Swedish painter and draughtsman known for his romantic and realistic landscapes, portraits, and caricatures. Born in Värmland, Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he honed his distinctive style. His work often reflects a deep connection to the Swedish landscape and a keen eye for detail, as seen in this intimate portrait of Hulda. Werner's art continues to be celebrated for its emotional depth and technical precision.
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Hilding Werner - Barn Buildings at Ruds Säteri, 1900
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Hilding Werner (1880-1944) Sweden
Barns Buildings at Ruds Säteri, 1900
watercolor on paper unframed 21.5 x 31 cm (8.46 x 12.2 inches) framed 22 x 40 cm (8.66 x 15.75 inches) written on the back: Ruds ladugårdshus, 1900
Provenance: We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.
Condition: The watercolor is in a very good condition, having recently been treated by a paper conservator. The conservator successfully diminished the visibility of a text on the back, which had previously shown through to the front. The frame is new and features UV-protected, non-reflective glass.
Essay:
This watercolor by Hilding Werner depicts the barn buildings at Säteriet (Manor) Rud in Arvika, capturing a serene and almost melancholic atmosphere. The soft tones and minimalistic composition highlight Werner's ability to convey stillness and introspection through his art. The painting shows the quiet rural life of early 20th century Sweden, with snow-covered roofs and a calm, muted sky. The simplicity of the scene belies the depth of emotion and tranquility it evokes, a hallmark of Werner's artistic genius.
Ruds Säteri, 1927
About Hilding Werner:
Hilding Werner (1880-1944), a Swedish painter and draughtsman, is known for his romantic and realistic landscapes, particularly of the Värmland region. His work spans from caricatures to poignant rural scenes, such as this one. Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he developed his distinctive style. His art is celebrated for its emotional depth and connection to the Swedish landscape.
This watercolor not only showcases Werner's technical skill but also his ability to capture the essence of rural Sweden, making it a significant piece in his oeuvre.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Oskar Bergman - Birch Trees Reflected in a Stream
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€5.000
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€4.000
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Oskar Bergman (1879-1963) Sweden
Birch Trees Reflected in a Stream
watercolor on paper signed Oskar Bergman c. 1905-1915 full paper dimensions: 7.5 x 6 cm (2.95 x 2.36 inches) visible image: 5.5 x 4 cm (2.17 x 1.57 inches) framed: 14 x 11.5 cm (5.51 x 4.53 inches)
Condition: Very good condition, with bright and clear colors. We've replaced the old glass with a UV protected non-reflective glass.
Provenance: A Swedish privat collection; Stockholms Auktionsverk, no 3413529.
Essay: We are delighted to present this rare miniature landscape by the artist Oskar Bergman. Measuring just 5.5 x 4 cm, this exquisite piece comes with its original frame and gold passepartout.
The painting beautifully depicts a tranquil scene of birch trees standing tall by a meandering stream, set against a vivid blue sky. The intricate details and vibrant colors showcase Bergman's mastery in watercolor, capturing the serene beauty of the Swedish landscape with remarkable precision and realism.
About the artist: Oskar Bergman (born October 18, 1879, in Stockholm – died July 20, 1963, in Saltsjöbaden) was a distinguished Swedish painter and graphic artist. Bergman primarily worked with watercolor and gouache, creating realistic and detailed portrayals of the central Swedish landscape. Despite being self-taught, he made several study trips across Europe to refine his skills and broaden his artistic horizons.
Bergman's works are well-represented in prominent institutions such as the Nationalmuseum, the Thiel Gallery, Norrköping Art Museum, Örebro County Council, and Malmö Museum. He resided near Neglinge Gård in Saltsjöbaden for many years and is buried at the local cemetery in Skogsö. Notably, Oskar Bergman was the brother of actor and theater director Axel Bergman.
This miniature landscape, which is one of the finest we have seen, is a testament to Bergman's exceptional talent and his ability to encapsulate the essence of nature in a compact format.
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Allan Österlind - Sevilla, 1893
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Allan Österlind (1855-1938) Swedish/ French
Sevilla, 1893
watercolour on paper signed and dated Allan Österlind Sivilla 1893 the motif is c. 44 x 29,5 cm frame 63 x 47.5 cm
Essay:
Allan Österlind, a Swedish artist who became a well known figure in French art circles, beautifully captures the essence of Andalusian culture in his 1893 watercolor painting, "Sevilla." Born to Per August Österlind and Johanna Petronella Skoog, Österlind embarked on his artistic journey at the Konstakademin in Stockholm and later honed his skills at the École des Beaux-Arts in Paris. Originally training as a sculptor under Pierre-Jules Cavelier, Österlind transitioned to painting, a medium through which he found profound expression and acclaim.
Allan Österlind's "Sevilla" captures a compelling glimpse into traditional Spanish life, reflecting the artist's time in Spain in 1893. The watercolour features a group of four figures dressed in cultural attire, exuding a sense of daily life and communal interaction in Sevilla. A mature woman, adorned in a blue and white traditional dress, sits prominently in the foreground, her face marked by an expression of thoughtful engagement. Next to her stands a younger woman in a vibrant red shawl, playing a guitar, adding a musical element that suggests a typical leisure scene.
Two other figures, a young girl and a man in a traditional hat, complete the group, contributing to the narrative of a community scene. The man's attire and posture hint at a story of rural or market life, possibly after a day's work. The backdrop and the simple, yet expressive use of watercolor enhance the rustic and warm feel of the scene, suggesting the simplicity and the vibrancy of life in Sevilla during the late 19th century.
This painting not only showcases Österlind's adeptness with watercolor but also reflects his deep engagement with the places he visited. His ability to capture the essence of Andalusian culture, with its vivid colors and dynamic expressions, speaks to his broader artistic journeys.
Österlind's life was marked by a constant exploration of new environments and artistic techniques. After settling in France in 1877, he became an active participant in the Parisian art scene, frequently exhibiting at the Paris Salon and becoming associated with the Société Nationale des Beaux-Arts. His paintings, often inspired by his travels and the people he encountered, are celebrated for their sensitivity and vibrant portrayal of everyday life.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Wilhelm Dahlbom - Moonlight, Idö, 1912
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Wilhelm Dahlbom (1855-1928) Sweden
Moonlight, Idö, 1912
oil on canvas signed and dated Wilhelm Dahlbom Idö 1912. unframed 36 x 43 cm framed 54 x 60 cm
Condition: Overall very good condition, the original gold frame has some minor repairs.
Provenance: Bukowskis Finland, 2 April 2008, lot 645, called "Kuunvaloa - Månsken. (1912)", Illustrated on page 88 of the catalog; A private collection Finland.
Essay: We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the scene unfolding on a rugged shoreline where the relentless caress of the sea has smoothed the rocks over time. It is an evocative portrayal of nature's timeless beauty and power.
The location depicted is Idö, which could refer to the islands of the same name either in Västervik or Norrtälje, known for their picturesque landscapes. The painting is in excellent condition and It is housed within an elegant gold frame, which is most likely the original frame.
Wilhelm Dahlbom (1855-1928) was the son of entomologist Anders Gustaf Dahlbom. He honed his artistic skills at the Royal Swedish Academy of Fine Arts in Stockholm and continued his studies abroad, particularly in Paris, but also in Italy and Germany. Dahlbom's passion for landscape painting is evident in his works, which predominantly feature central Sweden and Skåne's beech forests, often a favored subject.
His paintings is today housed in prestigious museum collections such as Nationalmuseum in Stockholm, the Malmö Art Museum, and the Swedish Portrait Collection at Gripsholm Castle.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Gustaf Fjaestad - Spring Flood 1930
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Gustaf Fjaestad (Fjæstad) (1868-1948) Sweden
Spring Flood 1930
oil on board signed and dated 30.4.30 unframed 22 x 36 cm framed 35 x 48.5 cm
authenticated 1970 by his son Bo Fjæstad (on the back)
Essay: "Spring Flood" from 1930 by Gustaf Fjæstad, is a compelling testament to his ability to capture the dynamic essence of nature. The artwork vividly illustrates the surging waters of a spring flood, with a sense of movement so intense that viewers can almost hear the rush of water. A remarkable feature of this piece is Fjæstad's innovative technique of etching details into the paint using the reverse end of his brush, adding texture and depth to the scene.
Gustaf Fjæstad was not only a distinguished Swedish painter but also a notable member of the Rackstad colony, a community of artists based in Arvika, Värmland. His artistic journey began at the Royal Swedish Academy of Fine Arts and was followed by studies at the Konstnärsförbundet school. Fjæstad's creative versatility saw him collaborate with artists like Bruno Liljefors and Carl Larsson, contributing to works displayed in prestigious locations, including the Biological Museum in Stockholm and the Stockholm National Museum.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Nils Forsberg - Oil Sketch for the Painting "Death of a Hero", c. 1885-88
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Nils Forsberg (1842-1934) Sweden
Oil Sketch for the Painting "Death of a Hero", c. 1885-88
oil on wood panel stamp signed unframed 32.5 x 41 cm framed 42 x 50 cm
Provenance: Sold through Nils Forsberg's estate.
Essay: The artwork presented here is an oil sketch by the Swedish painter Nils Forsberg, a study for his famous painting "Death of a Hero, 1888", today in Nationalmuseum Stockholm art collection. The final panting earning him the gold medal at the Salon in Paris. The sketch is an intimate glimpse into Forsberg's meticulous process and the raw emotion that underpins the final painting.
"Death of a Hero" is a narrative frozen in time, inspired by the harrowing experiences and sights Forsberg encountered during the Franco-Prussian War. Depicted is a man kneeling and leaning over the bed of a deceased hero, encapsulating the ultimate sacrifice and the weight of loss in war. Forsberg's study is divided into three sections, each elaborating on the theme and adding depth to the narrative, allowing the viewer to witness the evolution of the motif.
Born in Riseberga, Scania, on 17 December 1842, Nils Forsberg's journey from a peasant's son to a Parisian artist is a story of determination and passion. His early life, marked by farming and an apprenticeship in house painting, eventually led him to Paris in 1867, thanks to a government stipend. Studying under Léon Bonnat, Forsberg honed his craft, later contributing significantly to historical painting with a focus on realism and social commentary.
The oil sketch here for sale is not just an artwork but a piece of history, offering insights into Forsberg's creative process.
Death of a Hero 1888, Nationalmuseum Stockholm
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Hilding Linnqvist - A Rural Landscape With Cows and Horses
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Hilding Linnqvist (1891-1984) Sweden
A Rural Landscape With Cows and Horses
watercolor signed with monogram HL framed 43.5 x 51.5 cm
Essay: This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984. Linnqvist, known for his association with the Naïvist movement, often described as a "lyrical Naïvist," showcases his unique ability to capture the essence of rural life with a remarkable simplicity and charm. This artwork features grazing cows and horses amidst a lush landscape, with water reflections in the foreground, encapsulating the artist's love for landscape motifs.
The painting exudes Naïvist characteristics, revered for its beauty in simplicity, almost giving the impression of being unfinished. However, we believe that Linnqvist considered this piece completed decided to sign it with his monogram HL. Linnqvist's artistic journey began at the Technical School (now Konstfack) from 1908 to 1910 and continued at the Royal Swedish Academy of Arts from 1910 to 1912, before he left to form an independent study group with fellow artists. This group made its debut in 1914, but Linnqvist's breakthrough came with the autumn exhibition at Liljevalchs in 1918.
This watercolor remains a testament to Linnqvist's enduring legacy and his connection with the natural world, rendered with a depth of feeling and an understated elegance that speaks directly to the viewer's soul.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Axel Axelsson - A Day in Venice, 1892
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Axel Axelsson (Axelson) (1854-1892) Sweden
A Day in Venice, 1892
oil on canvas signed and dated unframed 24 x 14 cm (9.45 x 5.51 inches) framed 28 x 18.5 cm (11.02 x 7.28 inches)
Essay:
This captivating painting by Axel Axelsson (1854-1892), titled "A Day in Venice, 1892", illustrates a moment in Venice in the year 1892. Within the compact dimensions of 24 x 14 cm, Axelson masterfully captures the tasks of daily life in Venice during that time. The scene is centered around a woman drawing water from a well, surrounded by chickens pecking at the ground, which adds a touch of liveliness to the painting. The background features a hanging lamp with blue glass, while a staircase leads the viewer's eye upwards, hinting at unseen spaces and stories beyond.
The courtyard setting is rich with detail: wooden shutters slightly ajar in the upper windows, with laundry hanging to dry, whispering tales of the lives within. A birdcage placed between the windows serves as a charming detail. Despite the painting's modest size, Axelson's skill in capturing details and atmosphere is evident, showcasing his expertise in architectural and interior motifs.
Axelsson's journey as an artist took him across Europe and North Africa after his studies at the Royal Swedish Academy of Arts between 1872 and 1876. Primarily focusing on architectural motifs and church interiors, his works often feature scenes from Venice, Rome, and the Rhine region. His participation in the Royal Swedish Academy of Arts' exhibitions in 1885 and 1887, and his connection to the Lill-Jans artist circle—mentioned in August Strindberg's novel "The Red Room"—highlighting that he was an important artist of his time, unfortunately he is today almost forgotten.
Axelsson's paintings are held in prestigious collections such as the National Museum in Stockholm, Norrköping's Art Museum, and the Gothenburg Museum of Art.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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Olof Sager-Nelson - Bruges, 1894
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€33.000
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Olof Sager-Nelson (1868-1896) Sweden
Bruges, 1894
oil on canvas unframed 37 x 24.5 cm framed 53 x 40 cm handmade oak frame by Stockholms Förgyllnings och Bildhuggeri.
Condition: Recently restored by Sonia Leon. When we received it, the brushstrokes were almost entirely obscured by a thick, old varnish. Today, it is in very good condition, and the colors have been revived. The frame, which is made of oak, is handcrafted by Christer Björkman.
Provenance: Ina Colliander, relative of the artist.
Exhibited: Thielska Gallery, Stockholm, "Olof Sager-Nelson and his contemporaries – Anywhere out of the world" September, 2015. Dalsland Museum.
Essay: This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses whose reflections gracefully dance upon the water's surface. The choice of Bruges as a subject reflects Sager-Nelson's fascination with the town, a sentiment he shared with many artists of his time. In his correspondence, he often spoke of the struggle to complete paintings that he could send back to Sweden, highlighting his dedication and the financial support he received from patron Pontus Fürstenberg.
Sager-Nelson's life was marked by significant personal challenges, including the loss of his mother at a young age and his father's emigration to the USA after being convicted of embezzlement. Opting for an artistic path after an unsuccessful attempt to study engineering, he found his calling in the arts, studying under Bruno Liljefors at Valand's art school and later drawing inspiration from contemporaries like Édouard Manet, James McNeill Whistler, and Paul Gauguin in Paris. His paintings from 1894, among which this piece is a prime example, are considered his most accomplished works.
Symbolism, as a movement, sought to express the idea that reality could be symbolized by forms and colors that evoke an emotional response rather than directly represent the world. Sager-Nelson's work reflects this philosophy through its emotive use of color and composition, seeking to capture the essence and atmosphere of Bruges rather than a mere photographic representation.
The painting's previous ownership by Sager-Nelson's relative, Ina Colliander, adds to its historical and sentimental value. Sager-Nelson's exploration of symbolism was not just a mere artistic endeavor but a deep, personal journey into the complexities of human emotions and the mysteries of existence, often reflecting his own intense feelings and inner world.
This work stands as a testament to Sager-Nelson's brief but impactful career, capturing the beauty of Bruges through a symbolist lens. It invites the viewer to look beyond the physical world into the emotional and spiritual realms that Sager-Nelson navigated with such passion and sensitivity.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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ARVID JACOBSSON - ST ERIKSBRON SEEN FROM STADSHAGEN, 1908
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€2.500
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ARVID JACOBSSON (JACOBSON) (1881–1966) SWEDEN
ST ERIKSBRON SEEN FROM STADSHAGEN, 1908
signerad och daterad arvid Jacobson 1908 mixed media framed 46 x 40.5 unframed c. 34 x 28.5 cm
Essay:
This enchanting painting by Arvid Jacobsson (Jacobson)(1881–1966), executed in 1908, offers a captivating view of St. Eriksbron as seen from Stadshagen on Kungsholmen. Jacobsson has beautifully captured the essence of early 20th-century Stockholm, a period of significant urban development and transformation.
The focal point of this artwork is the old St. Eriksbron, a bridge that was inaugurated in 1906, featuring its distinctive arches. This bridge not only serves as a crucial link between Kungsholmen and Vasastaden but also marks the boundary between Barnhusviken and Karlbergssjön. The original bridge, a combination of truss and arch structures spanning a length of 226.8 meters, was pivotal in connecting the disjointed parts of Sankt Eriksgatan.
Stadshagen, the area from which this view is depicted, is situated in the northwest part of Kungsholmen and has a rich history dating back to the 1600s. Initially serving as grazing land for the city, the area evolved over centuries from agricultural fields to a hub for industrial activities, including a cotton mill and a sugar refinery in the 19th century. By the late 19th century, due to housing shortages, it became a makeshift home for the city's poor, transforming in the 20th century into a residential area with one of Stockholm's oldest allotment garden associations, Karlbergs-Bro koloniförening, established in 1909.
St. Eriksbron itself has undergone significant changes over the years. The original structure was replaced in the mid-1930s by a steel girder bridge, retaining only four of its original seven spans visible today. This transformation was part of Stockholm's urban development, accommodating the city's first two-story bridge in 1944 to include a lower level for the future subway. The bridge once carried the major European route E4, emphasizing its importance in Stockholm's infrastructure.
Jacobsson's painting not only captures a moment in Stockholm's urban development but also preserves the memory of a landscape on the brink of transformation. The juxtaposition of the natural beauty of Stadshagen with the industrial and architectural advancements embodied by St. Eriksbron offers a unique glimpse into Stockholm's past, making this artwork a significant piece of cultural heritage.
We believe in simplicity; Therefore, all orders ship to your door without any additional costs for transport. We use professional shipping companies and pack all orders carefully with special art shipping boxes. All prices on our website include international shipping and transport insurance.
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ROBERT THEGERSTRÖM - WINTER LANDSCAPE, 1908
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€2.500
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ROBERT THEGERSTRÖM (1857-1919) SWEDEN
WINTER LANDSCAPE, 1908
watercolor signed and dated R Thegerström 1908 visible image 28 x 36.5 cm framed 36.5 x 46.5 hand made frame by Stockholms Förgyllning och Bildhuggeri.
Condition: Very good.
Provenance: Jack and David Berner
Essay: This watercolor by Robert Thegerström, a Swedish painter, draftsman, and graphic artist, captures a serene winter scene from 1908. The artwork presents a frozen lake bathed in warm sunlight, conveying a peaceful atmosphere. The soft, subtle gradients of color showcase Thegerström's mastery of the watercolor medium, adeptly capturing the fleeting moments of natural light and its reflection on the icy surface. This piece is a testament to the artist's ability to blend realism with a poetic sense of atmosphere, characteristic of his work.
Robert Thegerström, born on January 6, 1857, in London, and passing on August 9, 1919, in Stockholm, was a pivotal figure in Swedish art. His education at the Royal Swedish Academy of Arts in Stockholm and subsequent studies in Paris placed him among the ranks of influential artists like Ernst Josephson, Carl Larsson, and Anders Zorn. Thegerström's Paris years were marked by engagement with the vibrant art scene, notably through his studies at Académie Julian and participation in the Paris Salons and the 1889 World's Fair, where he was awarded. His work, often reflecting the influence of his travels and encounters, spans from detailed architectural studies in Egypt to intimate landscapes and portraits back in Sweden.
After settling in Sweden, Thegerström became known for his atmospheric landscapes, capturing the essence of Swedish nature and light. His residence, Villa Tallbacken in Djursholm, became a cultural hub, reflecting his social standing and contributions to the artistic and musical life in Stockholm. Thegerström's legacy extends beyond his paintings, as he played a significant role in the artistic community, co-founding the Konstnärsförbundet (Artists' Association) and influencing Swedish art education and exhibition practices.
This watercolor, offering a glimpse into the quiet beauty of a Swedish winter, not only celebrates Thegerström's artistic achievements but also his role in the cultural life of his time.
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NILS KREUGER - COWS GRAZE IN A MEADOW, 1907
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€1.450
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NILS KREUGER (1858-1930) SWEDEN
COWS GRAZE IN A MEADOW, 1907
pencil, paper paper 9 x 14 cm frame 18 x 23.5 cm
Provenance: The artist; Gifted to the artist's sister, Elisabeth Gustafva Kreuger; Passed down to her daughter, Rut Elin Moren Lindell; Inherited by her son, Bo Lindell (1831-2012); Subsequently passed to his son, Ulf Lindell (born 1956).
Essay: This drawing by Nils Kreuger, a Swedish artist born on October 11, 1858, in Kalmar, and who passed away on May 11, 1930, in Stockholm, showcases a quintessential theme found in his work. The sketch depicts several cows grazing in a field, captured swiftly and with a confident hand, embodying the essence of Kreuger's artistic pursuits. The landscape, drawn in 1907 as indicated, is indicative of Kreuger's fascination with the Swedish countryside, a theme recurrent in his oeuvre post his return from France in the late 19th century.
Nils Kreuger, a pivotal figure in Swedish art, was deeply influenced by his studies in Paris and his interactions with artists at the Grez-sur-Loing artist colony. His early works in France were influenced by the plein-air painting of the French countryside, characterized by a sensitive use of color and light to capture various times of day and weather conditions. Upon his return to Sweden, Kreuger became a founding member of the Varberg School, alongside Richard Bergh and Karl Nordström, transitioning to a style that emphasized the symbolic and national-romantic over the purely observational. This period saw him focusing on landscapes, often featuring grazing livestock, with a stylistic shift influenced by the likes of Paul Gauguin and Vincent van Gogh. Van Gogh's influence is particularly noted in Kreuger's adoption of a unique technique involving dots and small lines, which articulated the terrain and enriched the emotional content of his work.
In later years, Kreuger’s technique evolved further, replacing ink lines with color patches applied with vigorous brushstrokes, contributing to a mosaic-like surface in his paintings. Despite the influence of van Gogh, Kreuger’s work seldom sought the same intensity of expression, instead finding a unique voice through the formal and decorative qualities of his lines and colors.
Kreuger’s contributions to Swedish art are significant, with his work displayed in prestigious museums such as the Nationalmuseum in Stockholm, the Thielska Galleriet, and internationally.
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Alfred Thörne - Birch Trees by the Stream
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€2.100
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Alfred Thörne (1850-1916) Sweden
Birch Trees by the Stream
oil on canvas signed and dated Alfred.Thörne 1902 unframed 27 x 17 cm framed 38 x 28 cm
Provenance: A Swedish private collection.
Essay: This enchanting painting called Birch Trees by the Stream by Alfred Thörne captures the serene beauty of a small forest scene, measuring just 27 x 17 cm. The artwork is a testament to Thörne's fascination with nature, particularly his recurring motif of streams, as evidenced by the delicately painted creek meandering through the left side of the canvas. The sunlit birch trees, a central element in this composition, are rendered with such luminosity and detail that they seem to glow against the shadowed forest backdrop. This piece not only showcases Thörne's mastery of light and texture but also his deep appreciation for the Swedish landscape.
Alfred Thörne, born on April 24, 1850, in Horn, Östergötland, and passed away on March 15, 1916, in Stockholm, was a distinguished Swedish painter. The son of shoemaker Sven Petter Thörne and Inga Catrina Nilsdotter, he married Matilda Josefina Wahlberg in 1891. Thörne's artistic journey began at the Royal Swedish Academy of Arts in Stockholm, where he studied under Per Daniel Holm from 1874 to 1880. His exceptional talent was recognized early when he was awarded the Royal Medal in 1880 for his painting "Sommarmorgon" (Summer Morning). In 1881, he became an agré at the academy, and his pursuit of artistic excellence took him across Europe, with a travel scholarship enabling him to study in Germany, France, Italy, and Belgium from 1884 to 1886.
Thörne's oeuvre spans a variety of subjects, from the mountainous landscapes of southern Germany to the pastoral beauty of Mälardalen, Dalarna, and Bergslagen in Sweden. His work includes portraits and was also recognized for his contributions to religious art, notably an altarpiece for Vimmerby Church. His paintings were widely exhibited, including solo and group exhibitions in Stockholm, the Nordic Art and Industrial Exhibition in Copenhagen in 1888, the Gothenburg Exhibition in 1891, the World's Columbian Exposition in Chicago in 1893, and many others across Sweden. A posthumous exhibition at the Konstnärshuset in Stockholm in 1916 commemorated his contributions to Swedish art.
Thörne's legacy lives on through his representation in several prestigious institutions, including the Nordiska Museet, Nationalmuseum Stockholm, Östergötlands Museum, Norrköping's Art Museum, Gävle Museum, and Sundsvall Museum.
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Carl Johansson - Sturehäll, 1892
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€4.400
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Carl Johansson (1863 - 1944) Sweden
Sturehäll, 1892
oil on canvas signed Carl Johansson Sturehäll 1892 unframed 30 x 45 cm framed 40 x 54.5 cm hand crafted black frame by Christer Björkman is included.
Provenance: Bukowskis, April 1990, lot 47, "Insjövik med vass" (1892), hammer price 7.135 €
Essay:
This painting called Sturehäll by Carl Johansson, crafted in 1892 when the artist was 29 years old, offers a captivating glimpse of Sturehäll, near Sturehov in Norsborg. This piece, stemming from a critical period just after Johansson's return from Grez-sur-Loing—a place renowned for inspiring Swedish artists in the late 19th century—showcases the tranquil yet dynamic essence of nature. At first glance, the scene conveys a serene lakeside adorned with reeds along the shore of Lake Mälaren, but a closer examination reveals a more dramatic natural depiction. Johansson's rapid and confident brushwork breathes life into the reeds, while his technique of incising with the reverse end of the brush adds a layer of drama and texture, enhancing the painting's depth through impasto.
This early work is particularly rare and fascinating due to the significant evolution of Johansson's style over his career. In his later years, Johansson sought to recollect his early pieces, indicative of their importance in his artistic journey. The painting not only reflects Johansson's mastery over landscape but also his innovative approach to capturing the essence of his subject matter.
Johansson, born in Härnösand, drew inspiration from various landscapes, including Northern Sweden, France, Tenerife, and Italy, painting them with the sun positioned at 30 degrees north-northwest. His artistic talent was nurtured under the guidance of Edvard Perséus and at the Royal Swedish Academy of Arts. Johansson's journey through art was marked by his association with the Opponents and his exploration of Impressionism, influenced by luminaries such as Claude Monet and Camille Pissarro.
This piece not only embodies Johansson's transition into a more impressionistic style but also serves as a testament to his enduring connection to the Swedish landscape, particularly the pastoral and historic setting of Sturehov. The manor, built in 1781 in the Gustavian style, and its surrounding parklands and agricultural landscapes, offer a window into Sweden's rich cultural heritage, echoed in Johansson's painting.
Old map shows Sturehov and Sturehäll.
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Oscar Ohlson - Halmstad Harbour Seen From the North
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€2.800
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Oscar Ohlson (1847-1912) Sweden
Halmstad Harbour Seen From the North, 1889
oil on canvas signed and dated Oscar Ohlson 1889
unframed: 27 x 40 cm (10.6 x 15.7 inches) framed: 36.5 x 50.5 cm (14.4 x 19.9 inches)
Compare: An almost identical painting with the same motif and executed in the same year can be found in the Halland Art Museum (Hallands konstmuseum), inventory number HMK000588.
Essay: The painting "Halmstad Harbour Seen From the North" by Oscar Ohlson is a captivating snapshot of daily life and historical architecture, frozen in time from the year 1889. With a meticulous eye for detail, Ohlson has rendered approximately 25 boats in the harbor, each brimming with the quiet bustle of daily chores. The painting invites viewers to step into a moment where people converse, work, and seek respite from the sun under shared umbrellas, while wisps of smoke subtly rise from several boats, suggesting the presence of life and activity beyond the canvas.
In this vibrant scene, a man carries a sack, perhaps fresh merchandise from one of the docked vessels, while others engage in conversation, highlighting the social tapestry of the harbor. Ohlson's masterful use of light reflects on the water, creating a shimmering path that leads the eye to the majestic Halmstad Castle, which adorns the right side of the painting. This historic building, beautifully situated by the Nissan river and not far from the sea, is a testament to Halmstad's past as a Danish territory. Constructed in the early 17th century during the reign of King Christian IV, the castle stands as a reminder of the town's rich history and cultural heritage.
The first building to the right, once part of this historic tableau, has been removed to accommodate modern necessities, replaced by a road that now runs through its former site. This juxtaposition of past and present is a poignant commentary on the evolution of cities and the sacrifices made in the name of progress.
Halmstad itself, a town that straddles the Nissan river, retains much of its early 20th-century character in its city core. Low brick and half-timbered houses, some dating back to the 17th century, dot the landscape. The town center on the west side of Nissan is bordered by remnants of early 17th-century fortifications, including the 1600s castle, Norre Port from 1601, and King Charles XI's path along the old fortress wall. At the heart of the town is Stora Torg with Carl Milles' Europa and the Bull fountain from 1926, and the town hall built in 1938. The city layout, influenced by Renaissance planning, converges at Stora Torg, which is also home to the town's sole medieval building, the brick hall church of St. Nikolai from the 14th century.
Oscar Ohlson (1847-1912), a native of Linneryd, Småland, was a multifaceted individual. Beginning his career with a legal degree from Uppsala University in 1870, Ohlson's passion for the arts led him to pursue music studies before dedicating himself to art under the guidance of Alfred Wahlberg. Settling in Borås, he imparted vocal lessons and crafted his artistic legacy. Ohlson's oeuvre primarily consists of moonlit landscapes and idyllic scenes from Öresund and Blekinge, capturing the tranquil beauty of the Swedish countryside.
The "Halmstad Harbour Seen From the North" stands not only as a beautiful work of art but also as a historical document, allowing us a glimpse into the vibrant life of Halmstad during the late 19th century, as seen through the delicate brushstrokes of Oscar Ohlson.
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Oscar Ohlson - Långälven, Värmland
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€1.700
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Oscar Ohlson (1847-1912) Sweden
"Långälven, Värmland"
oil on canvas signed Oscar Ohlson unframed 25.5 x 38.5 cm framed 35.5 x 48.5
Essay: This enchanting Swedish painting, dated circa 1890, is believed to depict the tranquil waters of Långälven in Värmland, a testament to Ohlson's prowess in capturing the essence of the Swedish countryside.
The scene is a gentle narrative, where we witness a family moment frozen in time. Parents stand by their daughter on a wooden dock, poised to embark on a journey across the reflective waters. The young girl, dressed in period attire, appears eager and curious, a universal symbol of youth's anticipation for adventure. Her parents, dressed in the fashion of the late 19th century, exude a sense of calm and assurance.
Ohlson's brushwork brings the scene to life with a delicate interplay of light and shadow, mirroring the cloud-speckled sky on the lake's surface. The background is dotted with other vessels, suggesting the shared pleasure of the day's end on the water.
Oscar Ohlson (1847–1912), born in Linneryd, Småland, and later settling in Borås, was a multifaceted artist who, after pursuing law, found his true calling in the arts. A student of Alfred Wahlberg, Ohlson's works are characterized by moonlit landscapes and idyllic themes from around Öresund and Blekinge. This painting is a fine example of his landscape oeuvre, reflecting a romantic yet realistic portrayal of Swedish nature and leisure at the turn of the century.
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Ulf Linde - Seen from Behind
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€4.200
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Ulf Linde (1929-2013) Sweden
Seen from Behind
gouache on board signed U.L and dedicated to "Berit" unframed 8.27 x 5.12 inches (21 x 13 cm) framed 11.81 x 8.46 inches (30 x 21.5 cm)
Literature: "Ulf Linde - Essays from a Lifetime in the Arts" from 2023 is included in the purchase.
Essay: This gouache painting by Ulf Linde, a multifaceted Swedish figure, presents a unique portrayal of a woman seen from behind, set against a blue and white striped background. The artwork, likely from the 1970s or 1980s, reflects Linde's admiration for René Magritte, whose influence can be discerned in the mysterious and thought-provoking silhouette. The absence of facial features draws the viewer's attention to the form and posture, perhaps challenging us to consider the unseen aspects of identity and presence.
Ulf Linde (1929–2013) was a renowned Swedish art critic, jazz musician, author, museum director, professor, composer, and member of the prestigious Swedish Academy. His father was Harald Linde, an engineer, and his mother Karin Krouthén. Linde's career spanned various realms of art and culture; he was first married to Bertha Lundgren and, after her passing, to Nina Öhman, who succeeded him as the head art curator of the Thielska Gallery.
Linde's membership in the Royal Swedish Academy of Fine Arts from 1963 and the Swedish Academy from 1977 marked his prominent role in the arts. He succeeded Eyvind Johnson in seat number 11 of the Swedish Academy and directed the Thielska Gallery for 20 years.
As an art critic for Dagens Nyheter from 1956 to 1968, Linde was recognized for his radical views on art, emphasizing the viewer's participatory role. His book "Spejare" ('Scouts') from 1960, was a collection of articles on the "informal" artists and was instrumental in triggering Sweden's "great art debate" of 1962. Lind's profound interest in Marcel Duchamp led him to create replicas of Duchamp's works, some of which were signed by Duchamp himself and are now housed in the Moderna Museet in Stockholm.
After leaving Dagens Nyheter in 1968, Linde continued to shape Swedish art discourse as a professor of modern art theory at the Royal Institute of Art and as an interim director at the Moderna Museet. His legacy includes over a hundred temporary exhibitions at the Thielska Gallery, and his "micro-essays" are compiled in the book "Presentationer" ('Presentations').
This particular gouache is accompanied by an exquisite pine frame, adding to its allure. It is dedicated to someone named "Berit," possibly someone of significance in Linde's life. The artwork, through its simplicity and evocative use of color and silhouette, embodies a magnetic charm that is difficult to articulate but deeply felt, much like the enigmatic works of Duchamp and Magritte that Linde admired so much.
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